47 Groanin’

Traditionally on this blog film reviews go down like Nick Griffin on Robert Mugabe, i.e. very awkwardly. The comments tend to dry up rather quickly as people take the excuse “I haven’t seen that film / don’t plan to see that film so I can’t leave a comment anyway so I won’t even bother to read the blog at all. Job done”.

However, I’m bloody minded enough not to care and arrogant enough to think that the power of my writing can overcome any wilful lethargy in my readership. But to show I’m not totally uncaring to your plight I will keep this short.

47 Ronin.

I had high hopes for this. I saw it trailered at the cinema – it looked rather good – but life circumnavigated my attempts to see it on the big screen. So I bought a copy on Blu-Ray for my wife and I to enjoy at our leisure.

We watched it over the weekend.

And now I want to kill Keanu Reeves.

Because having seen his performance I have been left in the emotional state of permanent WTF?

WTF was he doing in that film? Just WTF? And I mean that conceptually, metaphorically and professionally. What. Was. He. Doing. [Big question mark.]

The original story is based on an 18th Century Japanese legend. 47 Samurai avenge their murdered Lord knowing that their own code of ethics will ultimately demand their own deaths via seppuku. There’s a poignancy and sad beauty to this along with scope for lots of action and martial arts choreography. In cinematic terms the story should be a sure-fire winner.

And the supporting cast – mostly Japanese / Asian – were excellent. No big names (by Western standards – but really, what do we know?) but still they impressed me. They gave it their all. Pathos and sensitivity at war in a culture where emotion is not meant to be overly shown. I’d argue that their performances were poised and subtle and damned impressive.

And then there was Keanu. Shoehorned into the story as a “half breed” with special magical powers.

Really?

I’m betting there’s no sign of his character at all in the original legend. He was just inserted because the producers decided they needed a big name to sell the film to the box office. So we get this bolted-on element to the story. An add-on that the plot doesn’t really require and, as a result, is totally imbalanced by. Keanu is like a bogoff deal that you want to refuse. No really. I don’t want the extra bit. I don’t want the freebie. Please, please keep it.

Now, if I was Keanu I‘d be thinking: I’m extraneous to this story; I’m superfluous to the requirements of the emotional arc, therefore, I’d better pull my finger out and act like I’ve never acted before and earn my right to be on the screen.

But I am not Keanu. Keanu is Keanu.

And that is the problem. Because Keanu is Keanu all the way through the film. Sullen. Unresponsive. Flat. Incongruous.

He talks in the same gruff monotone whether he’s been being beaten (a criminally too short scene), offering comfort to a dying comrade or exchanging romantic pleasantries with his love interest. He talks like the Hollywood voiceover man from the 60s and 70s. The one who invites you to come see the next Warner Brother’s [or whatever] spectacular in that voice that makes it sound morally imperative that you come to the cinema right now and have your life changed by the experience. You know the type of voice I mean. Now imagine that voice reciting a fragile poem by e.e.cummings and utterly ruining it, utterly disembowelling it with the barbarism of its relentlessly galloping speech rhythm. Now you have Keanu telling his lady love that he will search for her through a thousand worlds, through 10 thousand lifetimes. He spits the poetry out like a half chewed hamburger. In his mouth it becomes pure American gristle and the gentle lotus flower breeze of the Japanese love-story curls up and dies in the blast from his meaty breath.

And he has but one facial expression. The bearded grimace. That is it. All the way through the film. He grimaces. From behind his inexplicably dirty looking beard.

Death: grrr! Sadness: grrr! Fighting: grrr! Male bonding: grrr! Standing still and not talking: grrr!

And then, at the end, he becomes an honorary Samurai and gets to kill himself – along with the other Samurai – with full, painfully tragic honour.

In that single moment Bushido becomes bullshit and the entire point of the film is utterly destroyed.

Because, in my view, Keanu has no honour. Keanu is not a Samurai.

Not by a long chalk.

But he has more chance of becoming a Samurai than becoming an actor.

In fact he has more chance of becoming Japanese.

Apocalypse Maybe

When I was a teenager I put much store in predictions. Particularly predictions about the end of the world. And that kind of stayed with me throughout my twenties. I’m not talking about grizzled old men pacing the streets in sandwich boards proclaiming that “The End Is Nigh”. I’m talking Nostradamus. I’m talking that weird Bible Code shit a decade or so ago where some enterprising Jewish people entered every syllable and character of the Old Testament into a computer and basically turned it into a giant word search.

I sucked all that up. I was never sure whether I really believed it but I kind of fed on it in the same way that teenagers feed on horror movies. That strange pleasure you get from being temporarily scared (and then you go back to looking through a top shelf magazine and everything is OK again. Er. When you’re a teenage boy, that is.)

I can’t remember now whether Nostradamus attributed any specific dates to his predictions but I’m aware that Prince put much store by the year 1999. Well the party might be over (oops) for Prince but we’re still here, aren’t we?

As for the Bible Code... well, I’m pretty sure it was debunked on television. I seem to remember some “expert” stating that if you entered every character from War And Peace into a computer and applied the same set of algorithms you would also find linked words and phrases that would be “highly suggestive” and “open to interpretation”.

But one date that the Bible Code came up with for the end of the world stuck in my mind. 2012. To be fair I think it came up with several possible End Of The World dates. 2006 was one I’m sure. These guys were plainly hedging their bets. I don’t know why they just didn’t foretell that the world would end sometime between now and, well, the end of the world. That, at least, would have been loosely accurate.

So. 2012. It’s a date my logical mind has pooh-poohed since I hit my sane and discerning thirties and forties. The worst thing that is going to happen in 2012 is us, the UK, hosting the Olympics and undoubtedly ballsing it all up.

But then all this shit kicks off in the Middle East and my illogical brain suddenly hauls out 2012 and mutters, “What if, dude, what if? What if it’s true?” (Yes, my illogical brain talks like Keanu Reeves in Bill & Ted).

It doesn’t keep me awake at night but I’m really annoyed with myself that there is a small rogue element of my psyche that still gets sucked into this “End Days” crap. It’s nonsense. It really is. End of the world? There’ll be wars. There’ll be death. There’ll be destruction. Somewhere, somehow in any given year. It’s a lottery and one we’ll all lose at some point in our development as a species. But the end of the world?

Nah.

But I might look on eBay for an Anderson shelter just in case. If nothing else I can hide there while the Olympics is on and miss the entire debacle. Win-win, right?

Sauna Coats

I really should have more sympathy because when I was a geeky teenager I too did this: wore a long black coat even when the weather was warm. Even when the summer heat was beating down onto my angular shoulders like a scorching hammer onto an extremely bony anvil. I persevered. I stuck with the sweaty neck and the rivulets of moisture that ran down between my callow shoulder blades. Just so I could walk around with a swirly long black coat and imagine I was somehow cool and mysterious.

It had nothing to do with painful shyness and a need to obliterate my physical form with a large bail of machine processed wool that had been tailored for a man 5 sizes bigger than me.

No. It was about fashion. It was about coolness.

And if I suffered in the heat then I suffered for fashion.

And looked an absolute twat (sorry: wassock) in the process. Because I can see now that I did not look cool. I did not look like Keanu Reeves in The Matrix. I looked like a nerd who just didn’t have the confidence or maybe the intelligence to dress in a manner that was climate appropriate.

People were laughing at me behind my back but I couldn’t see them because the huge airplane wing collars of my ex-army de-mob coat were obscuring everything that existed behind my 18 year old ears.

But I can see it all now. Because every time Leamington Spa is blessed with warm weather – as we have been this week – there are inevitably at least 2 members of the local populace who (like me when I was a barely pubescent teen) persist in wearing a huge, ankle-dusting coat of leather so black it looks like it has been woven out of hairs from the devil’s own arsehole.

And instead of reaching out emotionally to these idiots with sympathy and understanding I instead feel an overriding urge to sing as loudly as I possibly can the opening bars of Rage Against The Machine’s “Wake Up” used in the closing credits of The Matrix.

When my family and I are cruising the windy streets of Leamington Spa in our trusty Peugeot, the moment they hear a “Na-na-na-na-na! Na-na-na-na-na!” burst from my lips all eyes will swivel to the pavements in search of the black caped sweat crusader who has crossed my field of vision.

And there he will be. Black coat lopping the top off sundry dog turds as he walks, legs struggling to lift the massive moonboots he is wearing on his feet and his head bowed and dripping inside the inevitable hoody that he is wearing beneath his absurd trench coat.

Na-na-na-na-na! Na-na-na-na-na!

I’m not sure why it angers me so much. Possibly because I am in some way angry at myself for not waking up to myself sooner. If I could go back in time I’d give myself a kick up the arse (if I could find it beneath all that voluminous material) and urge myself to put on a T-shirt. Get some sun on my arms. Not sweat so much. Let the air get to me and circulate.

Heaven forbid, let the world actually see me.

Who knows, if I’d done that I might actually have got myself a girlfriend before my 30th birthday.

After all, miracles have been worked with less.

In the meantime: Keanu Reeves, you’ve got a lot to answer for (and don’t even get me started on those stupid ruddy sunglasses)...