Showing posts with label BBC. Show all posts
Showing posts with label BBC. Show all posts

Wednesday, July 08, 2015

Sucking Face

I’ve come to the conclusion that I am slowly turning into Russell Brand.

By this bold statement I mean that I have become hyper-suspicious of traditional news outlets and information that can in any way, shape of form be traced back to the Establishment (as opposed to sleeping my way around half of England, marrying Katy Perry and then divorcing her because my own incapacity for fidelity means I am unable to trust anyone ever to forswear all others in my favour).

To be honest, this healthy paranoid belief that we’re constantly being steered and lied to began decades ago. I haven’t bought a newspaper since the early 90’s. Well not to read anyway. Occasionally I have purchased a tabloid to get my hands on a free Lego set promotion but, model acquired, the paper is then dumped straight into the recycling bin without a single headline ever touching the sensitive ears of my conscious mind.

But of late I have even begun to doubt the veracity and the agenda of fly-on-the-wall documentaries and travelogues. Even those on the BBC in whose bosom I was once glad to place my trust without a second thought. I find myself asking: who has commissioned this programme? Why did they commission it? Why spend money on it? Just for my entertainment and to openhandedly inform my mind? I don’t think so.

Lord knows big global corporations, bankers and politicians have been playing commercial tonsil tennis for years but it really feels like the “free press” has become a fourth bedfellow. Information is just another currency to do dirty deals with whilst truth itself is a rare intoxicant who purity is besmirched the closer it gets to street level; something that can he withheld, diced, cut with talcum powder or cleaning fluid and then distributed according to the preferences of those in power, it's potency and power diluted and irrevocably lost.

Which leaves precious few outlets for the little man on the street to acquire credible information about what goes on in the world. Left, right and centre we’re being sold opinion – being told what opinion to have – but most of the column inches and sound-bites are nothing more than the conjectures and bigotry of a few mega-rich old duffers who seek to stroke the world into shape the same way they stroke themselves off in the shower. 

It’s got to the point where my main news source at the moment is Facebook. Or rather various third parties who use Facebook to disseminate information, satire and political criticism. As underground information networks go it’s hardly MI5. And it could be argued that pictures of kittens, half naked celebrities and fake Mensa IQ tests hardly constitute the modus operandi of an all-seeing, completely unbiased oracle. In an age of information overload I’m finding the modern world curiously information-lite.

And that scares me.

In fact there’s too much going on at the moment that scares me: the dangerous dehumanizing rhetoric applied to immigrants and Muslims that is like something out of 1930’s Germany; the war against the poor and the under-privileged that the Tory’s are currently waging under the self-righteous, self-justifying banner of austerity; and the banking crisis that has never gone away but has not ever been adequately looked into… that has instead been allowed to roll on and on over all of our toes if not our legs. Breaking us all with our own money. And then beating us some more with our own money under the guise of fixing the damage.

Who is pulling the strings and pocketing the cash?

Generally speaking it’s not the people posting pictures of kittens on Facebook.

And for that reason alone they’ll get my trust ahead of some faceless corporate mogul running a newspaper empire or a television news channel.

But that paranoid little voice inside my head keeps telling me that even unscrupulous mega-rich media moguls can post pictures of moggies on Facebook…

And they can even write blogs.

Like I said, I’m slowly turning into Russell Brand…

Monday, March 30, 2015

Trolls

It’s finally happened. The trolls have got my goat. Got my goat and burned down the bridge.

I’ve written about this subject before but over the past week there have been some explicit examples making the headlines. The trolls are everywhere like an epidemic and (unless something is done to neutralize them) as their contagion spreads we will all find ourselves under permanent curfew.

Everybody will be (over)familiar with the Jeremy Clarkson debacle. As I’ve said elsewhere it proves the old adage true: give a man a fish and you feed him for a day; give him a steak and you won’t get your nose punched and end up in A&E. Everyone has had an opinion on this. And everybody has voiced it. But, really, did any of us have a right? We weren’t there. We weren’t involved. For a long time nobody knew the facts and yet everybody was spouting forth about what they thought ought to happen, what punitive measures ought to be taken. 

But it had eff all to do with us. Why did it impinge on our lives so much?

But that’s a side issue. My main issue with it all is the amount of online abuse the hapless producer received since the incident became public “knowledge”. Not enough that he got whalloped by a workmate, no, now every Top Gear fan in the world is giving him excoriating grief for being so inconsiderate as to have been the victim of workplace violence in the first place. Even Jeremy Clarkson himself has had to explicitly ask people to lay off the poor producer as he has DONE NOTHING WRONG!

But it gets worse.

Now BBC bigwig, Tony Hall, who headed the enquiry that decided not to renew Jeremy Clarkson’s contract is under police protection because he has subsequently received death threats online.

Really? It’s a car show! Grow up, people!

I am becoming increasingly sickened with the amount of snide, cowardly trolling that exists and proliferates online. Give someone anonymity and they suddenly find endless seams of courage to proclaim the most bigoted, hate-filled, misinformed, kneejerk rubbish seen this side of Hitler’s private diary. Of course, ask them to put their name to it and it all goes quiet. They wouldn’t say boo to a goose. They want people to think they’re decent and reasonable, you see. They like to hide their hate under a bushel.

Not all, of course. There’s always identifiable trolls like Katie Hopkins who this weekend decided she had the perfect right to trash someone else’s happiness and spread yet more bile. Yesterday, Danny Dyer (I admit, I’m not a fan but fair-dos) announced to the world that he was getting engaged to be married. When Hopkins learned that it was Danny’s girlfriend who had done the proposing she spouted forth an unrelenting barrage of insults and innuendo, accusing him of being emasculated and not man enough to say no. Really? Really?

What possible right did this self-publicising monster think she had to offer any kind of opinion at all on Dyer’s announcement? Oh he announced it on Twitter so that makes it fair game? No. No, I don’t think it does. This is not open season, folks. Making an announcement online is no different than doing it in person down the pub, supermarket or bingo hall. As other commentators have remarked: if you wouldn’t say it in real life, don’t say it online. Don’t try and justify it by saying online announcements are public property.

At the end of the day we are each responsible for what comes out of our mouths and keyboards. If it is vile, bilious and vitriolic then the responsibility for that lies with us, not with the target. The fault lies within not without.

To cause grief seems to have become some kind of internet badge that people feel they have to earn. Seems to me you have to sell any kind of  basic human decency to achieve it. Those that applaud the trolls and are entertained by it are as bad as the trolls themselves.

What worries me is the effect all this will have on our freedoms. Freedom of speech, freedom of expression; the very free nature of the internet itself.

The thought police are already closing in. They’re already listening. The list of watchwords grows each week. The list of targets too. They’re tracing us, bugging us, like something out of The Matrix. And the worst thing is, although I want us all to retain our freedoms, I also want all these anonymous (and not so anonymous) trolls to have their refuges exposed. To have their shields ripped away so we can all see who and what they are – small, soft white maggots squirming in the harsh light of day. I want them to be made accountable for every word and utterance.

Because freedom of speech only works when we exercise freedom of thought and realize the right to say something does not always mean it should be said. If it causes harm for no good reason (and deflecting ennui is no good reason at all) then you really ought to keep silent. But it seems we cannot police ourselves. There are too many idiots letting their tongues and thoughts run amuck because stupidtroll@48 thinks they won’t ever be winkled out or because @KTHopkins knows she will be paid very well by advertisers and sponsors when her latest verbal vomit hits the tabloids.

The world is all wrong. It is starting to stink of a fast spreading rot. And this malaise will be fuel to those who want to place tighter controls on the internet, on what we say and what information we are able to access. It is a small step on the journey to somewhere very bad indeed. Very bad. And worst of all, this disease is all around us. We are all mired in it. Our society is built on it.

You have to understand, you see, it’s not bridges that trolls choose to live under; it’s stones.


Addendum


Block The Trolls


So how do we remedy this situation without imposing on other people’s entitlement to free speech?

One idea I’ve had is to exercise the right not to listen. I’d like everyone to join me in blocking the trolls. It’s easy enough to block people on Twitter (using their Twitter tags) and Facebook so let’s be more proactive about doing so. I’d like to see a mass blocking of all anonymous trolls and self-aggrandising attention seekers like Katie Hopkins. Don’t listen to these people, don’t engage with them, don’t let yourself be polluted by entering into a discourse with them. Just block them and then pass the word. Pass onto others the IDs of trolls and encourage an act of global blocking. Obviously use your own powers of discernment – take a look at the profiles pages of people first before you block them; it will give you a clear idea of the type of things they post. Don’t block people blindly or the very act of blocking becomes another way to troll. On Twitter please use the hashtag #blockthetrolls. If we starve these people of media oxgyen maybe, just maybe, they’ll either grow up or go away…



Saturday, March 07, 2015

Don't Interrupt The Flow

A small gripe, this, and in the bigger scheme of things doesn't count for a great deal. But it does, to use the Aussie vernacular, get my goat.

I'm at that age / station in life / financial situation where going out regularly - pubs, meals, cinema, cultural venues, etc - is nigh on an impossibility. They are special treats that must be saved up for and savoured. I don't have a problem with this. This is how life is at the moment and others have it far worse.

But for me a perfect way of unwinding after a hard day at work is simply time curled up on the sofa with my good lady wife watching some choice telly. Staying in and watching telly is undervalued and mis-sold in the modern media representation of our dynamic, thrusting, young techno-adept society.

But I'll bet I'm not alone in holding various TV show up as the highpoint of my week and viewing them as some kind of personal reward for another day at work got through / another ordeal endured.

Be it Doctor Who, The Musketeers, Dragon's Den, the forthcoming re-adaption of Poldark - whatever your poison - these humble little treats afforded us by a wonderfully creative UK television and movie industry (that is largely unsupported by the UK government) are what keep most of us going during the mundane, day-to-day drag of our everyday existence.

So it pisses me off - admittedly disproportionately to the crime - when the programming schedulers suddenly interrupt a series run to put something else on instead. Sport usually or some yaw-yawing political debate.

The current run of The Musketeers has been, to my memory, interrupted no less than 3 times. Now I recognise, with consummate bad timing for this post, that the current hiatus is because of Comic Relief next week and that's fine. That's understandable, acceptable and palatable. But the first two occasions were because of sporting fixtures.

Now I will also admit that I am not a sport fan. I am in fact the diametric opposite. I loathe televised sport. Watching other people perform sport is like watching other people play computer games without participating yourself or watching joggers run round the park. What is the point?

But by the by.

If I were the writer / producer / actor in any of these shows whose transmission run is broken for the sake of a football match I would be spitting feathers. A good drama series has a flow to it. An over-arc in addition to the arc of each individual episode. That flow is part of the creative drive of the show. And though some might argue that with the advent of catch-up TV scheduling no longer matters, historically the general public has an expectation that if a TV drama series is broadcast at some pre-specified and henceforth established time on a week evening then that is the slot which it will hold for all perpetuity - or at least until the series terminates. England expects. And I'm sure Scotland, Wales and Ireland do too.

To have all that time and creative energy, that carefully crafted flow cast aside for a rugby match is infuriating and insulting. I'm not knocking sport, really I'm not. If that's your bag good for you. Be welcome to it. But given the sheer amount of TV channels these days - and many solely devoted to sport - why should a sporting fixture be allowed to shoehorn its way into another schedule to attract probably less viewers than have been driven away by the banishment of the original show? Shove it onto a sports channel where the jogger-watchers can drink their beer, eat their pies and vicariously enjoy the healthier lifestyle of other people without incurring the wrath of the more tasteful majority!

Like I said, it's a small gripe. And I will accept all accusations that I am a stick-in-the-mud, dyed-in-the-wool traditionalist but, Goddamnit, Friday night is "Musketeers night" and that's all there is to it!



Thursday, February 26, 2015

Rat Fangs

Despite being an avid fan of the BBC's Springwatch it seems I still have not yet learned to tell the difference between a rat and a mouse (though I'm pretty sure I could tell the difference between sheep droppings and otter spraint). Our cats, Missy and Kia, managed to bring a rodent hostage into the house over the weekend. The thing went to ground beneath our oven and found further progress prevented by the constant supertrooper gaze of the cats who sat stolidly on patrol waiting for it to put a paw wrong.

In the end, armed with a torch and a stick, I set about trying to break the status quo by dislodging the creature - preferably into my custody - before the advent of Sunday lunch baked the little blighter into the lino. I was convinced it was a mouse. Small, cute, beady black eyes. I now suspect it was just an adolescent rat. Anyway, all I succeeded in doing was driving the thing from out beneath the oven and across the kitchen floor to the fluffy world that exists beneath the washing machine.

Our cats, prime mousers that they are, didn't move a muscle from the oven and indeed continued to sit on patrol for the rest of the night whilst Monty (as I shall christen him) gave them the finger from the other side of the kitchen.

I figured that sooner or later food would drive Monty out into the open and into some risky manoeuvre that would put him squarely into the hungry sights of our cats. I forgot about him. I let the cats wage their war of attrition and got on with my life.

Until I was awoken by terrified squeaking this morning and the sounds of a life and death game of hide & seek out in the hallway. I emerged to find the cats furiously pawing at the unloaded shoe rack and guessed that Monty had indeed made a bid for freedom and had got himself corralled by the cats into a hell of high heels and flip-flops.

If I'd been more awake I would have twigged that (a) a mouse would not have eluded 2 cats for this long, (b) doesn't make a huge deal of noise when panicked and (c) doesn't have a long, furless tail.

Trying to be a hero I thought I'd do the humane thing and rescue the little bugger. I am perversely proud to say that where the cats failed I succeeded and managed to capture Monty within my own paws after a mere 3 attempts.

At this point things went slightly awry when Monty sank his fangs into my finger and began to gnaw with the contempt only usually reserved for the UN by the Russians. I may have cried out at this point (in a manly way obviously) - especially as Monty was freely swinging from my finger like a weird piercing without any support from myself.  And I realise with the benefit of hindsight that Monty plainly felt himself caught between a rock and a hard place. He didn't want to be within my grasp so was biting me in self-defence but neither could he let go as gravity would drop him into the waiting jaws of Missy and Kia.

I did that stupid dance that one does in such situations - trying to decide whether it would be best to throw Monty out of the backdoor or the front-door before his gnawing pushed me to the conclusion that to part company in the quickest possible fashion would be best. I managed to get the front-door open with Monty still hooked into my finger and then, once outside, Monty was happy to let himself free-fall into the nearest bush. Missy followed him out and sat, slyly sentinel, for half an hour or so amongst the underbrush before returning empty jawed so I have no doubt that Monty escaped completely and utterly and is no doubt even now recounting to his family how he ran rings around 2 cats and a human and got a bit of a free feed out of it.

For me it has meant a trip to my GP and a week's course of antibiotics as according to my doc any kind of wild animal bite leads to infection in 9 out of 10 cases. Charming. I'm also to return immediately if I start to feel ill anytime over the next 2 weeks - rats can carry nasty diseases and while such infection is rare it can happen.

Next time I shall bugger humanity and batter the bugger's brains out with a pair of Doc Martens.



Monday, October 20, 2014

In The Firing Line

As a rule I don’t do reality TV shows.

As a rule I don’t – if I have any choice about it – do reality though being a hyper-cautious moral wuss my flights of escapism are normally fuelled by books and cinema rather than Charlie or H. My highs might only be literary or cinematic but at least they don’t involve kidney failure or brain damage. That said I have got the Withnail & I boxed set on order and there’s always the possibility of playing the traditional 'Withnail & I drinking game' whilst watching it.

The only reality show I do do is The Apprentice. And paradoxically it probably appeals so much because it is so not real.

The premise is real. The tasks are real(ish). The prize is real (though I imagine it to be something of a poisoned chalice).

The applicants are not. They are without fail the biggest bunch of fakers and self-deluded charlatans ever to dissemble across the face of the earth. And they get more fake each year.

Overblown. Pompous. Constantly self-centredly orgasming over their own self-directed, egocentric hyperbole. Totally blind to the way they willingly sacrifice what little shred of dignity they may possess on the televised altar of their own mistaken self-belief that they are “the one”. I utterly loathe them.

But I utterly love loathing them.

And that’s why I watch.

In a real sense The Apprentice is educational. This is how you do not do business. This is how you do not succeed. The dinosaurs and the outmoded concepts that still abound in this grubby little mercantile world are both amazing and appalling. In the first week the leader of the girl’s team urged her female associates to wear heels and a short skirt as it would help them all sell more product. A woman. A woman said this to other women. And could not understand why they objected. I would have loved her to suggest a shorter skirt to Karen Brady. Actually, sod that, I would have loved her to suggest it to Nick Hewer.

Nick is great. His expression couldn't look more sour if he was sucking a Haribo’s Tangfastic that had been soaked in vinegar from Craig Revel Horwood’s left armpit.

Ultimately though the true draw of the show is Sir Alan Sugar. I won’t pretend to like him. But compared to the applicants he’s the lesser of two evils. My enemy’s enemy is my friend, etc. And Sir Alan is certainly no friend to the contestants.

They’ve introduced a new schtick into this current series. Nearly twice the number of combatants but the potential for multiple firings in each show. It sounds like something out of a hard-core porn movie - e.g. last week Sir Alan dispatched 2 twats in one go. One before he'd even made it to the final boardroom stand-off. It’s beautiful; seeing all these plastically confident god-complexes crumble with the sudden realization that Sir Alan could finger them all out of the running at any possible moment.

And it’s good for them too. It humanises them. It strips away their self-erected façade of impervious eternally-ensured victory. Seeing them tramp away dejectedly with their Gucci luggage trolleys we finally get to see the disappointed (and disappointing) little children at heart that, without fail, they all secretly are.

But Sir Alan doesn’t go far enough. I want to see them tortured mercilessly with a constant weight of stress... I want to see them weeping snottily beneath a tonne-heavy sword of Damoclesiastic anxiety suspended by the merest spider’s web of Sir Alan's diminutive mercy... Psychologically waterboarded with the spectre of Sir Alan suddenly appearing at any given moment to kick them off the show with his career-ending fingerpoint of shame. When the telephone rings at the delegate's house at the start of the show to tell them where the next task is to take place I want Sir Alan to suddenly come onto the line and randomly fire whatever pole-greaser has got to the phone first to answer it. When they’re in the middle of Camden Town selling moody spuds from an Amstrad owned market stall I want Sir Alan to appear in the queue in a cloth cap and a Frank Spencer overcoat to hurl their Maris Piper’s back into their faces and tell them they’ve had their chips and the taxi is waiting in the gutter to take them back home to Crapchester. And most delicious of all, I want the boardroom showdown survivors to stagger back to the house at the end of the show, full of anecdotal PTSD and the lone survivor’s raconteur spirit only to have Sir Alan leap out of the wardrobe before they can get their hands on a conciliatory glass of Prosecco and say, ”Ha! Fooled you, worm! You have no right to your smarmy sense of relief! Get out – you’re fired! Fired just because I can do it and the all-sucking vacuum at the heart of my demonic and blackened soul is bigger and far mightier than yours!”

Boom. The ghost in the machine morphs into Frankenstein’s monster. Or a smaller, hairier, coconut headed Godzilla.

Now that, my friends, would be a show.

And true reality.

Because as we all know, that is how real life works.

It tests whether you’ve got balls. And then it kicks you in them.

Welcome to my world.

Now get out. You’re fired.

Tuesday, June 10, 2014

Nadgers

There’s going to be a lot of hyperbole written about Rik Mayall over the next few days. Some of it will be ball-achingly official, most of it will be deeply personal. This will fall into the latter camp.

To oafishly paraphrase Shakespeare: "Alas poor [Yo]Rik… Where be your gibes now?"

The answer is everywhere: all over the internet; all over YouTube; in boxed sets in every entertainment store up and down the country and, most important and most relevant of all, on the lips and in the minds of everybody who ever loved “Bottom”, “Blackadder”, “Man Down” or any of the other amazing raft of comedy adventures that Rik Mayall indulged in.

My good friend Dave and I have been indulging in “Bottom quote tennis” since we first learnt of his death yesterday. And we’re still going strong. An endless rally where every return is still somehow an ace.

For anyone who loved “Bottom” these quotes are pregnant (oo-er) with meaning:

“My, that’s  a smashing blouse you’re wearing.”

“That’s £1.20 you owe me – I bought you that drink in good faith!”

"I'll just pop upstairs and scrape off the sheets..."

“And I promise Lord that I will come to church every day… you do still do that thing with the wine and biscuits, don’t you?”

“They’re all doing it and doing it and then sitting back and having a fag and then doing it some more… oh Eddie why won’t anybody ever have sex with me?”

And there’s hundreds and hundreds more. I could fill the entire post with them.

I never liked “The Young Ones.” I freely admit that. I never watched it when it was first broadcast but a kid at my school, Richard Saul, was plainly an early devotee and would come into class the next day and basically re-enact the entire show, word for word, and add in his own especial brand of teenage obnoxiousness (I’m sure he matured into a truly lovely man). I confess it ruined it for me and I avoided the show like a plague afterwards. I finally caught up with it years later after being indoctrinated into the world of “Kevin Turvey”, “Filthy, Rich & Catflap” and “The Dangerous Brothers”. I thought I’d give it a go but “The Young Ones” just seemed…very amateurish and, worse, unfunny. I could see its anarchic approach was ground-breaking but the comedy was lazy and very hit or miss. For me it mostly missed.

But hey, everybody has to start somewhere.

“Bottom”, however, did it for me. Down-at-heel, tawdry, disgusting, puerile, childish and obsessed with body parts, body functions and sex. Everything I look for in a wife. Wife? I meant to say sit-com. Honest. “Bottom” came along at the right time of my life. I was a late teen. I had a filthy sense of humour but no appropriate outlet for it. And I was a virgin and likely to stay that way forever. Or so it seemed. To say I identified a little with Richard Richard is to under-egg the milky pudding immensely. The best thing about “Bottom” was that it was gloriously un-PC. I lapped it up. Oo-er again.

After that I was into everything Rik did. “The New Statesman”, “The Comic Strip” – especially the “Bad News” episodes – “Blackadder”.

Things went quiet for a long while. There was Rik’s horrible quad bike accident. The “Bottom” movie – “Guest House Paradiso” seemed a bit flat and the 3rd series of “Bottom” felt like it had been a struggle though the Halloween episode is still a classic.

And then last  year Rik resurfaced in “Man Down” as Greg Davies’ dad. It was a performance of utter genius. Pure Rik Mayall. Filthy, cheeky and full to the brim with blue-eyed, manic-smiled malevolence. The wife and I were desperately looking forward to the second series.

And now Rik is gone. Just like that. Out of the blue. It feels surreal. I’m shocked by how deeply it’s affected me. Rik Mayall was hardly “cuddly” and yet there was just something about him that was loveable. He was naughty. Very, very naughty. And ultimately, I think we all like a bit of naughtiness. We admire those who get away with it, those who push things a little too far and then say, “Oh tish” when some pinch-mouthed puritan inevitably gets their knickers in a twist over it.

Rik Mayall exuded comedy. Actually, that’s too passive. Given his high-octane, high-energy performances he projectile-vomited comedy all over the audience, all over his fellow actors and production teams and then hawked up a couple of big juicy lugies or two to act as comedy chasers. To watch Rik was to be utterly immersed in his performance. He was the ego sublime.

And now that he’s dead all I can think to say is, bollocks.

Utter, utter bollocks.

Friday, March 07, 2014

Wall Of Noise

Noise has long been acknowledged as a weapon of war.

Apparently the American army has utilized a banging speaker system during many of its global gangster wars to pummel the resolve of its enemies by blasting out the best of Whitney Houston, Beyonce and probably Justin Bieber but amazingly not Edwin Starr which would make far more sense. And although I can see that a full-on Justin Bieber aural assault would have a fair chance of encouraging me to reach for my AK-47 just to perforate my own eardrums (I could do it with one bullet – I’m that good a shot) there is always the risk that, as with the Blitz spirit of the 1940s, it might have the opposite effect and harden my determination to remove America and all that it stands for, imperialistic capitalist pigs, from the map, from history and from the great god television itself forever and ever amen.

The first recorded use of noise in war (and I don’t mean in the context of a BBC special effects team strapping a C90 cassette recorder to a carrier pigeon during the Battle Of Britain) is probably the battle of Jericho in a long time ago BC when the Israelites conquered Canaan and decided to smite the city of Jericho by blowing their own trumpets once a day every day for 6 days and then 7 times on the 7th day climaxing with a great shout. It was undoubtedly one hell of a party that resulted in every man, woman, child and animal in the city being killed by the invading Israelite 24 hour party people.

That’s a lot of hummus going to waste and to my modern way of thinking the “complete death and destruction thing” seems a tad OTT. Did they even kill the snails and the butterflies? Geez! That’s damned scary and not a little bit pyscho. No wonder Dana International won the 1998 Eurovision Contest. Who would have dared vote against her?

So history is telling me that without a shadow of a doubt my next door neighbours are trying to kill me. Kill me and ethnically cleanse my family from the neighbourhood. And kill my cats.

Their last party a couple of weeks ago (which I have only just recovered from – and I wasn’t even there) lasted a bong shattering 24 hours. I’m not kidding. It went through the night – climaxing like the Israelites at around 4am when I couldn’t even hear myself attacking the partition wall with a cricket bat – and carried on at a lower volume throughout the morning and the afternoon before finally ending with a Euro-disco whimper in the early hours of the following evening. I’m guessing that by this point the students next door had consumed so many intoxicants they no longer had the necessary motor neurone skills to position the needle properly on their industrial warehouse-sized twin-decks. Or, as I’d much to prefer to think, they had suffered life threatening blood loss from their shattered tympanic membranes and had fallen into drug unassisted comas from which they never arose… Which might well account for how quiet it’s been since that ill-fated apocalyptic party night a couple of weeks ago.

I am, I admit, at a loss as to how to return fire. Their bombardments are not constant. They lack the discipline of the Israeli army to conduct a prolonged and consistent war of attrition. It’s almost as if they only launch their salvoes on special occasions. And they do send round an air raid warden to warn us beforehand to head for our Anderson Shelter in plenty of time.

They are very, very polite. Almost nice in fact. And I suspect at heart they are just like us.

But I want Canaan to be for the Canaanites.

Is that very un-PC of me?


Wednesday, February 26, 2014

Panel Beaters

So the BBC is determinedly flying the flag for women’s rights. It is going to outlaw all-male comedy panel shows.

Instead of a boorish line-up of testosterone heavy, self-opinionated satirists we’re going to have some women thrown into the mix. Proper women. Not Lilly Savage or Dame Edna. But real bona fide women. Comediennes.

I’m sure this new stance has nothing at all to do with the recent slash and burn effect of Operation Yewtree on the BBC’s standing as a noble bastion for equality and fairness. This is something that has bugged the BBC for a long time; it’s something they have always wanted to address and by golly they are finally going to do it.

Move over David Mitchell and Dara O’Briain – here come the girls.

And I think this is fine. This is a good move.

Except a few writers / journalists / commentators have asked the question: are women going to be asked to appear on these shows because they are funny or because they are women? If it’s the latter then is gender equality really being served?

But, the thing is, how does one judge “funniness”? How is it determined and measured? Because, to be honest, a lot of the male contestants on these unspecified panel shows don’t strike me as being particularly funny at all. Ross Noble, Johnny Vegas, et al leave me cold. So were they invited to be contestants because they were funny or just because they were men and “big TV names”?

Because aren’t there possibly more male big TV names than female big TV names in the first place simply because showbusiness, like every other industry, is traditionally weighted in favour of unthinkingly promoting male talent over female talent every chance it gets?

My point is, if nobody is asking “are they funny” of the male contestants before inviting them onto a panel show then should it be seen as a deal breaker for a comedienne? Why is the question even being asked? If they are professional comediennes, making money and a career out of performing their own comedy routines, surely that is the only prerequisite answered?

Humour is subjective. There is no way to benchmark it. At the end of the day these shows are simply star vehicles; there are a means of exposure for up-and-coming and established artists. And if women are being under-represented then that is wrong and it needs addressing.

Are they funny?

We viewers at home should have the right and the opportunity to judge for ourselves. All-male panel shows deny everybody that opportunity.

Case rests.


Sunday, February 09, 2014

Deadwood

100% true: in a recent episode of Jedward's Big Adventure on CBBC the following dialogue took place between the Jedward monkeys:

Jedward 1: "Yo bro, you're goin' down like the sunrise!"

Jedward 2: "Oh yeah? Well the sun ain't even out today 'cos it's too cloudy!"

It's saying something when even my 6 year old son turns to me and proclaims, "Word up, pater, but I swear to God the British Broadcasting Corporation is dumbing down kid's television."

And it got me to thinking that perhaps the Jedward twins are like a viral idiocy genome that is slowly spreading across the UK via HD cable signals, deliberately targeting and infecting our kids and corrupting their synapses so that in a mere generation's time George W Bush will be seen via the readjusted lens of History as a politician of Einsteinian proportions. The Jedwards are a virus. A virus with the big-eyed baby seal look of a stranded three-legged puppy dog and the asexual physiognomy of a Ken Barbie doll. They appear to be so harmless we just don't bother to defend ourselves. They are the perfect storm.

The only effective vaccine is a potentially lethal dose of cynicism. It's either cure society or kill yourself. Compared to the alternative that has to be a win-win.

Preamble over, onto the main thrust of this post. What if the Jedward virus started to manifest itself in other entertainment settings? Movies and the like?

Imagine The Twilight Saga (and I accept I may have lost most of my readership right here) with Bella Swan perpetually mooning over Jedward Cullen and his inability to consummate their relationship. I say "inability" not "refusal" out of some half-assed outdated Christian belief system where having sex out of wedlock leads to eternal damnation (and the production of children whose innocent state is revered in Christianity as a virtue worth emulating). No. The Jedwards can't have sex because (a) they are not sexually mature enough (both physically and mentally) and (b) they can't stay focused long enough to maintain even a half-mast erection.

Jedward 1: "Oh Bella, you make me feel all tingly down below, girlfriend."

Jedward 2: "Me too, boyfriend. She's a hottie, ain't she?"

Jedward 1: "Oh she is boyfriend. But who's gonna go first because if we both do it at the same time it'll be like doing it with ourselves and it'll all be gross and stuff and our mammy said we shouldn't do that again because it'll be like masturbating with ourselves but worse 'cos it'll be like you doing it to me as me and me doing it to you as you and I'll end up with all your warts and hairy palms like joke monster gloves."

Jedward 2: "Ooh I just love joke monster gloves. Let's go get some! We could play a joke on Bella and pretend we're wolves or something and then pounce on her in the forest and really screw with her already questionable emotional state..."

Or what about Jedward Scissorhands: our poor Jedward twins are artificially created in a weird Walt Disney Frankenstein experiment out in the American sticks but their creator dies before he can finish making their hands (and their brains). So our hapless boys fashion hands for themselves out of scissors and knives and other equipment they find lying around in a gentleman's barbershop and become known as Jedward Scissorhands. Unfortunately they are so stupid they can't even get jobs as letter-openers in a Home For Paraplegics and so starve to death because I really don't want to mess with my fragile psyche by thinking up a happy ending for them.

Or finally ('cos I'm already scraping the barrel here) they morph into a weird living dichotomy of Edward Woodward and become Jedward Woodward, The Equalizer. They decided to live a life helping the little people (you and me, as opposed to Leprechauns) and with that in mind put an advert in the local paper: "Odds against you? Need help? Call the Equalizer. 212 555 4200". Only the newspaper they put the advert in is The Bet and they soon find themselves receiving death threats from all the irate gamblers who have lost fortunes based on the boys' sage advice to bet against "the sun rising tomorrow 'cos it's just too damned cloudy."

And breathe.

Bile vented.

Thank you for listening.





Friday, December 06, 2013

Foam

Much as I'm enjoying the current series of Masterchef I nevertheless find myself shaking my head in unpalatable despair at the current trend for flavoursome "foams".

I say current trend but the reality is foams could have been on the menu of high class restaurants for the last 3 years for all I know; I'm not known for patronizing either Le Gavroche or Le Manoir aux Quat'Saisons on a regular basis and get funny looks whenever I get sniffy about the size of the bread sticks in Carluccio's. I'm hardly a professional diner.

But Masterchef has brought foams to my attention. Suddenly I have a foam radar and, really, I'm amazed I've got through life so far without ever having one.

I've lost count of how many foams I have now seen on TV.

Foam of quail. Foam of celeriac. Foam of DFS sofa.

Without fail they all resemble cuckoo-spit. Or worse: real proper human spit. A great big gooey lugey that somebody has hawked up onto the plate. For all the customer knows the sous chef has swilled his mouth out with cream of chicken soup, sucked on the cork from a bottle of cheap red wine and then gobbed out the scrapings of his molars all over the dauphinoise potatoes and then charged some poor hapless diner £78 for foam of coq au vin.

The poor diner won't know whether to sip it up with a straw or wipe it down with a napkin. Either way he's as stuffed as Scotch egg. Not so much et tu Brute as et tu veloute.

Is this really the way fine dining is going?

Foams? Essences? Sprays?

Are we going to end up with some hoity-toity overly-superior waiter spraying an aerosol can across our faces and claiming we have just imbibed spray of beluga caviar with a fine jus mist of sea bass and then charging us a four figure sum for the privilege? Couldn't I just save myself a load of money by eating the contents of my bathroom cabinet?

I've got a can of Lynx upstairs... mix that with foam of Bisto and I reckon I've got a meal that would set most people back a few hundred quid. Suddenly Old Spice takes on a different meaning too; I could save a fortune by boycotting Pataks and my curries will be the most fragrant in the street.

Maybe I just ought to let my mouth water more and get onto the gravy train?  After all, I could charge for the steam... I'm sure I could rustle up some foam from somewhere too... something with a very personal touch that'll get your umami taste buds a-tingling.

So anyway, next time you're about town and you see some lowlife spitting onto the pavement, just remember you could be passing up the opportunity for a free meal.

Don't be proud. Hunker down and enjoy.

Heston Blumenthal will be charging £150 for it guaranteed.





Wednesday, October 23, 2013

Tears For Fears

The recent series of The Great British Bake Off has stirred up a lot of online debate and astoundingly none of it has been about buns, baps or crusty cobs. It has instead been about crying. About tears. About the expression of emotion.

I’ve read a number of blogs recently that have given Ruby, this year’s youngest Bake Off contestant, a hard time. She has come under fire for crying too much, for crying at the slightest little thing, for ‘crying to gain sympathy’. In short she has been accused of utilizing her tears as some kind of Machiavellian tactic to gain advantage over the other contestants.

Now, aside from the fact that she has gained no advantage at all and indeed I fail to see what actual advantage there is to gain, I find the accusations deeply disturbing, repugnant and unfair. Some of the comments I have seen directed Ruby’s way included the old gem, “oh she’s just putting it on; I knew girls like her at school – very pretty and they turn on the tears just to get their own way; they know exactly what they are doing.”

It took me a while to work out why that statement angered me so much – because there are a number of reasons.

The first (and major) is that the initial gut reaction of both my wife and I when we first saw Ruby was along the lines of: this person has had something happen to her which has left her a little bit damaged. We didn’t see someone who was deliberately manipulative or turning on the tears just for effect; we saw someone who was plainly fragile, had major self-esteem problems despite her looks (because, let’s acknowledge something here: just because you’re perceived as good looking by other people doesn’t mean you believe it yourself) and was severely lacking in confidence and a sense of self-worth.

I’m sure it will be argued that I am merely transferring my own experiences and (mis)conceptions onto Ruby. I would argue that people accusing her of being manipulative are doing the same. To dismiss her with the phrase “I have known girls like her…” is offensive, lazy, callous and reductive. Have you really known girls like Ruby? Isn’t everyone an individual? How can you judge someone who appears on a highly edited TV programme – someone you have never seen before – and decide you know them well enough to critique their entire personality? And as for these girls that you “knew”… how well did you really know them? Enough to judge their behaviour and condemn them for it out of hand? What if there were issues at home? What if there were traumas? Or did you really know everything about them to be able to say they had no reason at all for their behaviour except an inherent and apparently unjustifiable nastiness?

The other thing that bugged me was the implication that other people’s tears and ‘confidence wobbles’ on the show were genuine while Ruby’s were not. How the hell can anybody make a judgement call like that? As far as I could discern this judgement was based solely on Ruby’s looks. Ruby is very attractive therefore she must be supremely confident, must have an easy life with no trauma ever taking place and is not allowed to be attributed with any nervousness, lack of confidence or feelings of self-doubt and emotional negativity. People who are more plain looking, however, well when they cry and go through a confidence crisis that must be genuine because everyone knows that attractiveness = manipulativeness while plainness = honesty and integrity.

What simplistic, reductive rot.

You cannot allow that one person is genuinely upset and not another. There is a basic human right issue here that has nothing to do with looks, gut instinct or whether or not you find someone’s personality appealing or not. Human emotional responses are impossibly complex. Nobody can read them well enough to say exactly what someone is feeling let alone instantly dismiss them as being OTT or inappropriate. For Christ’s sake, if you feel something you feel it. It is not for others to deny you the rights to your own emotions or charge you with fraudulent behaviour. Imagine how crippling that is: you feel something strongly enough to make you cry but those around you shrug and say, “Nah, you’re faking it.” How do you feel now?

The last thing that piqued a response from me was the debate about whether there were too many crying people on TV per se. Whether there was an emerging crying culture generally that was, if not fake, then at least over-done and distasteful to those of us who battle on with stiff upper lips. Is all this free-wheeling emotion a good thing or a bad thing? Part of the argument again was based on the idea that people use tears as a means to an end; a moral gambit to win (or even just avoid) an argument.

I’m not sure what the answer is here except that I would rather a world where people were open and honest about their feelings than a world where people bottled things up, battled on until they either popped and took out half the street in a killing spree or popped internally and fell to the big C or heart disease. Surely the real issue here lies with how people deal with the tears and upset of other people? Isn’t a sighing, dismissive, disgruntled response (“Oh God, they’re not crying, are they?”) also an emotional response that is just as open to criticism?

Surely there is an analogy here to dealing with crying children? Certainly you don’t want to give in and give them whatever it is they want just to stop / avoid the tears… but you do need to talk to them because there is plainly an issue. They might not get what they want but, in the words of Mick Jagger, they might get what they need. At the end of the day we are all emotional beings to one degree or another – our place on the spectrum isn’t the benchmark. I don’t believe there is a norm and I don’t think a norm should be proscribed.

But we do all need to be better about how we deal with our emotions and how we deal with the emotions of other people.

Dismissing, castigating, denigrating and vilifying someone just because of how they express their feelings is not the way forward.

And that is something I feel most sincerely.



Friday, September 27, 2013

Call Me Mr Science

I've toyed with the idea of legally changing my name many times over the years.

E.Z. Rider. Ace. Salami Tsunami. Juswan Cornetto.

All these names and more were considered and discounted as not being quite right. Not quite the real me. But finally I've reached a decision I can live with. A name with very material benefits.

Mr Medical Science.

See, it was Professor Alice Roberts that gave me the idea. It seems that, according to a recent report in The Metro, the glorious Professor Alice has decided to donate her body to medical science because she "hopes donating her corpse will help doctors and students to develop their surgery and dissection skills."

Laudable as that wish is I personally think screw the doctors and students I'm a far more deserving recipient. And the added advantage is that unlike the medical fraternity I really don't require Professor Alice to drop down dead anytime soon. I'd much prefer to have her body on weekend loan while it is still living, breathing and pumping blood around her exquisite arteries. She can have it back for work days and documentary shoots for the BBC and things like that. I'm not unreasonable. We can devise a rota.

My only real concern is what I do with all the brains removed from idiots and psychopaths all over the world which are now suddenly going to arrive on my doorstep...

Because I already have one of those.



Friday, September 20, 2013

Are Yow Larfing At Moi Bruvva?

It's rare that Birmingham - capital of the UK Midlands - gets to feature in any kind of television drama. Most of the time film crews avail themselves of the city because it is undoubtedly cheaper to film there than the nation's capital and then represent it as actually being London. The BBC's Hustle is a case in point. Most of the exterior city shots were filmed in Birmingham but sold to the world as being London.

So it's rather satisfying to see Birmingham featuring in a BBC costume drama and being sold as itself. Noisy, grimy, rough, tough and with that unmistakable Midland's twang that I grew up with. Not that Leamington Spa has much of an accent. Compared to the true son of Birmingham, the Leamingtonian accent is rather poesh and nice (as opposed to "push" and "noice").

Peaky Blinders kicked off last week and is the fictionalized account of the Shelby's, a gang of Birmingham crims who held sway in the city just after the finish of the first World War. I daresay the writer's have taken numerous liberties but I am not in a position to point out any factual inaccuracies as yet; I'll leave that to the numerous "Brum" academics who'll not be shy in voicing their complaints as and when any Birmingham based misinformation hits the slagheap.

Knowing parts of Birmingham well and others not at all I can at least say that there is a clever mix of real location and CGI that brings 1920's Birmingham to life; not to mention heavy use of the canal yard at The Black Country Museum. The accents, for those of is the know, sometimes veer from the true Birmingham "yam", but on the whole hold true. The actor with the toughest accent to crack is Sam Neil as Chief Inspector Campbell who has nailed his oracular flag to the mast of the Reverend Ian Paisley. Sometimes it jars but the script is cracking enough that you overlook the occasional dip into Walt Disney Oirish.

The star of the show is Cillian Murphy as Thomas Shelby (or Tommoi as he is referred to in our house), the leader of the Shelbys. The Peaky Blinders were so named for the razorblades they concealed in the peaks of their cloth caps that were then transformed into slashing weapons in a fight... but in truth Cillian Murphy could cut a man wide open with his cheekbones alone. He's a powerful presence on the screen and exudes an air of calm, urbane, gentlemanly violence that is somehow the more brutal for being measured and calculated. Helen McCrory too is a strong backbone to the rest of the cast and manages to slum her vowels into Birmingham's street talk with aplomb.

The show has everything; horses and bet rigging, stolen army munitions, pub fights, gypsy warfare, blood, sex, cheekbones and exortations not to "larf at moi bruvva." And best of all it is bigging up Birmingham.

The city up the road from me has a history that is just as magnificent and nasty as the one to the south.

Only our accent is better.

If yow can't get a rowm at the Premi-air Inn then jus' yow tyoon in to the Beebeeceee of a Thursdaaay and it's like yow is proppa in the Bullrinnng. Jus' down't look at us funnoi. Cos we down't loik it.


Thursday, September 12, 2013

Rat In Me Kitchen (And Me Bathroom)

It started with rhythmic scratching.

Something sharp being clawed against wood and brickwork.

I was the only person to notice it at first and was hard placed to positively identify where it was coming from. Somewhere around the back of the kitchen cupboards possibly. I even attributed it to next door at one point (they’re students; I wouldn’t put it passed them to hollow out a cavity in the brickwork on their side of the house so that they could curl up into a ball and listen to their Radiohead albums in peace without the cruel world impinging upon their listening experience).

But then the scratching seemed to hone in and centre on the part of the wall that disguises a run of pipework from upstairs. When I say disguises I mean the pipe is quite obviously boxed in and as a consequence we have a bizarre buttress effect in the kitchen that goes all the way up to the bathroom and from there up into the loft.

For some reason, possibly because I was watching Spring Watch at the time, I thought it might be a trapped bird.

But trapped birds tend not to live very long and the scratching continued.

And then got higher. And higher. Until we could now hear it plainly in the bathroom. Something right behind the tiles, scratching at the grouting from the inside.

The cats got spooked. And then got interested. And now they watch that little patch of buttressed plaster and tile like it’s the telly. They’re just waiting for whatever it is to pop its head out of the splintered plaster like Jack Nicholson in The Shining. To be honest, even if it was actually Jack Nicholson my money would be on the cats.

I am, however, 99% sure it is a rat.

And relieved. I think Jack Nicholson might be a worse pest to deal with.

My biggest fear is that the little blighter is attempting to gain entry to the loft. This would be bad news because we keep various family heirlooms and the boxes from my Lego collection up there. Did I say my collection? I meant, of course, my kid’s. Plenty of scope for rat mayhem.

I’m pretty sure all is secure but I haven’t yet ventured up there. But the time is nearing.

If you don’t hear from me for a while you’ll know it’s because “daddy’s home”.



Friday, September 06, 2013

Sex With Professor Alice

Well, the CD player is already purring with the best of Barry White and I’ve placed scented candles at strategic locations around the bedroom so that the reflection in the mirrored ceiling is warm and arousing. I’ve got champagne on ice, rose petals on the pillows and even a specially scented ice cube to do that “9½ Weeks” thing should she request it. I’ve even flung a copy of Nessa Carey’s “The Epigenetics Revolution: How Modern Biology is Rewriting Our Understanding of Genetics, Disease and Inheritance” under the pillow just in case she’s up for a bit of post-coital research. Although hopefully it will be mid-sesh research and not post-coit; I am, after all, planning to perform all through the night.

I just can’t make up my mind between traditional white satin sheets or eezee-kleen black rubber… It’s so hard to decide. I mean one minute Professor Alice is all prim and proper like a prefect out of Mallory Towers and the next she’s like an attractively geeky love-elf out of… er… The Two Towers.

*sigh*

You can tell I’m nervous, can’t you? This has been on the cards for so long I’m in danger of exploding right here and now. I’ve wanted it for so long. Dreamt of it. Wrote of it. And then deleted what I’d written in case her lawyers ever discovered it. But finally it’s happening.

Sex with Professor Alice Roberts*.

I must admit I’m a little disconcerted that it’s being televised next Wednesday on BBC4 at 9pm. But hey, at least it’s after the watershed so I’m guessing she’s going to dispense with the camisole and may even slip into some science approved lingerie. And I accept it is for the sake of scientific research and not just for pleasure (though I mean to ensure there is plenty of the latter – and for Professor Alice too).

But even so. I’m looking forward to it.

She’s so coy, that Professor Alice. No hints or thinly veiled euphemisms. Not so much as a single flirty text let alone asking me out on a proper date. No, just thrusting it into the BBC programming schedule and trusting that I’d pick up on it; that I’d get the message.

Well, I have.

Professor Alice is presenting a programme about sex next week. And as sure as 2 plus 2 makes 4 and nucleic acids plus various proteins make the building blocks of life Professor Alice and I are gonna make lurve. Yeah yeah, I know it doesn’t mention me in the Radio Times but that’s just to prevent the press from camping out on my doorstep and putting Professor Alice off her vinegar strokes. And I know some of you think I am just hopelessly delusional and am reading far too much into a tiny synopsis printed in a TV magazine but I KNOW, OK? I KNOW in my heart that this is going to happen.

It’s all my birthdays and Christmases come at once. It’s the moment I have been angling and pushing for on this 'ere blog for at least 4 years.

And it’s finally all coming together. Just like me and Professor Alice, in fact.

So don’t spoil it for me.

Just tune in, shut up and watch. You may even learn something.

Just sayin’.

*wink* *wink*


*Sex: A Horizon Special: Wednesday 11th September, BBC4.



Friday, August 30, 2013

Me And Tel

I had cause to be in Windsor a few weeks ago (full frontal family assault on Legoland) and, being rather partial to a cheap Italian (I just cannot afford Monica Bellucci; lovely girl but too high maintenance), the family and I repaired to the local Bella Italia to enjoy a late evening, post Legogasm, meal.

Nothing unusual in that; the brood and I often fine-dine in such kid family establishments and have been known to sample their various incarnations up and down the country.

This time though we were in especial company.

I’m not a huge follower of Sir Terry Wogan but I know enough to have chuckled at his less than charitable (but wholly accurate) verbal drubbings meted out to various Eurovision entrants over the years and I believe he had a TV chat show a few years back and may also be relatively familiar with radio broadcasting. So the opportunity to dine with Tel (as he insisted I call him purely by raising an eyebrow my way) was something that I just could not pass up. And his wife (at least I assumed it was his wife) did not seem to mind us inserting ourselves into proceedings and, in fact, carried on eating as if nothing untoward had happened at all. Looking back on it now I wonder if she did actually see us.

And Terry too for that matter. Conversation was rather sparse - unusually so for the normally silken voiced retired BBC star.

Of course, that may have had something to do with the fact we were sat at entirely different tables but you can’t let a simple thing like an uncooperative seating plan spoil a good anecdote.

Technically I have eaten a meal with Mr Terry Wogan.

And I can tell you he had the best seat in the house – window seat, overlooking the façade of Windsor Castle – seemed to be on good terms with all the waitresses and had the biggest ice cream sundae I have ever seen in my entire life. Lord knows we’re not fast eaters but the Wogans were still masticating and quaffing long after we had requested the bill. Our Tel must have the appetite of an ice age glacier and the constitution of Pete Doherty.

Anyway, I resisted the negligible urge to inveigle him in conversation just for the chance of a kind word and an autograph… I was with my family and needed a night off. If he wants a signed photo he’ll just have to approach my agent like everybody else.


Monday, July 22, 2013

Special Delivery

Due to my little boy’s insistence I happened to catch an episode of Postman Pat the other day. And you know what it’s like; when you haven’t seen something for a long time and then you are unexpectedly re-familiarized with it you suddenly find yourself noticing oddities, making connections where you never saw them before, seeing evidence of a huge and dark conspiracy waving its huge naked bottom before your face.

Something is not right in the state of Greendale.

The children first aroused my suspicions. There’s a high percentage of ginger hairedness in Greendale which is difficult to reconcile when there is only one adult in Greendale who blatantly carries the ginger gene: Postman Pat. He is the only Alpha Male ginge in the entire area.

And this begs the question: just what kind of package is Pat stuffing through the letterboxes of all the ladies in the town? Is he siring a whole generation of little posties while he does his rounds? To paraphrase the theme song: Post-man, Postman Pat; we can guess what’s in his sack.

But it doesn’t end there. Or rather it doesn’t begin there. Because this wild sowing of the red haired seed plainly isn’t limited to the Greendale youth. Check out some of the older generation too. Mrs Goggins for example. Such an innocent grey haired old lady. But she’s obviously on intimate terms with Pat. Just a family friend you might say. But look again. If you imagine her hair as once being red she is suddenly a dead ringer for Pat himself. Their faces are virtually interchangeable. Now, she’s either Pat’s secret mother, his older sister or his prematurely aged daughter.

Either way the gene pool in Greendale is tighter than Jimmy Carr’s accountant’s wallet.

And there’s very little new blood that comes into the town. Sure, Ajay might drive that train in and out of the station all day long but there’s never anybody on it. No one ever gets off at Greendale. There’s just the locals. The same faces, day in, day out. And all those ginger haired kids who all have Postman Pat’s nose.

I’m telling you, Greendale is like Craster’s Keep in Game Of Thrones… with Postman Pat himself being the only single dominant male allowed to breed. A couple more series down the line and Greendale will start to see genetic defects manifesting among the populace – elephantitis of the limbs, mental disorders, a rise in Greendale suicide rates (especially when the kids put two and two together and realize they all have the same father as their own parents).

I may have to ban my boy from watching the programme way before then. We’ll certainly have to bail out before the riots start and the inevitable highly sensationalized tabloid news coverage.

I really don’t think this type of thing should be allowed on the BBC.

Thank God for Bob The Builder… He only has intimate relations with his cement mixer.


Thursday, May 30, 2013

Death By Beaver

When beavers were introduced to Knapdale, Mid-Argyll in May 2009 I cheered.

Being part Scottish I could only celebrate with my far-Northern cousins that finally, at last, their beaver needs were being met. It is a little known fact that there has long been a shortage of beaver in Scotland. Some blame the Highland Clearances, some the proliferation of Buckfast and deep fried Mars bars, most put it down to the hordes of midge flies that are attracted to anything warm and moist. After all an itchy beaver is an unhappy beaver.

However, as the classic beaver spurns any kind of fashionable depilation, it was agreed that a good full musky pelt would be ample protection against even the most determined of hormonally driven irritants and therefore the whine and nip of insistent little pests would be “nay bother” to the eager beavers waiting to set up home in the west coast of Scotland.

The beavers were duly released and allowed to run free and to this day thrive and prosper in Knapdale, Mid-Argyll.

It is a story worthy of the BBC’s Springwatch. A conservation success story to be shouted from the rooftops although we are yet to see Chris Packham get to grips with a beaver live on telly despite Michaela Strachan’s best attempts to the contrary.

All should be well. Beavers and beaver jokes have been resurrected in the British Isles to the glory of all.

And then comes the disturbing news today that a man in Belarus has been killed by beaver. The beaver population in Belarus is an eye-watering 80,000. I’m not sure what ratio that is to the male human population but surely there is enough beaver to go around.

Details are currently sketchy but it seems the man had attempted to capture the beaver in order to have his photograph taken with it.

Well truly, what man has not savoured the adolescent dream of being photographed running his fingers through the quivering fur of a beautiful, perfectly formed beaver?

It seems this particular beaver was having none of it though. It didn’t want to be tied down. It didn’t want to be posed. It didn’t want to be stroked. It wanted to be left alone and photo-shoots be damned. It was plainly the wrong time of the month. The beaver was not in season. The beaver bit and bit hard.

The poor man consequently died of his injuries.

Although “death by beaver” may sound to some a glamorous way to go I suspect my Scottish brethren are now twitching nervously beneath their sporrans and analysing growing beaver numbers in the Knapdale area with a sense of gnawing trepidation. Prime air-time on Springwatch is all very well but with a beaver population explosion on the cards it is only a matter of time before there is bloodshed in the Scottish bush.

After all, an angry beaver with teeth is not something you want erecting a dam at close quarters in your kilt.

Monday, May 20, 2013

Jamie Oliver Child Abuse

In a move guaranteed to ensure his twatdom for evermore, “cheeky chappy” TV “chef” Jamie Oliver has claimed that an unhealthy packed lunch is on a par with child abuse and the providers of the packed lunch – the hapless parents – are the abusers.

I kid you not.

Being a regular internet surfer my sensibilities have long been bludgeoned to insensate dullness by the proclamations of idiots and emotional amoebas the world over but even I, desensitized oaf that I am, found myself reeling in shock at the sheer magnificent idiocy of Jamie’s latest outburst. It is idiocy on an Olympian scale. Stupidity big enough to gag a black hole.

Jamie needs to take the same care over what comes out of his mouth as to what he puts into it – and wants to put into ours.

A packed lunch, no matter how comprised of donuts, lard sandwiches, liquefied sugar and cholesterol shakes, cannot in any way compare with child abuse.

Does Jamie need to attend a corporate training course on what child abuse actually is? You’d think with Operation Yewtree currently decimating the BBC’s summer programming schedule, Jamie would be a bit more clued up. Maybe the BBC could spend some of our license money sending Jamie off to make a programme about child abuse and how learning about it affects him and, of course, he can throw in a few recipes for conciliatory vegetable and nettle smoothies while he’s at it to make the kids feel better about themselves? Except the last thing those kids need is king dickhead Jamie Oliver criticizing them over their choice of comfort food.

Most bad packed lunches are not formulated by parents setting out to wilfully harm their kids or even by parents who take evil, predatory pleasure from stuffing their kid’s Power Rangers lunch box with enough fat to make a McDonald’s burger feel positively anorexic. Most of the time a bad packed lunch occurs due to ignorance, poverty and, let’s not overlook the biggy, the fact that the child in question refuses to eat anything else to the point where the family’s own doctor advises them to just let him / her eat whatever the hell they like just as long as they are eating something and ingesting enough regular calories.

And what about those ordinary families who occasionally slip a treat into their kid’s lunch boxes? The occasional Mars bar or Twix? The infrequent chocolate mousse? Is that child abuse too? Or are we just the equivalent of chat room “lurkers” grooming our kids for worse things to come? Sucking them into an underground world where their dependency on chocolate and sugary drinks will make them easy prey for Machiavellian techniques to make them more biddable in years to come? “Do the hovering and there’s a Milky Way in it for you, son…” Christ. I’ll hand myself over to the Yewtree investigation squad right now, shall I?

Dear Jamie, do you know what one of the most soul destroying aspects of child abuse is?

Guilt. Being made to feel guilty about something that wasn’t your fault and something that you could in no way have any responsibility for. Abusers love guilt. It really does make those in their power more biddable.

Guilt is a nasty, insidious thing when it is not deserved (but nevertheless keenly felt).

Spreading it about and using it as a leverage tool to sell your own branded personal ethos to the country and bolster your flagging celebrity status is abusive in the extreme.

Isn’t it about time you turned yourself in to the cops, Jamie? (I hope one of them fucks you over with a Curly-wurly.)


Monday, May 13, 2013

The BARFTAs

You won’t have heard my name mentioned at last night’s BAFTA awards but you may have heard one of my jokes.

At least I think it was one of mine. It was a pretty damned weird coincidence if it wasn’t.

Some of you may have heard of this “Twitter” thing. A few of you may even use it on occasion. I know I tend to use it very occasionally. And like a lot of people on Twitter sometimes I get sucked into “Following” various celebs just to feel idiotically closer to them. The whole thing is very shallow and needy and more than a little shameful.

On occasion, when temptation gets the better of me, I may even try and send a Tweet to one of my favourite celebs, just in passing, nothing heavy meant by it and the whole exercise in no way affects my emotional or mental state to have you ignore me yet again, thank you very much, that is the last time I EVER EVER watch one of your shows, do you hear me you arrogant stuck up arsehole?

Because, of course, these people are bombarded with Tweets from needy idiots all the time wanting the instant gratification of a response from someone famous just to they can write a blog post about it. So many Tweets in fact that you have more chance of seeing Romola Garai’s stiches than having your Tweet actually seen by the intended recipient let alone having it replied to (and you will have to have watched last night’s BAFTAs to get the stitches reference).

I know this. So I have Tweeted a celeb on no more than 3 occasions in all my years using Twitter. Most of the time I am sane enough to keep away from such shenanigans. But sometimes, just sometimes, I get drawn in.

As I did yesterday morning. I just happened to see a Tweet from buoyant Northern comedy lass, Sarah Millican. She was on her way to the BAFTAs, was plainly nervous and so had done “a little sick in her mouth”.

To which yours truly, unsung comedy genius and master of quick wit and repartee that I am, replied, “Shouldn’t it be the BARFTAs then?”

The awkward Twitter silence that followed that gag made me feel pretty sick I can tell you. But I shrugged it off – *sigh* I never learn – and felt no negative feelings towards Sarah Millican; she's lovely. I rationalized it. It was my neediness that was at fault not the fact that she was too busy. C’est la vie.

And then at the BAFTA’s, lo and behold, whilst presenting an award Sarah makes a reference to the difference in Northern and Southern pronunciation and that now she was down South she ought to pronounce BAFTA “BARFTA”…

So a different spin put on it but the punch-line was essentially mine.

Right?

Or am I reading too much into it?

Was it just a coincidence?

To be honest, I don’t want any credit. Just the opposite. I want to assuage some guilt. The joke fell flat and I feel responsible.

Sarah, I’m sorry, pet. I feel like I really let you down.

Tweet me soon and we’ll talk about it. Kay?