In The Firing Line

As a rule I don’t do reality TV shows.

As a rule I don’t – if I have any choice about it – do reality though being a hyper-cautious moral wuss my flights of escapism are normally fuelled by books and cinema rather than Charlie or H. My highs might only be literary or cinematic but at least they don’t involve kidney failure or brain damage. That said I have got the Withnail & I boxed set on order and there’s always the possibility of playing the traditional 'Withnail & I drinking game' whilst watching it.

The only reality show I do do is The Apprentice. And paradoxically it probably appeals so much because it is so not real.

The premise is real. The tasks are real(ish). The prize is real (though I imagine it to be something of a poisoned chalice).

The applicants are not. They are without fail the biggest bunch of fakers and self-deluded charlatans ever to dissemble across the face of the earth. And they get more fake each year.

Overblown. Pompous. Constantly self-centredly orgasming over their own self-directed, egocentric hyperbole. Totally blind to the way they willingly sacrifice what little shred of dignity they may possess on the televised altar of their own mistaken self-belief that they are “the one”. I utterly loathe them.

But I utterly love loathing them.

And that’s why I watch.

In a real sense The Apprentice is educational. This is how you do not do business. This is how you do not succeed. The dinosaurs and the outmoded concepts that still abound in this grubby little mercantile world are both amazing and appalling. In the first week the leader of the girl’s team urged her female associates to wear heels and a short skirt as it would help them all sell more product. A woman. A woman said this to other women. And could not understand why they objected. I would have loved her to suggest a shorter skirt to Karen Brady. Actually, sod that, I would have loved her to suggest it to Nick Hewer.

Nick is great. His expression couldn't look more sour if he was sucking a Haribo’s Tangfastic that had been soaked in vinegar from Craig Revel Horwood’s left armpit.

Ultimately though the true draw of the show is Sir Alan Sugar. I won’t pretend to like him. But compared to the applicants he’s the lesser of two evils. My enemy’s enemy is my friend, etc. And Sir Alan is certainly no friend to the contestants.

They’ve introduced a new schtick into this current series. Nearly twice the number of combatants but the potential for multiple firings in each show. It sounds like something out of a hard-core porn movie - e.g. last week Sir Alan dispatched 2 twats in one go. One before he'd even made it to the final boardroom stand-off. It’s beautiful; seeing all these plastically confident god-complexes crumble with the sudden realization that Sir Alan could finger them all out of the running at any possible moment.

And it’s good for them too. It humanises them. It strips away their self-erected façade of impervious eternally-ensured victory. Seeing them tramp away dejectedly with their Gucci luggage trolleys we finally get to see the disappointed (and disappointing) little children at heart that, without fail, they all secretly are.

But Sir Alan doesn’t go far enough. I want to see them tortured mercilessly with a constant weight of stress... I want to see them weeping snottily beneath a tonne-heavy sword of Damoclesiastic anxiety suspended by the merest spider’s web of Sir Alan's diminutive mercy... Psychologically waterboarded with the spectre of Sir Alan suddenly appearing at any given moment to kick them off the show with his career-ending fingerpoint of shame. When the telephone rings at the delegate's house at the start of the show to tell them where the next task is to take place I want Sir Alan to suddenly come onto the line and randomly fire whatever pole-greaser has got to the phone first to answer it. When they’re in the middle of Camden Town selling moody spuds from an Amstrad owned market stall I want Sir Alan to appear in the queue in a cloth cap and a Frank Spencer overcoat to hurl their Maris Piper’s back into their faces and tell them they’ve had their chips and the taxi is waiting in the gutter to take them back home to Crapchester. And most delicious of all, I want the boardroom showdown survivors to stagger back to the house at the end of the show, full of anecdotal PTSD and the lone survivor’s raconteur spirit only to have Sir Alan leap out of the wardrobe before they can get their hands on a conciliatory glass of Prosecco and say, ”Ha! Fooled you, worm! You have no right to your smarmy sense of relief! Get out – you’re fired! Fired just because I can do it and the all-sucking vacuum at the heart of my demonic and blackened soul is bigger and far mightier than yours!”

Boom. The ghost in the machine morphs into Frankenstein’s monster. Or a smaller, hairier, coconut headed Godzilla.

Now that, my friends, would be a show.

And true reality.

Because as we all know, that is how real life works.

It tests whether you’ve got balls. And then it kicks you in them.

Welcome to my world.

Now get out. You’re fired.

Pornification

So the Co-operative has issued an ultimatum to the UK’s lad’s mag publishers: cover up or push off.

Basically, the publishers of such literary gems as Nuts, Loaded and Zoo have until 9th September to start issuing their journals in “modesty bags” or risk a firm refusal from the Co-op chain to even stock the publications on its 4,000 shelves.

While part of me is smirking at the thought of the busty models on the cover of Loaded being forced into an opaque polythene chastity belt I can see that this is a complicated issue (unlike the content of the issues at the centre of the conflict).

I don’t think anyone would disagree that the sheer amount of virtual female flesh that is currently on display around the Western world is deeply disturbing in its volume. Bus shelters, newsagents, internet, calendars, television and computer games all over our technologically advanced hemisphere are awash with tanned cleavage and airbrushed thigh.

Time was when I was a kid you’d have to strain your neck up to the top shelf of a newsagent to see an exposed naval or the slightest hint of pokie action. Nowadays you have to shift aside glossy images of buoyantly racked soap stars and pop singers exercising their diaphragms by sitting legs akimbo just to get your hands on the latest CBeebies magazine for your children.

Now I am not a prude. I’m a normal, sexually dynamic bloke. If I see a picture of an attractive woman (doesn’t have to be a supermodel – in fact, personally, I have leanings towards the real woman end of the spectrum) I’m going to have the expected response.

But.

It’s a no-brainer that to commodify women and use them to sell product is morally, sexually and intellectually wrong. It’s actually worse when the product that is being sold is sex itself. There’s a weird kind of slavery ethos at work at that point that is worse because it is so insidious. Everyone is compromised by it. Everyone is cheapened.

I really don’t want my boys growing up in a world where one half of the human race is seen merely as a mass marketing tool and the other responds unthinkingly like the tools they undoubtedly are.

And yet I look at some of my blog posts – the last one is a good example – and it is plain that I’m not beyond throwing up a picture of an attractive actress to draw attention to my blog. Sure I don’t take the pictures and I don’t ask the models in question to pose so provocatively but I still use them to attract readers to my blog, to boost my stats.

I’m guilty as charged, milord. I guess it’s a good job my blog isn’t published as a glossy magazine because maybe it would be in a brown paper bag under the counter at the Co-op along with Zoo. Though I would hope that the articles contained inside mine would be a darn sight more thought provoking.

The issue at the heart of the problem is sex education. It hasn’t kept up with the march of progress. The hearts and minds of the young are ceaselessly influenced by the online world. And that world is, to quote shadow health minister Diane Abbott, completely pornified and the pornification has spread out into the real world too. This totally skews the attitudes of the younger generation towards sex, to each other and to themselves. Kids these days have far easier access to hardcore pornography than my generation ever did. Too easy access in my opinion. And it is barely regulated meaning that there’s a lot of nasty stuff out there being passed off as “the norm”. That is highly dangerous to an impressionable mind.

Sex education needs to catch up with this technological boom, catch on to what is happening and redress the balance. Because what is missing from this huge deluge of objectification and sex marketing is emotional content and emotional context – the most important aspect of any kind of sexual relationship. Without it objectification is inevitable.

With it the only thing that is inevitable is a just and righteous sense of outrage.

We need to teach people to re-engage with their hearts and minds – not just their genitals.

At best, chastity belts and modesty bags just sidestep the issue and make the whole topic even more fetishized. At worse they collude and allow the status quo to continue.

And surely nobody but nobody wants the Quo to continue?

Ho ho.

ATM WTF

I have a real problem with ATMs

Not just the fundamental issue of having to rely on a machine to present me with my own money in order to buy food to ensure my on-going survival – it’s something a little more prosaic than that.

It’s the beeps. The nagging beeps that harass you to remove your card or remove the money once it’s been squeezed out through the machine’s mealy-mouthed pinch rollers.

I get that the beeps are there as some kind of auditory spur, to prompt you into physically interacting with the machine at the appropriate time and in the appropriate manner. I get that they are an aid to informing people with visual impairments that a step in the process they have undertaken has just been completed.

But I hear the beeps as an impatient nag. An antisocial klaxon that announces to the world that I haven’t removed my card or my cash quick enough for the machine’s liking. It’s like beeping a car horn at someone because they aren’t moving fast enough or are in your way.

I find myself constantly in a race against the machine’s sensors; trying to whip out my card before the machine can get in that first beep; cursing when I inevitably fail to do it. Because let’s face it most ATM’s have a grip like a pornstar sucking… er… an ice lolly (for example).

The beeps are just too abrasive. Too impersonal. Too open to negative interpretation.

Surely a recorded voice would be better? Somebody like Kate Winslet softly intoning things like, “Thank you for using me to fulfil your transactional needs – you may now remove your huge wad from my slot.” I wouldn’t mind if the world and his daughter heard that emanating from the ATM I was using.

Of course, these messages would need to be carefully regulated and recorded solely off-site. Giving the local cashiers access to recording their own messages would only lead to trouble. Messages like “You can now remove your penis from my portal” or “You have been too late with your withdrawal and there is a chance I am now pregnant” would undoubtedly turn many a head in your local branch of HSBC and not in a good way.

But all things considered they would be an improvement on the beeps and might even be good for business. I’m sure I can’t be the only person who would rather the world saw me as a pervert with a cashpoint fetish rather than just another slightly OCD nerd.

Can I?

Large Print

Even those who view eBooks and Kindles with suspicion, hostility and derision will, one day, come to see them as having an invaluable saving grace. Though this brave proclamation does very much depend on the vanity of the Kindle-hater in order for it to come to pass.

See, time was, many moons ago I worked in a nursing home for the elderly. It was without doubt or the word of a lie the happiest time of my life career-wise. Even the many sad departures of the inmates did little to dent my blind, arrogant comfort in my own youth and immortality. I was young and untouchable (sadly a rare condition in this day and age).

But one thing did give me a little wobble at the cellular spiritual level.

Large print books.

The home had its own collection which was augmented by a travelling library. Awful abridged Catherine Cookson-esque tomes with print the size of the shop sign outside Specsavers. Stories of days gone by, stories of balls, horses, steam boats, emigration to the Americas and the redemption of cross-class love during the futility of war. And Wooster-ish men with nicknames like Chippy or Tiddler.

One day, that little voice in my head used to say, you’ll be reading books like that. You won’t want to but you’ll have no choice but to ‘cos there’s no way they’ll have large print sci-fi or large print fantasy. All you’ll have is ladies in ball gowns and men in tweed jackets with shrapnel in their left leg called Rupert. The men are called Rupert, by the way, not the shrapnel.

And you won’t die of old age but of shame. There’ll be no way to hide it. The books are so big and the print so large everybody will know. Everybody will know that you are reading large print OAP “period” romance and quite probably re-reading the same sentence over and over again due to the onset of dementia. And that will be worse because it means the shame will be forever fresh and you’ll never ever get acclimatized to it, instead you will discover it anew each time you re-read that single sentence. Over and over again. God, this print is a bit big. And who the hell is Tiddler? Oh God. Please tell me I’m not... oh God, I am... I am... I... ooh this looks an interesting book. I may as well give it a go to relieve the boredom. Here we go, chapter one, page one. Tiddler? That’s a funny name for a hero... Is it a kid’s book?

And so on.

Enter Kindle and its ilk stage right.

You can now set the text size to positively cinematic and only you need to know. You can read whatever you want, however you want. Pot boilers, Pentecostal treaties or porn. Nobody can tell what the hell you’re reading and you look cool. You’re own little private reading world. And best of all Kindle always knows which page you’re on so even if you don’t know that you’ve already read page 43 Kindle does which gives you some hope of eventually getting to the end before you, er, get to the end.

Marvellous.

And sales of Catherine Cookson may even very well go up as the younger generation decides to bite the bullet early without fear of discovery and ridicule...

It’s a win-win situation.

Sorry. I said: it’s a win-win situation!