Deadwood

100% true: in a recent episode of Jedward's Big Adventure on CBBC the following dialogue took place between the Jedward monkeys:

Jedward 1: "Yo bro, you're goin' down like the sunrise!"

Jedward 2: "Oh yeah? Well the sun ain't even out today 'cos it's too cloudy!"

It's saying something when even my 6 year old son turns to me and proclaims, "Word up, pater, but I swear to God the British Broadcasting Corporation is dumbing down kid's television."

And it got me to thinking that perhaps the Jedward twins are like a viral idiocy genome that is slowly spreading across the UK via HD cable signals, deliberately targeting and infecting our kids and corrupting their synapses so that in a mere generation's time George W Bush will be seen via the readjusted lens of History as a politician of Einsteinian proportions. The Jedwards are a virus. A virus with the big-eyed baby seal look of a stranded three-legged puppy dog and the asexual physiognomy of a Ken Barbie doll. They appear to be so harmless we just don't bother to defend ourselves. They are the perfect storm.

The only effective vaccine is a potentially lethal dose of cynicism. It's either cure society or kill yourself. Compared to the alternative that has to be a win-win.

Preamble over, onto the main thrust of this post. What if the Jedward virus started to manifest itself in other entertainment settings? Movies and the like?

Imagine The Twilight Saga (and I accept I may have lost most of my readership right here) with Bella Swan perpetually mooning over Jedward Cullen and his inability to consummate their relationship. I say "inability" not "refusal" out of some half-assed outdated Christian belief system where having sex out of wedlock leads to eternal damnation (and the production of children whose innocent state is revered in Christianity as a virtue worth emulating). No. The Jedwards can't have sex because (a) they are not sexually mature enough (both physically and mentally) and (b) they can't stay focused long enough to maintain even a half-mast erection.

Jedward 1: "Oh Bella, you make me feel all tingly down below, girlfriend."

Jedward 2: "Me too, boyfriend. She's a hottie, ain't she?"

Jedward 1: "Oh she is boyfriend. But who's gonna go first because if we both do it at the same time it'll be like doing it with ourselves and it'll all be gross and stuff and our mammy said we shouldn't do that again because it'll be like masturbating with ourselves but worse 'cos it'll be like you doing it to me as me and me doing it to you as you and I'll end up with all your warts and hairy palms like joke monster gloves."

Jedward 2: "Ooh I just love joke monster gloves. Let's go get some! We could play a joke on Bella and pretend we're wolves or something and then pounce on her in the forest and really screw with her already questionable emotional state..."

Or what about Jedward Scissorhands: our poor Jedward twins are artificially created in a weird Walt Disney Frankenstein experiment out in the American sticks but their creator dies before he can finish making their hands (and their brains). So our hapless boys fashion hands for themselves out of scissors and knives and other equipment they find lying around in a gentleman's barbershop and become known as Jedward Scissorhands. Unfortunately they are so stupid they can't even get jobs as letter-openers in a Home For Paraplegics and so starve to death because I really don't want to mess with my fragile psyche by thinking up a happy ending for them.

Or finally ('cos I'm already scraping the barrel here) they morph into a weird living dichotomy of Edward Woodward and become Jedward Woodward, The Equalizer. They decided to live a life helping the little people (you and me, as opposed to Leprechauns) and with that in mind put an advert in the local paper: "Odds against you? Need help? Call the Equalizer. 212 555 4200". Only the newspaper they put the advert in is The Bet and they soon find themselves receiving death threats from all the irate gamblers who have lost fortunes based on the boys' sage advice to bet against "the sun rising tomorrow 'cos it's just too damned cloudy."

And breathe.

Bile vented.

Thank you for listening.

The Black and White Minstrel Show

The wife and I watched Snow White And The Huntsman over the weekend… but this isn’t going to be a film review.

I’m writing because I was bugged by the dwarves.

Initially I was impressed by them. Amused. 7 dwarves running around offering various scatological jokes. As Hollywood dwarf effects go these celluloid dwarves did the business. I’d even go as far as to say that they out-dwarved Peter Jackson’s dwarves in Lord of the Rings and, as dwarf benchmarking goes, that’s setting the dwarf bar pretty darn high (for a dwarf).

Most amusing of all, these dwarves were played by some of the UK’s biggest and finest acting names: Ray Winstone, Bob Hoskins and Ian McShane to name but 3.

In short (ahem), as with Peter Jackson’s Gimli [Son of Gloin], these dwarves were all played by non-dwarf actors of high acting stature. Dwarfdom was temporarily bestowed upon them by the CGI gods of whatever studio produced the movie and Warwick Davis didn’t even receive a text let alone a telephone call*.

And that’s my problem with it.

Don’t get me wrong, our Ray and our Bob made excellent dwarves. There was comedic value in seeing their heads on dwarf’s shoulders. But I couldn’t help thinking: what about all those dwarf actors out there? Lord knows some of them are superb actors (Peter Dinklage springs readily to mind) and are wasted as it is, being typecast merely as dwarves in productions that just happen to need a dwarf as opposed to being accepted as fine actors who just happen to be dwarves in real life. But if they now can’t even get work as “dwarves” in fairy-tale and fantasy films what hope have they got to get work at all?

It’s finally happening: computers are putting people out of work.

OK.

I realize I’m being a bit tongue-in-cheek about this but there is a serious point to be made here. Imagine if, for example, white actors were being blacked up via CGI and were then taking roles that legitimately should have gone to black actors… Imagine the outcry! Imagine the uproar! Or what about if male actors were being CGI'd into women and taking all the leading actress roles? I think Helen Mirren might drop a few F bombs at that turn of events. And quite rightly so.

So why is it OK to do it with dwarfs? Because they’re funny? Because their entire movie raison d'etre is merely to provide light relief and a bit of carnivaleqsue exotique?

Anyone who’s seen Peter Dinklage’s performances in Game Of Thrones knows how ultimately short-sighted and short-change-giving that view now is.

It makes intellectual pigmies of us all.

And, at the end of the day, aren’t we all supposed to be a bit bigger than that?

* I'm quite willing to accept that Warwick Davis and Peter Dinklage were both approached to appear in the film but refused, perhaps feeling that the role was beneath them.

The Running Ham

What is it about Hollywood and running?

Why do movie advertisers think that we will be more likely to go and see a film if the poster features a freeze framed shot of the leading actor / actress in mid sprint?

I get the theory. The promise of action and dynamism. The attraction of a lithe, well-honed human body pushed to full exertion, pitched against the elements, stripped away from all mechanic help and motorized aid to pit itself against [insert generic forces of darkness here]. See our leading lady’s muscles tauten and flex as she runs gun in hand down the blazing sidewalk. Marvel as our leading man’s 6-pack ripples impressively as he runs a 4 minute mile to hurl himself over the bonnet of his assailant’s car and artfully wound himself – just a little – above his right eye so that the blood runs down and even more delineates his finely chiselled features.

Even better if there’s wind and rain. Running through the raw elements is always a winner. Or a spray of bullets. We love it when they run through a peppershot storm of lead and come out the other side totally unscathed.

Man. Running. I’ve got to go and see a film with running in it right now!

Except, I don’t. Not really.

Because running on a movie poster always looks a little bit stupid. And a whole lot contrived.

Let’s be honest, when a human being runs they don’t, as a rule, look cool. I know anthropologists make the case that human beings are designed to run (it’s all about our buns apparently) and certain individuals like Usain Bolt certainly manage to look magnificent when they run… but, by and large, the rule for the rest of us is: when we run we look like we really don’t want to be doing it and medically we really, really shouldn’t even have attempted to do it.

And that’s when seen at actual normal running life speed.

If you take a freeze frame of the average Joe (or Joanne) taken at full pelt, well, we just look like we are in pain. Like we are a huge chain of human sausage meat linked by a bizarrely jointed chain of hernias. Like our flesh is attached to our skeletons with cheap chewing gum and one more heavy footfall is going to see the whole lot slide off our bones with a wet ripping noise and ooze off down the nearest drain.

Depending on how much excess weight you are carrying you may even find your nipples have individually swung to different sides of your body. I’m not talking left and right, here, I am talking front and back.

We do not look pretty when we run.

Which is why movie posters have to lie about it.

But there is an art to this lying. If it is done badly, for all our leading man and leading lady may still look buff and muscle perfect, they will inevitably look ridiculous.

Take the movie image for Breaking Dawn Part 2. It’s all over the place at the moment. It features Kristen Stewart, Robert Pattinson and Taylor Lautner running heroically towards the camera.

At least, that was the brief.

They look like they are jogging desultorily. That kind of half-assed shambolic, scurry-run that people do when they half-heartedly run for a bus which is already pulling away and they know won’t stop. The run that is the start of a run but kind of runs out of momentum after the first stride. I’m going to run, I’m going to run, I’m going to… oh I can’t be bothered. They look like they were told to literally run exactly one step toward the photographer and then stop. Don’t move a muscle. Hold it right there. Make-up touch them up and sort out their hair. Hold it. Hold it. Pressing the shutter release button now. Click. And relax. Thanks guys that’s really nailed it. So much better than speedwalking.

Take a look at this image when you get the chance. They have created something quite unique. A “vacuous run”. A “non-committal sprint”. The kind of run you’d undertake when the person you hate most in the world is lying before you, being kicked by everyone they’ve ever hurt and betrayed and they’re calling you for help. Yeah. I’m coming. I’m getting there. I’m just going to take a very long time doing it.

This image doesn’t say dynamism. It doesn’t say action.

It says I refuse to look as sloppy and out of shape as every other human being on this planet does when they run anywhere very fast.

It says I can’t even act convincingly like I’m running despite moving my limbs like I am actually running and being paid a massive fortune to do it.

This, Hollywood movie poster makers, does not sell the movie to me. Not at all.

But it does make me want to run.

Just not to the cinema or the DVD vendor…

Before the starting pistol is even fired, somebody just lost the race.