Is This Man Taking Over The World?

Those of you who do not have kids or are, perhaps, indisposed to watching copious amounts of kid’s telly off your own bat will probably be unaware of the clear and present danger that is currently facing our nation.

You will perhaps be lying blissfully idle in your Rugby World Cup bliss; sniggering smugly as you watch Mock The Week or some other adult satire game-show or just sniggering stupidly at the silly people in Big Brother who behave exactly like what you do only wiv-out all the grace and charm you usually exhibit when you give Tel a bit of earache in Lidl for going for the cheap brand cigarettes.

You will be unaware. You will be asleep.

And whether you are a sleeping dragon or a sleeping dog remains to be seen.

One man is trying to take over the world.

He is everywhere. He is omnipresent. Both in body and in voice.

You cannot move anywhere on the CBeebie’s channel without bumping into the golf-ball nose of Justin Fletcher. It’s like he has turned the entire channel into his own personal star vehicle (complete with Pope-like glass viewing dome and furry dice). It started innocuously enough. The Tweenies. Higgledy-House. Something Special. Fine, we thought. He’s just working hard. Paying the bills. But then his voice started appearing on its own in other shows too. Just like Obi Wan Kenobi’s in fact. “Use the spotty bag, Mr Tumble! Use the spotty bag!” Timmy Time, Chuggington, Sean The Sheep – to name but three.

But that wasn’t enough for Citizen Fletcher, oh no. Then came Gigglebiz. An entire show featuring nothing but Justin playing a host of different vaudeville-esque characters. Endless, wall-to-wall Justin. Justin as a disco dancing king. Justin as a female TV naturalist called Anna Conda. Justin as a pantomime dame complete with massive honking breasts.

I felt uneasy. I felt uncomfortable.

This was getting a bit much.

Even in his heyday Noel Edmonds never got everywhere like this.

But the kids were lapping it up. The kids were being sucked in. There was nothing we could do to stem the tide.

And now it is too late. Now we have Justin’s House. Justin’s brand new show. Set in Justinland.

I am not joking.

Am I the only person who can see that this is proof of an ego grown out of all control? An id that has gone global? His catchphrase song on Justin’s House is, “Let’s wibble, let’s wobble.” It makes me shudder because I know there is a secret message hidden in there somewhere, some dire threat like the alien countdown thing in Independence Day. But despite the best minds at Bletchley Park working on it night and day we haven’t yet been able to break the code.

I know. I know. You’re all laughing. You’re all dismissing this as the by-product of a fevered but genius mind. I’m reading too much into it. I’ve lost the plot. I need a quick fix of BBC Four. Even a Channel Five documentary. But you’ll be sorry. You’ll all be sorry when Justin starts popping up in your life too (and squeezing his man-boobs so that they make a sound like a car horn). When Justin appears in Doctor Who as the Doctor’s new assistant you’ll remember my words. When Justin appears in Eastenders as Milkshake Jake and starts flinging whipped cream over that Mitchell fellow you will all quail and remember.

When Justin and his magic spotty bag appears outside number 10 with the new Budget wrapped up in cellophane inside it you will know the end has finally come.

And you’ll all be sorry then.

So just remember: if you see the man in the photo above please approach him with severe caution – he will teach you to say “I am special” in Sign Language and you will not be able to resist.

Go with care, my friends. And don’t say I didn’t warn you!

TISWAS

I met up with my good mate, Tris, last night for a gentlemanly catch-up of personal news and life happenings over a couple of bottles of red wine in Leamington’s coolest uptown joint, Wilde’s wine bar. And as we sat handsomely in the darkest corner we could find we discussed all the important world issues that have currently been keeping us awake at night and preoccupying our waking minds…

…like the undoubted superiority of TISWAS over Swap Shop.

It’s an unarguable fact that TISWAS was leagues ahead. There was and still is utterly no contest.

I mean just compare the two shows yourself:

Swap Shop had Noel Edmonds, Keith Chegwin and Maggie Philbin – three presenters who in themselves were enough to give any TV studio sick building syndrome and cause kids to vomit up a week’s supply of penny chews on the spot – but dress them in awful chunky knit pullovers and novelty 80’s jumpers and suddenly you have a recipe for turning kids into dysfunctional psychotic misfits who develop a pathological counter-fashion need to wear lycra and purple shell suits. Take a look out your window right now for evidence that this country has been completely destroyed by the Swap Shop generation…

TISWAS however had Sally James whose major contribution, as Tris rightly pointed out, was a pair of amazing tits struggling to burst out of a tiny waistcoat. For a teenage boy that ticks every boob-shaped box in the book. Anything else is a bonus.

Much as Maggie Philbin was an intrinsically likeable person there was nevertheless something ineffably asexual about her. She was like a school lab technician. Kind of there but invisible. Or should that be visible but not exactly there? It’s very common to develop a crush on a teacher at school but unheard of for anyone to fancy a lab technician. It’s just not possible. It’s like they’re not real people. They’re clones. Or synthetic people. As well fancy a Barbie doll (albeit a very speccy mousy one with sensible shoes and a clipboard).

Sally James, however, oozed earthy, filthy, rock-chick sex appeal from every pore and hair flick. And she got splattered with custard pies and various cream toppings every week.

I leave it up to you to draw your own analogy…