I Believed In Father Christmas

I can’t remember the exact age I was when I stopped believing in Father Christmas. About 6 or 7 maybe. By modern standards that’s possibly a good innings.

I do know that nobody told me. Nobody let the cat out of the bag or suddenly decided that I needed to “man up” about Christmas.

I worked it out. A slow dawning realization that the logistics, the physics... they just didn’t add up. My parents didn’t help by declaring certain cupboards off limits during the run up to Christmas. That aroused my suspicions. Plus relatives got sloppy about bringing presents to the house. They did it in full view of us. When you’re a kid you remember even the smallest glimpse of wrapping paper. When Christmas morning arrived and that same paper appeared again... well, 2 add 2 inevitably makes 4.

I remember feeling gutted. An excoriating disappointment that left me completely deflated and flat. The world seemed greyer, drabber and smaller once the truth was upon me. No magic. No flying sleigh. No Father Christmas coming down the chimney. No toy factory at the North Pole with a happy workforce of elves making toys.

Just mum and dad. Just Nan and Bampap. Just Auntie Edie and Uncle Harry. Auntie Maude. Auntie June and Uncle Bill. And all the rest.

It is only now that I can look back and see that there was magic in the truth after all. All those aunts and uncles. My grandparents. All those jolly smiles – the jollier I suspect for having lived through WWII and thereafter counting their blessings for being alive every single day.

Mum and dad thankfully excepted, all those names that meant so much to me are now all gone from the world. Dead. Vanished. I have memories of their voices that I cannot pass onto my own kids.

Instead, we have Father Christmas still. And though my 11 year old sussed it out some years ago we persist in the ruse for the sake of my 5 year old. I think that small temporary belief in magic is the most precious gift of all. It creates, if nothing else, a capacity to find and cherish the real magic of life when you’re older... for all you have to battle through that initial disappointment. Sometimes lies and sham merely disguise other truths.

I do remember one year though, when I was about 25. It was Christmas Eve and I’d come back home late from a mate’s house. I hadn’t drunk too much; just enough to be warm and merry. I tucked myself into bed – it had gone midnight so technically was already Christmas Day. I remember wishing the world a very Merry Christmas as I settled down to go to sleep.

And I heard – just once – the sound of sleigh bells. Very distinctive. Very clear. Somewhere close in the crisp midnight air.

I know, I know. Some drunk marlarkying about on his way home. Or some parent going the extra mile for his/her kids.

A logical explanation is out there somewhere, I am sure, and probably not very hard to find.

But just for a second... I did wonder.

And every year since... just for a second... I still do.

Funny thing, magic.

Merry Christmas to you all.

No More Merlin, No, No, No!

So the BBC’s Merlin closes its doors on Camelot for the last and final time on Christmas Eve.

After 5 series that have been smash hits all over the globe the Beeb now feels it is has “teased out all it can” from the Arthurian legend and it is finally time to knock the myths and magic bandwagon completely on the head.

No more Colin Morgan and his magic jumbo ears.

No more Bradley James and his pouty swordsmanship and swishy nipples.

No more Angel Coulby cinched so tight into improbably tight dresses that her kidneys grind up against her back teeth.

And worst of all no more Katie McGrath spilling her gloriously pale and fulsome décolletage out of impossibly black dresses as she icily stares wanton evilness over all who dare to cross her gaze.

I find the BBC’s decision unfathomable and unpalatable.

Even without the enticing lure of Katie McGrath’s curvy cleavage of evil bouncing across Camelot’s ferociously defended borders and causing fruity mayhem and musky spillages among the goody-two-shoe knights the BBC can’t fail to have noticed that Merlin has been rather good for their revenue stream.

In these days of financial hardship and the tightening of belts I find it inconceivable that any kind of corporation would willingly cut off a single cash supply. Oh I’m sure Merlin costs millions to make – the sets, the locations, the lingerie, the tight security around Katie’s Winnebago that repulsed my siege engines of love countless times... but I bet you it recoups twice that in international TV rights and DVD sales without breaking a bank manager’s sweat.

“Teased the legend out as far as we can?”

What rot.

There’s loads more they could have done. Loads. I mean, Christ, I could write them a few episodes by next week – provided they were willing to overlook the incongruity of Katie McGrath shod in leather and fishnet stockings sitting astride a vibrating waterbed.

She’s a high priestess of the old religion, for Heaven’s sake, there’s bound to be perks.

Seriously though I find it very sad. Merlin started off a bit too whimsical and kiddie-friendly but then magically matured into a glorious sword and sorcerific drama that restored my faith in the BBC after its appalling run with Robin Hood a year or so earlier.

And now some mealy-mouthed TV exec has drawn up the portcullis on one of the most popular shows of the last 5 years without batting an eyelid or even newting a toad. Or something.

Idiots.

On the bright side though it does mean that when I part with my cash for the Merlin boxed set I know I’ll be getting the complete and entire production output. Unless, of course, they run with my idea for a Christmas special next year (but that all depends on Katie learning to pole dance by then)...

*sigh*

Saturday nights just won’t be the same.

You’ve given me one hell of a sword, BBC, but taken away the stone I liked to fantasise driving it into.

Curse you!

Strange Vegetables

Black magic is afoot.

Something old and ancient and of the deepest, darkest soil.

As I have performed my daily security checks around Grindstone Towers I have encountered weird totems left out for me. Strange vegetables left in odd but prominent places.

I’m not talking peas or legumes. I am talking root vegetables. Turnips. Swedes. Mangelwurzels.

Mangelwurzels especially.

I have found no less than four of these left on pillar bases, at the tops of stairs and placed strategically in doorways so that they are hard to avoid.

It is hard not to take these portents personally though the cryptic message they contain could be meant for anybody I suppose, not necessarily me.

Wikipedia tells me that as far as mangelwurzels are concerned their “contemporary use is primarily for cattle, pig and other stock feed” though they can be fed to humans when the root is young.

What is a young root? A rootlet? Isn’t that a quickie in Australian slang?

Plainly someone feels that I am of bovine persuasion. It is hard not to interpret that as some kind of negative feedback.

Or course, I could be misreading the situation. Maybe a regular has seen me scoffing my face with chocolate and feels that I should be eating more healthily and has taken to leaving me various food items that I could take home and incorporate into a nice stew. Sort of a low level piecemeal Red Cross food parcel service.

I admit I have been surveying the visitors to the Library contained within Grindstone Towers trying to identify the potential reader of the large print version of “Fifty Shades Of Gravy” but all to no avail. They are keeping their identity well hidden. It could be absolutely anybody.

Should I, of course, ever find a mangelwurzel in my bed I will know that the truth is I have offended the countryside mafia in some way and that my time on this good green earth is now at an end and I am about to be harvested forthwith (and not, alas, for my succulence). For as it is written: all flesh is like grass, and all of man's glory like the flower in the grass. The grass withers, and its flower falls...

But all I have at the moment is guess work. Guess work, speculation and conjecture. The truth is I don’t know what is happening only that it is strange and disturbing and nebulously sexual and I would welcome input from anybody at all on this matter.

Please carve all ideas and theorems into the back of a parsnip and send them to the usual address please.

Or alternatively just leave them out in the street for me to find in the morning.

The Cross Your Heart Factor

Is it just me or have certain elements in the current series of the BBC’s Merlin been, for want of a better expression, pumped?

Augmented? Inflated? Swelled?

And this isn’t a complaint – really it isn’t – but I can’t help wondering if the makers of Merlin are subconsciously trying to compete with the rather more adult telling of the King Arthur legend that appeared on our tellies earlier this year under the shockingly original title, Camelot.

‘Cos suddenly Gwenevere’s bosom (donated unselfishly by Angel Coulby) – hardly an insignificant landmark at the best of times – has suddenly grown into planet colliding proportions. It o’erspills. Her cups runneth over. She has gone from wanting to merely catch Arthur’s eye to attempting to skewer both of them out with a two-pronged attack. Run into this girl on a cold morning and you’ll end up with broken ribs on both sides.

I daresay Arthur (Bradley James) will consider that a jolly decent way to go but in terms of courtly love, isn’t it he who is meant to be running the good lady through?

I like Merlin. I liked it from the start though I will admit the first two series were a little too fairytale for me. Thing have got blacker and darker though since series 3 and this present series – the fourth – has seen things getting blacker still. Uther was bumped off in the second episode and Arthur is at last king. Morgana (Katie McGrath) has finally been converted to the dark side and has now (alas) spurned her usual neck plunging dresses and taken to concealing her own otherworldly décolletage behind charred sackcloth and a hairdo redolent of Amy Winehouse battling uphill towards an off-license against a force ten gale in Barnsley (going to wizard rehab? I say no, no, no).

I kind of miss Morgana’s finery. Her off-the-shoulder numbers. Her sneery lipped looks over a forkful of venison. Her twirly earrings that caught the candlelight just before she did someone a particularly bad turn. The show’s writer’s need to be careful that they don’t completely lose her va-va-voom amongst her recently acquired hovel paraphernalia and the pickled frogs she keeps in her medicine cabinet. Morgana’s appeal was always that she was a vamp. She was cold hearted and icy but she was nevertheless, undoubtedly, undeniably, a black hearted vamp. And a tease. The kind that lead a man to his doom without ever actually “putting out”.

Now she’s in danger of becoming a tramp. And not in a good way either. There needs to be some curve and some bosom mixed in with that eye of newt and tongue of lizard. After all the lady is a fox not an old bat.

But maybe this is why the show’s producers are building up Gwen’s part(s)? It kind of makes sense to have Gwen as Camelot’s ye olde pin-up girl. She is, after all, the legendary heroine who attracts all the knights of Camelot from far and wide to come and sup from the warm bounteousness of her round table, not Morgana. The balance of feminine power needs to be shifted – and not just in terms of a well fortified cross-your-heart bra.

Let’s just hope Arthur has got what it takes to locate her Holy Grail... keeping both these femme fatales from tearing out each other’s throats is likely to be very thirsty work indeed.

And I'll be more than happy to drink to that.

Morgasma

+++ APOLOGIES +++ MINORITY INTEREST POST +++

So with the return of Merlin to our TV screens last Saturday (apologies to my overseas readers) I find myself dusting off my TV critic’s visor and lance and preparing to saddle up the steed I call “please Radio Times employ me as a columnist”.

The first two series of Merlin were good. They were OK. They were ample. They were entertaining. Compared to the BBC’s ill thought out, misbegotten Robin Hood, they were brilliant. But compared to other stuff the BBC was churning out (Lark Rise To Candleford, Ashes To Ashes to name but 2) the writing was patchy. A good episode was frequently followed by one which merely made me shrug my shoulders and toss my gauntlets down in exasperated ennui. Only the searing brunetteness of Katie McGrath’s Morgana kept my interest constant.

After only one episode it’s impossible to say whether the writer’s of this third series have finally found their legs but they certainly left the starting blocks with enough acceleration to leave Roadrunner spitting out tarmac.

Finally the story is moving. The pieces are beginning to fall into their allotted places. Morgana has turned to the dark side. No more riding around on a palfrey mare looking like a representative of the Scottish Widows (although actually she did do that in this episode); no more haughty looks above a décolletage that I would love to drop my wand into (though, er, she did do a couple of those as well) and no more simpering smiles to Arthur and Uther as if she were accepting an invitation to cream tea at The Berkeley (though, yes, there were some of those but they were all part of her evil plan to lull them into a false state of security).

The dynamic has changed. Old allegiances are broken. The whole social dynamic of the show has been injected with a newer, darker energy. The interaction between the characters is now far more interesting. It’s gone from Enid Blyton jolly japes to C.S Lewis good vs. evil mysticism. There is betrayal and sneering looks afoot. There is righteousness and corruption. This is all much more in-keeping with the Arthurian legend and gives the actors something to really get their teeth into.

For the girls Bradley James (Arthur) spends much of his screen time either swishing his sword or his nipples around in manly topless abandon and Colin Morgan (Merlin) somehow manages to muffle and mangle his muscular Irish accent out of all existence and into a generic English plum with such skill and verve that you completely overlook the fact his ears totally eclipse the light of the sun. How the lighting riggers manage to backlight him without making his head resemble Shrek’s, I don’t know.

For us guys Angel Coulby plays Guinevere as if Thomas Mallory had re-written Cinderella but is wenchy enough to be modern, sassy and, dare I say it, chav-like but all in a positive way (I’d just love her to say to Arthur “yo bruv, it’s well shameful but like I love you, innit”) but for me, the real star is Katie McGrath. Poised, graceful, long limbed, brunette and able to wield a plunging neckline as expertly as she wields a blade. She can pull my sword from its stone anytime.

The producers have found some money too. I suspect the wagon load of groats that was delivered to their gatehouse with a note from the BBC executive team that read “’ere, give us a third series and make it look like Clash of the Titans” had a lot to do with it but I am not complaining. Last night we had giant scorpions, fighting skeletons (almost as good as the ones Ray Harryhausen produced for Sinbad) and a flying dragon. And for once none of it looked too ropy. Hopefully this is a sign the BBC are in for the long haul and we might actually get to see Arthur crowned king rather than have the Beeb pull the plug just as it all starts to come good.

So, all things considered, I will be flying the flag for Camelot every Saturday evening for the next 13 weeks though secretly supporting the dark side just ‘cos the bad girls are hotter than the good ones. And whilst in that vein, Katie McGrath you have the honour of receiving this blog’s second TV Totty Of The Week award for services rendered to corsetry and witchcraft.

Just bung it on the mantelpiece next to your grimoire, luv; it’ll look magic.

The Mystical Toilet

When you're a kid, toilets are magical, mythical, mystical contraptions.

Aside from the boyhood / manhood pleasure of blasting your urine around the rim like you're strafing an invisible enemy army, there is the magic of the disappearing water.

You pull / push the flusher and all that water shoots down and disappears... where?

As an adult, of course, the toilet is downgraded to merely a mechanical appliance that is (quite literally) always at your unthinking convenience but as a kid... they're akin to dragons and unicorns. Eerie, intriguing, frightening beasts of indeterminate morality.

My eldest boy, Ben, was always a little scared of the toilet and overcoming that fear was a major factor in getting him properly toilet trained... making that big step from carelessly filling his nappy to anticipating the demands of his bladder and making a pre-emptive strike at the portal of the big white telephone. He got a toy car every time he successfully made it to the toilet. Even now those cars are referred to as "poo cars". But his initial fear is understandable. That wide open mouth... The chasm down to deep waters... The porcelain abyss with it's strange smell even when the water is clean... It's a big thing to park your bum over it for the first time and relax enough to let nature take its course.

That fear is also greatly increased when the toilet has eaten one of your toys.

Ben once accidentally dropped a favourite toy down the loo when he flushed it. Of course it went the way of all small solid things trapped beneath the flush cycle.

And that only added to the mystique of the toilet. It transports things elsewhere... Elsewhere via dark underground water chutes. Through the sewers, through vast underground caves... out, out, far out to sea. Or so I used to think as a kid. It's a bit disappointing to learn as an adult that everything actually ends up in some huge sediment tank at a nearby water treatment plant where all the muck is literally sucked out of it. God knows where that toy is now but it's certainly not floating around the Atlantic as Finding Nemo would have you believe.

Anyway, my youngest, Tom, is displaying early signs of having an interest in the toilet. When he has a bath (or a "splish splash splosh" as it is known in my house) he likes to have a quick peak over the rim to see what's down there. I'm hoping this bodes well for future potty training and isn't an early indication of his entire Duplo brick collection making a bid for the Pacific sometime soon.

But regardless of erroneous submersibles and unlikely submarines, it's comforting to know that his toilet rites of passage will begin soon. That he too, in time, will embrace the mystique of the toilet.

Enemy in sight. Release safety catch. Open fire...! Ra-ta-ta-ta-ta...!

Magic.

The Death Of Magic

When I was an impressionable teen I got into magic. Or rather the idea of magic. In fact this occult interest lasted well into my impressionable twenties.

At the time the occult section of Waterstones (now, I believe, respectably entitled “Health, Body and Spirit” or some such) was bursting at its magical seams with middle class grimoires from the likes of Laurie Cabot and other darker tomes from the late, great and dangerous-to-know Aleister Crowley, who is in fact a fellow Leamingtonian.

I have to say I was swept along more by the theory than the practice though I do recall once going into an “alternative” shop in York and buying a wand that looked like a Native American phallus. All dangly feathers and a ruddy great bulbous crystal sprouting from the end of it. It languished under my bed for years until I offloaded it onto a kooky ex back in 2003. I don’t miss it at all.

As for Crowley... well I was never tempted to try out any of his Magick™, beleaguered as it was with demons, drugs and downright moral depravity but I did purchase a lot of his books. I got about 2 thirds through his immense autohagiography (for those of you who don’t know an autohagiography is supposedly the biography of a saint) before getting bogged down in lengthy "he said / she said" transcripts of various conversations Aleister had enjoyed in various privileged gentleman’s clubs across Europe. It all got a bit stuffy. I just wanted the salacious bedroom exploits and the otherworldly descriptions of the Abyss not the scripts from an Open University staff meeting.

I still own the books and have a few rarities too including a copy of his very dirty poem “Leah Sublime” (which in the modern age is no worse than a 6th form Rugby song).

I keep them now not out or any respect for magical lore but as interesting historical documents. As a figure Aleister Crowley has, I think, stood the test of time. The magical theories, I’m afraid, I now view as complete bunkum. It’s plainly obvious that Crowley was doped to his eyeballs most of the time on heroin and cocaine and various other Victorian opiates and spent a great deal of his time reading esoteric texts and then hallucinating as a direct consequence.

One story from the autohag is a case in point:

Aleister recounts an occasion when he saved a man servant’s life by wrestling a demon to the ground. It’s one of the signature notes of his autohag and makes a great read. However, that same man servant later independently recounts Aleister taking various drugs and then suddenly attacking him. The man servant was lucky to get away with his life, his dignity and his virtue intact. Enough said.

But there was more to Aleister than the dodgy magic. There was philosophy, literature, appalling poetry and a rock and roll lifestyle a good 60 years before rock and roll was even invented. He’s a genuinely interesting character and I may write more about him in the future but don’t have the room or the time now.

Laurie Cabot – an American white witch – is another case entirely. Stephen Fry met her earlier this year during one of his televised road trips across the States and she came across as an aging nutter who spent her time living in a yurt for the tourists and touting feather-based love charms for the sad, lonely and financially incontinent.

I can’t believe I ever fell for any of that crap. It all seems utterly ridiculous now.

Me and magic have, alas, parted company. I’m no longer a believer.

Which isn’t to say I don’t keep an open mind on ghosts, UFOs, and other paranormal oddities.

But magic... magic I’d like to believe in but sadly just don’t anymore. I’ve grown out of it. It’s a young man’s dream, borne out of ignorance and wishful thinking; a desire to control the uncontrollable.

Nowadays I’m more accepting of the uncontrollable. In fact part of me is rather glad that there are some things beyond my control – I can take neither responsibility nor blame for them. It’s an immense relief.

And yet...

...and yet there is a tiny part of me that is sad that I have lost this wide eyed belief in magic. The world seems a little smaller, a little greyer as a consequence. It’s like figuring out the true identity of Father Christmas. You still get the presents. Nothing physically changes in the world.

But the magic has gone.