Friday, March 28, 2008
It was simply brilliant. The writer's kept us on tenterhooks all the way through and threw in an ample selection of red herrings. The final twist was heart rending. I won't spoil it for those of you who haven't seen it yet but I didn't see it coming until a few seconds before the actual denouement.
Keeley Hawes is a terrific actress and I've really loved her bubbly DI Drake character - somehow both girlie and professorial at the same time - but I do think she hasn't been stretched nearly enough in her acting abilities. Last night however changed all that. Her screams of despair as she sat in the middle of the road were gut wrenching (and I should know, my guts have been wrenched quite a bit this week). No dialogue was needed. They just faded to black. Perfect. Gene Hunt stepping in at the last moment to take the child's hand was also masterful. It subtlely confounded all our expectations and yet also re-affirmed his inherently paternal role.
In short it was a sad, sad, very tragic story and yet we were left feeling somehow uplifted at the end - mostly I suspect because Drake's relationship with her mother had finally reached a plateau of emotional fulfilment. There was an emotional closure of sorts that mirrored Sam Tyler's at the end of series 1 of Life On Mars. This mirroring is the right way to go I feel (we must bring balance to the Force!) and so I was not at all surprised to learn that the BBC have a second series of Ashes To Ashes already lined up for next year. My feeling is that it'll be the final one and after that we'll have to reconcile ourselves to a life without Gene Hunt.
Can you imagine such a thing? Scary.
Funniest moment for me last night (aside from DI Drake driving a huge pink tank over a car) was DC Chris Skelton finally pointing out the obvious to DS Ray Carling: that he bore an uncanny resemblance to most of the gay rights protestors they were currently holding in the cells.
I'm sure the gay rights people were all absolutely horrified...
Police brutality indeed.