In The Cinema Everyone Can Hear You Scream

Apparently the next big thing in the world of cinema is going to be 4D. A speculative truth (at best) that various cinema moguls would like to convince us of.

Essentially 4D is a fully immersive, interactive experience where your cinema seat is made to shake and veer during car chases, you get pummelled with air during onscreen whirlwinds, you get hosed down during rainstorms or deep sea dives and you get blasted with the odour of stale alcohol and garlic when the leading man / lady moves in close for a tongue sarnie.

To be honest, there’s nothing new about this gimmicky approach to movie watching – most kids’ entertainment / holiday resorts have some sort of 4D cinema these days where we willingly pay an exorbitant fee to allow our kids to be waterboarded whilst watching The Smurfs because it stops them whinging on about wanting an ice cream for all of 20 minutes. But family holiday resorts is where 4D should stay in my opinion.

There is nothing cinematically immersive about having your seat shaken so hard you end up wearing the popcorn of the person sitting next to you or hearing the neurotics in the front row squeal every time a hidden air cylinder blows a couple of bars of pressurized cold air up their trouser leg. If anything this totally removes you from the film; it shatters the pleasurable suspension of belief that you have lapsed into in order to enjoy the movie and places you undeniably back into a darkened room with a bunch of people who will immediately become your sworn enemy should the fire alarm suddenly go off and you find your way to the exit blocked.

Books don’t need 4D effects. I didn’t need the smell of wet dog to assail me when reading The Famous Five or to hear the jiggling of female flesh when reading Game Of Thrones. And I imagine I would not need to have my hands manacled and tied behind my back to get the full effect of 50 Shades Of Grey. Though you might need to do that and threaten the lives of my children in order to get me to read it in the first place. Such artificial devices would break the spell that reading a book – submitting yourself to an imaginary world – weaves. It is the same with cinema. The only senses that need to be catered for are sound and vision. You can never fully recreate the entire gamut of physical sensation that the characters onscreen are being subjected to as part of the plot – so offering the audience piecemeal approximate sensations is not going to add anything to the movie at all. If anything it will detract.

And to be honest if you really need your seat to be shaken for you during a moment of cinematic jeopardy in order to feel the correct emotional response then you plainly have major empathy problems and cinema is not for you anyway.

Indeed, anything that involves being around lots of people or dealing with any kind of quantifiable human experience is not for you - you’d be much better off getting your kicks in a vacuum where nobody at all will be able to hear you scream and I can watch the end of the effing film in peace.

Step To It

It's not often I write about my sporting endeavours on this blog. And there's a very good reason for that. I tend not to undertake any.

When Prince Harry was slogging his way to the North Pole he did it without my help. Sure he asked me to come along but, you know, I only do white and ginger when it's Karen Gillan or Nicole Kidman so the thought of 3 weeks in the snow with the half-blood ginger Prince didn't do much for me. And really, the arctic circle is no place for strip billiards (balls tend to ice up when left outside the pockets for too long).

And the amount of times Ray Mears has telephoned or emailed me and asked me to be his wingman on some jaunt around the Amazon or the American Rockies... well, to employ the old saying, I haven't had as many hot dinners. And as tempting as it is to hunt Bear Grylls "Deliverance" style through the American back-country while he squeals like a pig it doesn't compare with killing Falmer in Skyrim from the comfort of my own office chair surrounded by the vast Lego world I have built around myself to protect me from the ravages of the real world outside.

And don't even get me started on the Olympics. I thought it only fair to give Mo Farah a fighting chance at a medal, OK? Such trinkets of idolatry mean absolutely nothing to me.

So it came as a complete surprise when I found myself lured into the competitive world of team walking. For the first time ever I have joined with some work mates from the corporate world that I inhabit in my daylight hours to undertake the GCC Get The World Moving Challenge.

Basically, for the next 100 days I will be living in one-sided symbiosis with a digital pedometer (not paedo-meter as my eldest son insists on pronouncing it) that will record my regular 24 hourly attempts to walk at least 10,000 steps a day in tandem with my team mates. Those steps are then input into the web site above and translated to miles that are plotted onto a satellite map. The goal is to virtually walk around the earth and, dependent on your competitive bent, thrash the Americans who are currently top of the leaderboard.

No donations from you are needed though your verbal support would be appreciated.

At the moment the pedometer is proving to be an almost hypnotic distraction. I find myself checking my step total so often I am beginning to walk like Riff Raff from the Rocky Horror Show. Possibly the hump on my back and my odd, stilted way of talking had already placed that image in people's minds but I like to think my penchant for singing the Time Warp is a new development in an already damaged psyche.

I'm also becoming more annoying and inane in my interactions with those around me than normal. For instance did you know that it takes me 100 steps to get up in the morning, get dressed and feed the cats? Or that an average bout of meal preparation in the kitchen takes me approximately 500? Next week I hope to be able to tell you how many steps it takes me to walk to work and how many I clock up stamping my feet in the office when Skyrim crashes on me.

10,000 steps a day?

Effing easy.

47 Groanin’

Traditionally on this blog film reviews go down like Nick Griffin on Robert Mugabe, i.e. very awkwardly. The comments tend to dry up rather quickly as people take the excuse “I haven’t seen that film / don’t plan to see that film so I can’t leave a comment anyway so I won’t even bother to read the blog at all. Job done”.

However, I’m bloody minded enough not to care and arrogant enough to think that the power of my writing can overcome any wilful lethargy in my readership. But to show I’m not totally uncaring to your plight I will keep this short.

47 Ronin.

I had high hopes for this. I saw it trailered at the cinema – it looked rather good – but life circumnavigated my attempts to see it on the big screen. So I bought a copy on Blu-Ray for my wife and I to enjoy at our leisure.

We watched it over the weekend.

And now I want to kill Keanu Reeves.

Because having seen his performance I have been left in the emotional state of permanent WTF?

WTF was he doing in that film? Just WTF? And I mean that conceptually, metaphorically and professionally. What. Was. He. Doing. [Big question mark.]

The original story is based on an 18th Century Japanese legend. 47 Samurai avenge their murdered Lord knowing that their own code of ethics will ultimately demand their own deaths via seppuku. There’s a poignancy and sad beauty to this along with scope for lots of action and martial arts choreography. In cinematic terms the story should be a sure-fire winner.

And the supporting cast – mostly Japanese / Asian – were excellent. No big names (by Western standards – but really, what do we know?) but still they impressed me. They gave it their all. Pathos and sensitivity at war in a culture where emotion is not meant to be overly shown. I’d argue that their performances were poised and subtle and damned impressive.

And then there was Keanu. Shoehorned into the story as a “half breed” with special magical powers.

Really?

I’m betting there’s no sign of his character at all in the original legend. He was just inserted because the producers decided they needed a big name to sell the film to the box office. So we get this bolted-on element to the story. An add-on that the plot doesn’t really require and, as a result, is totally imbalanced by. Keanu is like a bogoff deal that you want to refuse. No really. I don’t want the extra bit. I don’t want the freebie. Please, please keep it.

Now, if I was Keanu I‘d be thinking: I’m extraneous to this story; I’m superfluous to the requirements of the emotional arc, therefore, I’d better pull my finger out and act like I’ve never acted before and earn my right to be on the screen.

But I am not Keanu. Keanu is Keanu.

And that is the problem. Because Keanu is Keanu all the way through the film. Sullen. Unresponsive. Flat. Incongruous.

He talks in the same gruff monotone whether he’s been being beaten (a criminally too short scene), offering comfort to a dying comrade or exchanging romantic pleasantries with his love interest. He talks like the Hollywood voiceover man from the 60s and 70s. The one who invites you to come see the next Warner Brother’s [or whatever] spectacular in that voice that makes it sound morally imperative that you come to the cinema right now and have your life changed by the experience. You know the type of voice I mean. Now imagine that voice reciting a fragile poem by e.e.cummings and utterly ruining it, utterly disembowelling it with the barbarism of its relentlessly galloping speech rhythm. Now you have Keanu telling his lady love that he will search for her through a thousand worlds, through 10 thousand lifetimes. He spits the poetry out like a half chewed hamburger. In his mouth it becomes pure American gristle and the gentle lotus flower breeze of the Japanese love-story curls up and dies in the blast from his meaty breath.

And he has but one facial expression. The bearded grimace. That is it. All the way through the film. He grimaces. From behind his inexplicably dirty looking beard.

Death: grrr! Sadness: grrr! Fighting: grrr! Male bonding: grrr! Standing still and not talking: grrr!

And then, at the end, he becomes an honorary Samurai and gets to kill himself – along with the other Samurai – with full, painfully tragic honour.

In that single moment Bushido becomes bullshit and the entire point of the film is utterly destroyed.

Because, in my view, Keanu has no honour. Keanu is not a Samurai.

Not by a long chalk.

But he has more chance of becoming a Samurai than becoming an actor.

In fact he has more chance of becoming Japanese.

Credit

I got my first credit card when I was 18.

And that was the beginning of the end. The end of living life my grandparent’s way. Their ethos was very much if you haven’t got the money, you go without. I don’t think my grandparents ever owned a credit card. Ever. They had a cheque book and if they wanted cash they got it over the counter at the bank. And if there wasn’t enough in the account they didn’t draw it out. And that was it. If the bank ever sent them credit cards when it became de rigueur to have a bit of plastic in your wallet I never saw them use one. Aside from their inevitable mortgage, they were deeply suspicious of virtual money and ATMs. Undoubtedly it was a generation thing.

And, of course, ironic. Banks have for centuries dealt with virtual money and the idea of a “promise to pay”. The countries of the West are built on this ethos. On spending money that they haven’t got. It is the basis of all speculation.

When I got my first credit card no real harm was done. I was single, living at home with parents who hardly fleeced me for housekeeping money and so I had more cash that I sensibly knew what to do with.

I frittered it away on books, movies and music – and later travel. And it was fine ‘cos when that bill landed on my doormat at the end of the month I had enough spare cash floating around to pay it all off immediately.

And that’s the ideal. That’s how using a credit card should be.

But later in life – much later – paying stuff off all in one go became impossible. It became the norm not to do it and those halcyon days of settling my account without a second thought became a novelty. The honeymoon period between my flexible friend and my salad days was well and truly over.

When real life kicks in – when you’re standing on your own two feet – it’s all too easy to fall into the credit trap; the overdraft pit; the snare of buy now pay later and then keep paying and paying for a very long time.

And if you are canny you do the credit card transfer dance for a while. Or “debt consolidation” as it is sometimes called. Lumping all your outstanding debts into one big sum that you bung on an interest free credit card deal in the vain hope you’ll get most of it paid off before the interest finally kicks in.

Of course, all you’re doing is “promising to pay” the vultures who are happy to sit and wait and let your meat tenderize itself as the pressure softens you up. And the longer they wait the juicier you’ll be.

It’s the law of the financial jungle.

This year, however, I made a decision – a resolution in fact – to get myself out of the credit trap. To consciously and conscientiously budget each month. To pay off debts without accruing more. To not dip into my overdraft but to stay in the black.

So far, 5 months in, I’ve managed it. My debts are being whittled down, bit by bit – they’ll be with me for a year or two but they’re shrinking, losing volume and threat. And my overdraft is a 5 month virgin, i.e. undipped into and I mean to keep her that way.

My credit cards are, by and large, becoming orphaned. More, they’re becoming strangers.

We used to be so close but now I can see it was always an abusive relationship. I’m only sorry it took me so long to realize that and do something positive about it.

Now that I’m away from the situation I do hope that one day they’ll learn to forgive me and move on.

I know the fault was mostly mine but I can’t help feeling that, in their very nature, they colluded in my weaknesses and led me on. And despite the protestations of the banking history of the world I can’t help thinking that my grandparents had the right idea.

Virtual money never leads to virtual riches. It only ever opens the door to very real debt.

As Unbending As A Reed

I admit I have bummed out of blogging for the last 12 days. I've had the Easter break off with Karen and the boys and willingly allowed myself to drop some of the balls that I normally juggle in order to throw some others around instead.

I've done some other writing - a secret project that may or may not get published under my name - and I've done some reading. I haven't missed the blogging. That surprises me. I thought I would. At one time it was like heroin. It gave me an initial buzz and then for a long while I had to carry on doing it to feel normal.

It's nice to know that I can feel normal without it. Look, however, is a different matter. So does this mean I'm going to stop blogging? No. And I don't see why that should be a natural conclusion to jump to. It does mean, however, that perhaps I have a more sane approach to the whole blogging platform now. I have lowered my expectations of it enormously and the reward for this is a curious sense of freedom.

But that isn't what I want to write about today; that is just an apology for my recent absence.

*****

One of the books I read over my Easter break was "What Fresh Lunacy Is This?" - the authorized biography of Oliver Reed by Robert Sellers.

I grew up with Oliver Reed's films. It was pretty hard not to as he was a big name in the 60s and 70s. He was undeniably, unmistakably, that rarest of creatures - an actor with true presence; an actor who didn't need to speak to make his presence felt on screen. Whatever John Wayne or Lee Marvin had; Oliver had it too. In spades. Despite his acting world heritage (his grandfather was Sir Herbert Beerbohm Tree) Ollie shunned acting school and all attempts to get him to 'tread the boards'.

He disliked other actors. He disliked intellectuals and he disliked toffs - although, by all accounts, he was an exceedingly clever man and rather well brought up.

He liked pubs. He liked the ordinary man on the street. He liked larks and having fun and encouraging spontaneous 'happenings' to occur. His greatest anathema was boredom.

And his own legend.

It's hard to read an account of Ollie Reed's life without feeling your moral faculties forcibly bending towards the view that he wasted himself. That he destroyed his gifts - his looks, his voice, his potential to have become a huge megastar in Hollywood - that he wasted his entire life by giving it so willingly to the demon drink.

And yet that is to miss the point.

Ollie Reed was that rare thing. He was, despite his many inebriated chat show appearances to the contrary, totally in control of himself. He drank when he wanted to. When he was working he largely didn't. He could drop the booze with no ill effects whatsoever and remain dry for months. When he chose not to, he could drink every man under the table during the evening and then be on set the next day at 6am and will himself into complete sobriety. Every single director reports that he was always on time, always knew his and everybody else's lines, hit every mark and always put in a commanding performance.

Oliver Reed did what he wanted, when he wanted and went where he wanted with who he wanted. He couldn't be pushed or bullied. He had his own views and opinions - and although many of those fast became outdated and outmoded - he chose to stick with them. He chose to ignore the censure of the world and the press and carry on living his life exactly how he wanted to live it. Right up the end. One can't help but feel an admiration for that strength of spirit - because a strength is what it is. To have a complete conviction in oneself in the face of every naysayer on the planet and to always retain it unshaken.

And most important of all, he always knew what he was about; he knew what he was doing and what his choices would lead to. He was always open and honest and fully compos mentis about it all and never denied a damned thing. He never lied to himself. How many of us can ever say that?

Ollie didn't waste a single minute of his life; he merely did what he wished to do rather than what others would have wished him to do. The only people who wasted time were those trying to get him to change his ways.

I'm not saying that the boozing, the carousing, the falling over on TV and the abuse he meted out to some chat show hosts and guests isn't cringe worthy, embarrassing and ultimately, depressingly frustrating. It is. There is genuinely a tragedy to it.

And whether it's a conscious choice or not, whether it can be turned on and off at will, alcoholism is still alcoholism. It exhibits itself in behaviour that is always regretted the day after. It expresses itself in ill health. It is dealt with by society and the press via sanctimonious, morally superior ridicule and an incredible lack of understanding.

All to easy to dismiss the drunk. To write off the alcoholic. To forget that, actually, there is still a fully functioning, living, breathing, feeling, thinking, complete person still in there. Someone who is just as valid as a human being as you or I and still deserving of respect. The drink is not 100% of them. Not even close. The booze is, even at it's fullest manifestation, just a surface.

When Oliver Reed died he was in the process of making Gladiator and was putting in a powerhouse performance. He was largely off the booze. He had quietened down. He was on the brink of an almighty come-back. But fate, hubris, intervened. When a shipload of sailors arrived in Malta the old Ollie - the Ollie who, throughout his life, loved the armed services and loved testing his strength and stamina against them - couldn't resist. Despite having confided to close friends that he'd been experiencing chest pains for the past few weeks, he challenged all the sailors to arm wrestling matches and the booze began to flow.

I daresay he won every single match.

But when he collapsed a couple of hours later from an undoubted heart attack, we all lost.

Even now people still make a pilgrimage to his grave in Ireland and buy him a drink - the locals are amazed that the grass manages to grow on his grave. If anyone ever dropped a match I daresay the topsoil would burn for a month.

But it shows the weird dichotomy in which society as a whole holds booze.

If Ollie Reed was a victim of anything, it was that.

Farewell To Moussaka

It grieves a man to confess his failures, his weaknesses.

Especially when those failures result not only in the deaths of hundreds of thousands but in the resultant non-existence of billions of billions more.

In my heart I am responsible for a mass genocide too heinous to contemplate. The snuffing out of an entire culture upon which most of the Western world has been founded. The pillars of democracy lie smashed and as dust at my sandaled feet. Philosophy and play writing have been set back millennia. Ray Harryhausen would have spent most of his adult life out of work.

But for a small quirk of fate (and reality) Greece – the classic Athens of ancient history – would have been utterly smashed and wiped from the face of the earth on my say so. Some of the more erudite historians among you are going to point out to me that pretty much happened anyway but don’t spoil a good anecdotal fantasy when I’m spinning one.

The wife and I went to see “300: Rise Of An Empire” on Saturday.

We didn’t expect to be bathed in an academic recreation of pre-history; we expected to be bathed in blood.

And we were. A tidal wave of CGI spatter patterns and arterial Jackson Pollocks cartwheeled and rooster-tailed across the screen in a ruby carnival of spear thrusts, sword flourishes and shield jabs. Limbs were liberated. Guts were eviscerated. Necks were relieved of gristly burdens.

Boats were rammed. Boobs were bared. Six packs were enhanced.

Fans of the original “300” won’t be disappointed by this sequel. It delivers and then some.

Sullivan Stapleton as Themistocles may not have the stature of Gerard Butler’s King Leonidas but he certainly manages the presence. His performance is an artful mix of machismo and convincing battlefield intelligence... enough that I was able to overlook the slight Australian twang of his accent. Lena Headey reprises her role as Queen Gorgo and it is nice to see her actually cutting her way through some of Xerxe’s black clad hordes rather than just looking coolly superior from afar but it is Eva Green as Artemisia who steals the show. Both visceral and yet weirdly supernatural she is by far the strongest character on the screen. A seething brunette maelstrom of contempt, bitterness and vengeance.

Her attempts to seduce Themistocles verge on the sadistic / masochistic. The violence is matched on both sides but it is Artemisia who inevitably ends up on top like a mocking Succubus.

And it is at that moment that I knew in the very depth of my soul that, had any of this been real and I had been Themistocles, I would have sold Greece down the river without a second thought. Thus proving that despite my pretensions to the contrary I am no high minded poet but a base animal of flesh and (non-CGI’d) blood.

Goodbye moussaka. Goodbye drachma.

Goodbye Sparta. Goodbye Olympus.

Goodbye Democrates.

Hello beautiful Persian rugs and buoyantly curved Arabian jugs*.

Utterly no contest.

*Ahem.

Deadwood

100% true: in a recent episode of Jedward's Big Adventure on CBBC the following dialogue took place between the Jedward monkeys:

Jedward 1: "Yo bro, you're goin' down like the sunrise!"

Jedward 2: "Oh yeah? Well the sun ain't even out today 'cos it's too cloudy!"

It's saying something when even my 6 year old son turns to me and proclaims, "Word up, pater, but I swear to God the British Broadcasting Corporation is dumbing down kid's television."

And it got me to thinking that perhaps the Jedward twins are like a viral idiocy genome that is slowly spreading across the UK via HD cable signals, deliberately targeting and infecting our kids and corrupting their synapses so that in a mere generation's time George W Bush will be seen via the readjusted lens of History as a politician of Einsteinian proportions. The Jedwards are a virus. A virus with the big-eyed baby seal look of a stranded three-legged puppy dog and the asexual physiognomy of a Ken Barbie doll. They appear to be so harmless we just don't bother to defend ourselves. They are the perfect storm.

The only effective vaccine is a potentially lethal dose of cynicism. It's either cure society or kill yourself. Compared to the alternative that has to be a win-win.

Preamble over, onto the main thrust of this post. What if the Jedward virus started to manifest itself in other entertainment settings? Movies and the like?

Imagine The Twilight Saga (and I accept I may have lost most of my readership right here) with Bella Swan perpetually mooning over Jedward Cullen and his inability to consummate their relationship. I say "inability" not "refusal" out of some half-assed outdated Christian belief system where having sex out of wedlock leads to eternal damnation (and the production of children whose innocent state is revered in Christianity as a virtue worth emulating). No. The Jedwards can't have sex because (a) they are not sexually mature enough (both physically and mentally) and (b) they can't stay focused long enough to maintain even a half-mast erection.

Jedward 1: "Oh Bella, you make me feel all tingly down below, girlfriend."

Jedward 2: "Me too, boyfriend. She's a hottie, ain't she?"

Jedward 1: "Oh she is boyfriend. But who's gonna go first because if we both do it at the same time it'll be like doing it with ourselves and it'll all be gross and stuff and our mammy said we shouldn't do that again because it'll be like masturbating with ourselves but worse 'cos it'll be like you doing it to me as me and me doing it to you as you and I'll end up with all your warts and hairy palms like joke monster gloves."

Jedward 2: "Ooh I just love joke monster gloves. Let's go get some! We could play a joke on Bella and pretend we're wolves or something and then pounce on her in the forest and really screw with her already questionable emotional state..."

Or what about Jedward Scissorhands: our poor Jedward twins are artificially created in a weird Walt Disney Frankenstein experiment out in the American sticks but their creator dies before he can finish making their hands (and their brains). So our hapless boys fashion hands for themselves out of scissors and knives and other equipment they find lying around in a gentleman's barbershop and become known as Jedward Scissorhands. Unfortunately they are so stupid they can't even get jobs as letter-openers in a Home For Paraplegics and so starve to death because I really don't want to mess with my fragile psyche by thinking up a happy ending for them.

Or finally ('cos I'm already scraping the barrel here) they morph into a weird living dichotomy of Edward Woodward and become Jedward Woodward, The Equalizer. They decided to live a life helping the little people (you and me, as opposed to Leprechauns) and with that in mind put an advert in the local paper: "Odds against you? Need help? Call the Equalizer. 212 555 4200". Only the newspaper they put the advert in is The Bet and they soon find themselves receiving death threats from all the irate gamblers who have lost fortunes based on the boys' sage advice to bet against "the sun rising tomorrow 'cos it's just too damned cloudy."

And breathe.

Bile vented.

Thank you for listening.

Mayday

I haven't got a Kindle Fire HD. Yet.

I've just got a normal one. One that lets me buy, download and read electronic books.

But, I confess, the tech-head gadget-addict in me (that daily I virtually fight to repress) yearns for the ability to watch movies, play games, surf and read electronic books all at the same time. In colour. In High Definition. I mean, who wouldn't? At the end of the day this is how computers are going. A single highly mobile device that takes care of all your conceivable entertainment needs in a slim-line package small enough to be taken absolutely anywhere that you could possibly want to go on the entire planet.

The world is almost at the point where we can all have a captive genie in a bottle for under £300.

Just give it's eager screen a rub and magic things start to happen.

But just like a genie that magic is now going to have a conscience and an opinion and instructional advice and a role that is going to impinge on your world in a manner quite unexpected.

I'm sure you've all heard about the new Mayday button that is one of the new features on the Kindle Fire HD?

If not, the premise is basically this: you need help with your Kindle? You can't be bothered to read the electronic manual? You want your Kindle to do something but you're not sure if it is actually capable of doing it and you're not sure what search term to type into Google?

Just hit the Mayday button. And you will then be able to talk for free - in real time - with a Kindle operator / expert / customer service guru (in apparently less than 9 seconds) who will then converse with you via video chat and tell you what to do to achieve your goal.

Wow.

Am I the only person who is already thinking up ways of how this service could be subverted and abused? I can't be the only malicious joker on the planet, surely?

I'm sure the Mayday service has checks and rules and ways to limit misuse but even so...

You're telling me that they're not going to get regular calls from customers who are just lonely and want someone to talk to? "Er... yeah, hi. My name's Josh and, er... well. Is it OK to talk to you about stuff? I know you're busy but I really like you. I don't really fit in with my friends, you see? They say I'm different. Do you like Goth music?"

Let alone the teenagers and drunk idiots who are going to call the Mayday service from the pub or a phone box and demand to be told the colour of the operators knickers. Or worse. The dweebs that mistake the Kindle service operator (deliberately) for a web chat girl. "Hey baby, do you take Paypal?"

And what about all the psychos out there? The ones who are going to call at 4am in the morning and stare into the Kindle screen for about 10 minutes without speaking a single word while the Kindle operator erroneously tries to instruct them on how to change the microphone and speaker settings on their Kindle before the late night caller finally makes the following threat-laden statement: "I know where you work. I can reach you at any time."

My own personal favourite is going to be the hypochondriacs. The ones who will abandon Dr Google in droves for the chance of talking to a captive live expert who is as unqualified as a GP as they are. "Excuse me, I know this is a bit unorthodox, right, but I live alone and I can't quite angle the mirror properly. Could you take a look for me? I think I have a growth of some kind coming out of my ass. If I hold the Kindle steady could you take a screen shot and then email it back to me? Thanks."

Yeah. I'm definitely going to do that one.

Either that or I'm going to hire a Biggles costumes from the local party shop and pretend to talk into a flight mask as my imaginary airplane ditches into the cold North Atlantic... "Mayday! Mayday! I'm going to have the ditch the old girl into the drink! Bloody hun has shot me up from behind! Mayday! Mayday! Aaargh!".

Honestly. I bet they'll never ever get tired hearing that one. Ever.

So. How long do you think the Mayday service will last before they either close it down completely or start charging a premium rate for it (and then they really will start accepting Paypal)?

Just hit the Mayday button at the top of the page and let me know.

The Black and White Minstrel Show

The wife and I watched Snow White And The Huntsman over the weekend… but this isn’t going to be a film review.

I’m writing because I was bugged by the dwarves.

Initially I was impressed by them. Amused. 7 dwarves running around offering various scatological jokes. As Hollywood dwarf effects go these celluloid dwarves did the business. I’d even go as far as to say that they out-dwarved Peter Jackson’s dwarves in Lord of the Rings and, as dwarf benchmarking goes, that’s setting the dwarf bar pretty darn high (for a dwarf).

Most amusing of all, these dwarves were played by some of the UK’s biggest and finest acting names: Ray Winstone, Bob Hoskins and Ian McShane to name but 3.

In short (ahem), as with Peter Jackson’s Gimli [Son of Gloin], these dwarves were all played by non-dwarf actors of high acting stature. Dwarfdom was temporarily bestowed upon them by the CGI gods of whatever studio produced the movie and Warwick Davis didn’t even receive a text let alone a telephone call*.

And that’s my problem with it.

Don’t get me wrong, our Ray and our Bob made excellent dwarves. There was comedic value in seeing their heads on dwarf’s shoulders. But I couldn’t help thinking: what about all those dwarf actors out there? Lord knows some of them are superb actors (Peter Dinklage springs readily to mind) and are wasted as it is, being typecast merely as dwarves in productions that just happen to need a dwarf as opposed to being accepted as fine actors who just happen to be dwarves in real life. But if they now can’t even get work as “dwarves” in fairy-tale and fantasy films what hope have they got to get work at all?

It’s finally happening: computers are putting people out of work.

OK.

I realize I’m being a bit tongue-in-cheek about this but there is a serious point to be made here. Imagine if, for example, white actors were being blacked up via CGI and were then taking roles that legitimately should have gone to black actors… Imagine the outcry! Imagine the uproar! Or what about if male actors were being CGI'd into women and taking all the leading actress roles? I think Helen Mirren might drop a few F bombs at that turn of events. And quite rightly so.

So why is it OK to do it with dwarfs? Because they’re funny? Because their entire movie raison d'etre is merely to provide light relief and a bit of carnivaleqsue exotique?

Anyone who’s seen Peter Dinklage’s performances in Game Of Thrones knows how ultimately short-sighted and short-change-giving that view now is.

It makes intellectual pigmies of us all.

And, at the end of the day, aren’t we all supposed to be a bit bigger than that?

* I'm quite willing to accept that Warwick Davis and Peter Dinklage were both approached to appear in the film but refused, perhaps feeling that the role was beneath them.

Teacher Teach Me Something New

Back when I’d just finished my O Levels and still laboured under the misapprehension that I could be anything at all that I wanted to be I briefly considered the role of “teacher”. Admittedly this career choice sat well under other wilder vocations such as rock star, people’s poet, master of the kabbalah and vigilante crime fighter but, although less glamorous that these other roles, teaching did offer better holidays, a temporal structure that I was already brainwashed into thinking was the norm and removed the necessity to wear stupid clothes (I could stick to my everyday nerd gear and would still fit right in).

And throughout the proceeding years that option of becoming a teacher used to rear its head mentally in my mind’s eye and beckon to me with a tweedy jacket and a Tupperware lunchbox. Because even then, that’s what I thought typified a teacher. Films like Dead Poet’s Society and even Grease – in fact any film set in a school – would awaken a transient and vague desire in me to spend the rest of my life in a school building obeying the predictable ebb and flow of the academic year.

But I never seriously pursued it.

In all honesty, despite several people telling me that I was teacher material, I don’t think I ever was and I still don’t. I think other people see my bookishness and thirst for knowledge as the main traits necessary to become a teacher. For me I would say they were certainly desirable but something more is needed. Something bigger than all the knowledge in the world put together:

The guts, stamina and consistency of spirit to want to get into a classroom every day and teach kids who may not want to be taught, who are more cynical than someone their age has a right to be, to deal with bureaucracy and ham-stringing red tape on a daily basis, to put up with exponentially increasing workloads, insultingly crap pay and a syllabus that is battered, broken and bowdlerized each year by politicians who have taken the cream that the British educational system had to offer in the past and are now setting about denying it to future generations.

The sheer uphill struggle of being a teacher scares the bejasus out of me. I’m not strong enough. The fires that forge a teacher these days are too fierce.

And that’s a damned shame because a good teacher can change a child’s life forever and so far-reachingly that it is nigh on impossible to gauge. Who wouldn’t want to be part of something so profoundly wonderful?

And that’s the worry. How many would-be / could-be teachers are turning away from the call they feel to their ideal profession because successive UK governments have made the job impossible to do well? Have made in impossible for them to care about the profession they follow without ending up with a broken heart?

Lowell Milken puts it simply: “Only when society demonstrates respect for educators will the brightest and most capable students choose it as their profession.”

I think on an individual level we all of us look back at our teachers and, with the benefit of hindsight, respect them and pay them heartfelt thanks. Some of us even bless those teachers that are even now helping to shape and mould the minds of the children – our children – that we are currently placing into their care on a daily basis.

But as a society do we respect our teachers? Do we recognize their true value in shaping the society that is to come?

In all honesty, I don’t think that we do. Not enough.

And if that’s the case we all need to be educated to the contrary.

Rat In Me Kitchen (And Me Bathroom)

It started with rhythmic scratching.

Something sharp being clawed against wood and brickwork.

I was the only person to notice it at first and was hard placed to positively identify where it was coming from. Somewhere around the back of the kitchen cupboards possibly. I even attributed it to next door at one point (they’re students; I wouldn’t put it passed them to hollow out a cavity in the brickwork on their side of the house so that they could curl up into a ball and listen to their Radiohead albums in peace without the cruel world impinging upon their listening experience).

But then the scratching seemed to hone in and centre on the part of the wall that disguises a run of pipework from upstairs. When I say disguises I mean the pipe is quite obviously boxed in and as a consequence we have a bizarre buttress effect in the kitchen that goes all the way up to the bathroom and from there up into the loft.

For some reason, possibly because I was watching Spring Watch at the time, I thought it might be a trapped bird.

But trapped birds tend not to live very long and the scratching continued.

And then got higher. And higher. Until we could now hear it plainly in the bathroom. Something right behind the tiles, scratching at the grouting from the inside.

The cats got spooked. And then got interested. And now they watch that little patch of buttressed plaster and tile like it’s the telly. They’re just waiting for whatever it is to pop its head out of the splintered plaster like Jack Nicholson in The Shining. To be honest, even if it was actually Jack Nicholson my money would be on the cats.

I am, however, 99% sure it is a rat.

And relieved. I think Jack Nicholson might be a worse pest to deal with.

My biggest fear is that the little blighter is attempting to gain entry to the loft. This would be bad news because we keep various family heirlooms and the boxes from my Lego collection up there. Did I say my collection? I meant, of course, my kid’s. Plenty of scope for rat mayhem.

I’m pretty sure all is secure but I haven’t yet ventured up there. But the time is nearing.

If you don’t hear from me for a while you’ll know it’s because “daddy’s home”.

Just One Cornetto

Before I proceed with my review of The World's End can I just say how gutted I was?

Absolutely gutted. Unbelievably gutted.

I seem to recall something similar happening with Wright-Pegg-Frost's last cinematic outing.

Picture the scene: opening night on screen 1 at out local Apollo (i.e. the big screen) and, including the wife and I, there were only about 15 people in the audience.

Now, some of you - those not initiated into the world's of "Spaced", "Shaun Of The Dead", "Hot Fuzz" or "Paul" - may think that is an eloquent and succinct film review.

But you would be wrong.

Because numbers can and do lie (just speak to any politician).

I know the weather is crazy at the moment. I know it's too hot and sticky to contemplate sitting in a cinema with crap air-con for a couple of hours to watch a film which doesn't feature some American beefcake hero-thug saving the world by destroying it single-handed and getting his end away with an attractively buoyant supporting (and well supported) actress. But even so. Come on, guys! These are our boys! Our boys doing good.

I'm gutted on behalf of The World's End team because I thought the movie was superb. It was the most polished, accomplished and adept film the trio of Wright-Pegg-Frost have produced to date. Sure it's a slow burner; time is spent building the premise, time is spent establishing relationships but as soon as the weird shit hits the fan the film takes off like a cornetto powered rocket.

For all the trademark humour that we expect from this team I was impressed with the amount of pathos the story has; how real the relationships and interactions between the character were. They genuinely caught something about our culture that we can all identify with and relate to.

Pegg's Gary King is truly comic-tragic character. Not just the school loudmouth who never grew up; he's a scared little boy who is unable to let himself grow up - and this is the source of most of the film's humour and pathos. We can all relate to not wanting to let go of the past; with deifying good times in our teens so much so that the rest of our lives seem empty and unbearable by comparison but Gary King takes it to self destructive extremes.

Frost adds depth to the personality interplay as Gary's former best mate, Andrew Knightley, who seethes with unexpressed disappointment at Gary's inability to grow up. The true scope and nature of that disappointment is revealed later in the film and spins nicely against the glib banter that constantly sparks between the two up to that point. But it is Gary's backstory, that isn't revealed until the very end of the film, that suddenly places all of his desperate need to cocoon and relive his teenage years into poignant sharp focus.

Without wanting to spoil the ending too much there is a fantastic moment when a superior alien intelligence is basically seen off by a couple of lairy-mouthed drunks. Somehow that very rang very true to me. I think if alien life did one day descend on planet earth some drunk with a bottle of Diamond White would probably dropkick it back into its flying saucer and tell it to fuck off back to Pluto. This would be both our first and last alien contact.

The World's End is a brilliant film and a fitting finale to the Cornetto Trilogy. Don't be one of those idiots who shrugged at "Paul" when it had its cinematic release but then caught it on DVD month's later and finally raved about it. Go and see The World's End now, rave about it now and support Team UK now.

The world could end tomorrow. Life is too short to wait for DVDs.

Prince Harry To Lead Native Americans In Open Revolt

The great thing about the modern world and social networking is that news can be delivered instantaneously in sound-bite form so that it is quickly and immediately digestible. I no longer need to wade through hours and hours of news channels or column inches of newsprint to get the gist of what is going down out there in the big wide world.

Some news today has had me smiling wryly and inflating with slightly irreverent pride for the latest achievement of one member of our Royal Family.

It seems that Prince Harry has qualified to become an Apache Commander.

I'm assuming that sometime over the last year he befriended a descendent of Cochise - maybe saved his life in a bizarre bingo accident on a reservation somewhere in America's mid-west - and that the relationship developed to that slightly awkward point where it was necessary for them both to nick the palms of their hands with a sharp knife and rub the wounds together so that they became blood brothers.

I guess after that it was just a small leap of ideology to thoughts of uniting all of America's scattered  Native American tribes. How Prince Harry managed to fit that into his Las Vegas itinerary without the world finding out, I don't know, but clearly the ginger Prince conceals many hidden abilities and skills the like of which his brother can only dream of. And by brother I mean, William, not his new brother Cochise who by now must surely be aware that Harry has heap strong medicine.

Once the First Nations were again re-established and as one behind their new leader, He Whose Hair Dances With Fire, the next step was quite naturally declaring war on the white European usurpers and taking back the lands and buffalo that they had stolen from their ancestors. I'm assuming that at this point traditional ties with Prince Harry's Germano-British family back home in the UK may have become strained unless Prince Charles has developed a sudden yen to sell Ye Olde Duchy Buffalo Mozzarella but Harry is plainly a man who likes to push his envelope out as far as it will go. And after all, blood is thicker than the monarchy especially when your palm is itching like buggery.

In the absence of John Wayne to act as an honourable counterpoint to the glory-hungry appetites of the US I fear this latest career move by the young Prince can only lead to bloody conflict and strife. The war on terror may have to take a backseat and bingo may have to be outlawed. It is unknown at this point whether Johnny Depp has abandoned his moderately successful movie career and his frequent on-screen liaisons with Helena Bonham-Carter to honour his Native American heritage and join the confederacy of First American tribes in their fight for emancipation under the gingery auspices of He Whose Hair Dances With Fire but it is certain that most of the cast members of Last Of The Mohicans are already paid-up blood brothers.

The tomahawk of war has been thrown, Obama. Or to paraphrase Shakespeare: the bow has been bent and drawn. It is time to make from the shaft of the ginger Prince.

LOL. ROFL. AFK. ETC.

Language is the preserve of everybody and yet I often find myself falling into the trap my elders made before me: denigrating and sneering at the language of teenagers.

Teen-speak is an oddly fluid, cyclical, ever-changing, totally unpredictable thing. Now I recognize that all language is that to a point but teen-speak seems to evolve in ways that are counterintuitive to the way most changes occur to a language.

Teen-speak does not evolve through any obvious source of necessity – unless you count the necessity to be as different and “individual” as possible. Different in this case invariably mean different from all the grown-ups that teenagers secretly wish they were and individual in the sense that you fit in with your peers who are all speaking exactly the same lingo as you so that you feel part of a group or a gang or, that most wonderful of entities, a movement.

When I was a kid we had our own set of cool words.  “Cool” was one of them having made a post-modern ironic resurgence from the 60’s. I also recall “gnarly” was doing the rounds thanks to Bill & Ted and “no way / way” was popular thanks to Wayne’s World. We also had words like “eppy” for someone who was flipping out in today’s vernacular; “pleb”, “dickwad” and my own personal favourite “buttock-brain”. Of course, most of our special words were insults and a host of them survive today and have merely been added to by later generations. All were inspired by movies and TV, without a doubt.

Now “cool” is one of those strange epithets that has accrued a meaning beyond that of the original one. I’m sure it was as annoying to the older generation as “sick” now is to me. Lord knows I had enough trouble reconciling myself with “wicked” without having to take on board that “sick” now means “cool” which ultimately means something good and desirable.

I’ve noticed, however, that the internet and computing is now having a direct influence on the language of our young people.

My eldest boy, whilst chatting (read that as SHOUTING) with his mates via head-mic on X-Box Live continually refers to annoying players as “hackers”. It annoys the hell out of me because the activity of these people invariably does not involve them penetrating the mainframe of Skynet and bringing about the end of humanity and the rise of the machines.

And don’t even get me started on “LOL”. My boy says it constantly. And not even in an ironic sense either. I could cope with it if he said “LOL” drily in a situation or at a joke that was meant to be funny but plainly wasn’t. A “humour fail” (see, I can still get teen-speak) situation would be appropriate for someone to deadpan and say “LOL” as if they were speaking to an idiot who’d recited the same joke 50 times in the hope of cracking your reserve and finally making you laugh. Instead, “LOL” genuinely seems to stand in for actually laughing at something that is genuinely amusing. Albeit the kind of something that the rest of us would just crack a wry smile at or nod at bemusedly. It is in fact the kind of situation that does not require one ever to laugh out loud but just to feel amusement in a small quiet way. “LOL” now acts as a stand-in for a normal low-level humour response. What actually happens is that the use of the word “LOL” (is it actually a word?) strips the humour away completely from the situation whilst at the same time acknowledging that the speaker did actually get the joke. What is that? Ironic irony?

I’m just waiting for the inevitable development when the audience at a comedy gig no longer laughs out loud but merely utters “ROLF” under their breath every time their favourite comedian delivers a killer punch-line.

That will be the moment that teen-speak finally kills irony and humour and all intelligence forever.

You probably think there is no way that this could ever happen.

Well, I’m here to tell you:

Way.

Dirty Poles

In an ideal world this post would be about my misadventures in a lap dancing club.

Instead it is about a misadventure with a broken washing machine. Misadventure. That makes it sound like the final verdict is a cop out from an inconclusive police investigation when in fact the verdict is far from inconclusive. It was, ladies and gentlemen, theft pure and simple.

Yes, the washing machine - condemned to death due to a clapped out motor - had been left in my front garden in full view of the street. Yes, my intention was to offload it onto the first rag and bone man that blew his trumpet my way. Yes, I had no intention of making any money from the transaction. I affirm all of the above.

But I put it to you that, lying in situ on my front lawn as it was, and all other intentions aside, that washing machine was still my property and legally mine. To remove it without my permission was theft plain and simple.

So. The local rag and bone man finally appears on his appointed day and I dash outside to hail him over. He grinds his flatbed truck to a halt, leaps out with the look of a martyr doing me a favour and finds me scratching my head at the huge washing machine shaped hole that has suddenly appeared in the reality that surrounds us.

It was literally there the last time I looked and now suddenly it wasn't.

Some bugger had half-inched it in the night. Probably while Karen and I had taken the car off the drive and gone into town to see Star Trek.

Unbelievable. Do these people offer a refuse collection service as well?

I had to apologize for wasting Mr Rag & Bone Man's time. He gave a pained shrug like he was used to this sort of thing and uttered the words, "probably them dirty Poles" before driving off in a squeal of copper piping and freshly fenced drain covers.

Great. Theft and casual, lazy racism all in one day.

To be honest, it's possible he wasn't slagging off all Poles in one foul breath but merely slighting the rival gang of Polish rag and bone men who also ply their trade along our street and, as he sees it, steal his business.

As it was I know for a fact that the washing machine was taken late in the evening when no rag and bone man would even think about stirring from the pub no matter how much free "any any old iron" was waiting to be had. Somebody else had nicked it, ethnic extraction as yet unknown.

And I am mightily pissed off about it but I find all avenues of recompense currently closed to me. The thing was broken and I wanted rid of it. So what does it matter?

It matters because whoever took it had made huge assumptions about the situation. That washing machine could have been specifically promised to someone. That machine could have been in full working order and only outside temporarily while we overhauled the kitchen. That washing machine could have been a novelty dog house.

They didn't ask to find out. They just took it. If they'd knocked on my door and asked me if they could take it I would probably have said yes and good riddance to it. But they didn't even pay me that smallest of respects.

It is the arrogant assumption that they had the right to take it without any kind of legal impediment that really grates with me.

An Englishman's castle is no longer sacred.

These days, unless you can nail it down, the natives are likely to steal the moat.

The Running Ham

What is it about Hollywood and running?

Why do movie advertisers think that we will be more likely to go and see a film if the poster features a freeze framed shot of the leading actor / actress in mid sprint?

I get the theory. The promise of action and dynamism. The attraction of a lithe, well-honed human body pushed to full exertion, pitched against the elements, stripped away from all mechanic help and motorized aid to pit itself against [insert generic forces of darkness here]. See our leading lady’s muscles tauten and flex as she runs gun in hand down the blazing sidewalk. Marvel as our leading man’s 6-pack ripples impressively as he runs a 4 minute mile to hurl himself over the bonnet of his assailant’s car and artfully wound himself – just a little – above his right eye so that the blood runs down and even more delineates his finely chiselled features.

Even better if there’s wind and rain. Running through the raw elements is always a winner. Or a spray of bullets. We love it when they run through a peppershot storm of lead and come out the other side totally unscathed.

Man. Running. I’ve got to go and see a film with running in it right now!

Except, I don’t. Not really.

Because running on a movie poster always looks a little bit stupid. And a whole lot contrived.

Let’s be honest, when a human being runs they don’t, as a rule, look cool. I know anthropologists make the case that human beings are designed to run (it’s all about our buns apparently) and certain individuals like Usain Bolt certainly manage to look magnificent when they run… but, by and large, the rule for the rest of us is: when we run we look like we really don’t want to be doing it and medically we really, really shouldn’t even have attempted to do it.

And that’s when seen at actual normal running life speed.

If you take a freeze frame of the average Joe (or Joanne) taken at full pelt, well, we just look like we are in pain. Like we are a huge chain of human sausage meat linked by a bizarrely jointed chain of hernias. Like our flesh is attached to our skeletons with cheap chewing gum and one more heavy footfall is going to see the whole lot slide off our bones with a wet ripping noise and ooze off down the nearest drain.

Depending on how much excess weight you are carrying you may even find your nipples have individually swung to different sides of your body. I’m not talking left and right, here, I am talking front and back.

We do not look pretty when we run.

Which is why movie posters have to lie about it.

But there is an art to this lying. If it is done badly, for all our leading man and leading lady may still look buff and muscle perfect, they will inevitably look ridiculous.

Take the movie image for Breaking Dawn Part 2. It’s all over the place at the moment. It features Kristen Stewart, Robert Pattinson and Taylor Lautner running heroically towards the camera.

At least, that was the brief.

They look like they are jogging desultorily. That kind of half-assed shambolic, scurry-run that people do when they half-heartedly run for a bus which is already pulling away and they know won’t stop. The run that is the start of a run but kind of runs out of momentum after the first stride. I’m going to run, I’m going to run, I’m going to… oh I can’t be bothered. They look like they were told to literally run exactly one step toward the photographer and then stop. Don’t move a muscle. Hold it right there. Make-up touch them up and sort out their hair. Hold it. Hold it. Pressing the shutter release button now. Click. And relax. Thanks guys that’s really nailed it. So much better than speedwalking.

Take a look at this image when you get the chance. They have created something quite unique. A “vacuous run”. A “non-committal sprint”. The kind of run you’d undertake when the person you hate most in the world is lying before you, being kicked by everyone they’ve ever hurt and betrayed and they’re calling you for help. Yeah. I’m coming. I’m getting there. I’m just going to take a very long time doing it.

This image doesn’t say dynamism. It doesn’t say action.

It says I refuse to look as sloppy and out of shape as every other human being on this planet does when they run anywhere very fast.

It says I can’t even act convincingly like I’m running despite moving my limbs like I am actually running and being paid a massive fortune to do it.

This, Hollywood movie poster makers, does not sell the movie to me. Not at all.

But it does make me want to run.

Just not to the cinema or the DVD vendor…

Before the starting pistol is even fired, somebody just lost the race.

The Hobbit

I haven’t read any of the critic’s reviews. This isn’t an especial stance that I’ve taken just for Peter Jackson’s latest outing to Middle Earth; I’ve just never been bothered enough with some “expert’s” opinion to take it as gospel in place of my own. If I want to see a film I’ll go and see it and make my own mind up.

Which isn’t to say I’ve been unaware of some of the more miserly reviews regarding The Hobbit.

Overlong. Too bloated. Not enough story. Christ, some even slag off Peter Jackson’s decision to film it in 48 frames a minute – a complaint I find unfathomable in this world of HD TV and Blu-Ray crystal clear clarity.

Peter Jackson himself isn’t chasing an Oscar in this film. He’s said so in interview.

So you’d think maybe he didn’t try hard enough then, didn’t give the film his all.

That would be a misconception.

The Hobbit is Peter Jackson’s gift, if you like, to all those of us who fell in love with his cinematic version of Middle Earth in the Lord Of The Rings trilogy. It is a luxurious, indulgent, joyous return to that world. It pulls us in and wraps us up warm and invites us to stay for as long as we like.

Yes the film is long. 3 hours and 2 more films to come. But it is not overlong. I could have stayed for far longer. I’m one of those fans of LOTR who choose the extended versions over the cinematic releases every time anyway. Hell, if Pete J has an extended version of The Hobbit up his sleeve then I’m all for it. Bring it on.

Too bloated? No. It is rich. It is full. But it is not heavy on the stomach. It has a gloriously British cast who each in their own way hold the screen and support each other without vying for attention. Peter Jackson has a deft touch. It is great to see Ken Stott and James Nesbitt on the big screen... even if Nesbitt does look like a weird cross between a Cossack and a dwarf.

Best of all though is Richard Armitage as Thorin Oakenshield. Brooding, dark and yet somehow deservingly sympathetic. It took me until the very end of the film before I could place him. The eyes, the voice, I knew them but where from? Gisbourne in the BBC’s Robin Hood and more recently as Lucas North in Spooks. He fills Thorin’s boots effortlessly and is possibly the most attractive Dwarf in the world (if you like your Dwarves to have singing voices like Barry White).

Weirdly it is very easy to overlook Martin Freeman’s role in the film. Not because it is inconsequential – as Bilbo it would hardly be that – but because there is just an expectation that he is naturally going to be good. And he is. He blends into Ian Holm’s portrayal and manages to make it his own all at the same time and rather selfishly we take his faultless performance entirely for granted. But then that mirrors Bilbo’s beguiling humility in the story.

The best scene by far is the riddle scene between Bilbo and Gollum. It is pitch perfect. I cannot fault it. It is the lynch pin of all the films so it damn well had to be. The actors step up to the plate and hit a home run. Spot on.

There are so many other notables in the film – Ian McKellan, Christopher Lee, Sylvester McCoy, Kate Blanchett – I could easily make this post 3 hours long in itself and spoil the entire film for you.

But that isn’t my intention.

My intention is to get you to the cinema to enjoy it for yourself.

After all, I’m just another non-expert critic. Don’t take my word for it.

Go and make your own mind up.

Devey For Vendetta

For those of you who don’t have access to UK terrestrial TV (terrestrial? Is that even a proper term that can be applied to the HD digital extravaganza that composes most TV channels these days?) Hilary Devey is the multimillionaire business woman with shoulders pads like two US aircraft carriers playing tug-of-war and a voice like Darth Vader smoking stinging nettles through an Alaskan oil pipe who co-fronts the British version of Dragon’s Den.

I’m sure most of you are familiar with the format of Dragon’s Den. Five fat cat business moguls laugh and sneer at the pathetic attempts of various bedsit scientists to come up with “the next big thing” and prise 100K out of their greedily mercantile little paws.

Well, Hilary is one of them. She’s a dragon. She’s the weird mumsy-esque dragon who dresses like an extra from classic mid-eighties Dynasty and talks like Phyllis Pearce from Coronation Street.

She also has a face whose resemblance to someone else has for years been on the edge of my consciousness but has never quite broken through. Until now...

The likeness is uncanny. And I quite like the idea of Hilary practising knife-throwing skills around old London town whilst alliterating huge monologues around the letter V as she blows up the Houses of Parliament to the aural backdrop of the 1812 Overture. This was surely a casting exercise that the film makers of V For Vendetta are now kicking themselves for missing. They needn’t have bothered producing all those masks. Just give her a moustache and a smartly clipped imperial and she’s practically there. I bet she’s even got the hat somewhere in her own wardrobe already.

But for all I’m taking the urine out of this strangely Punchinello cheeked lady I can’t help but quite like her.

There’s something frail and human about her for all she expectorates Piedmont gravel every time she opens her mouth. I quite admire the fact she has made it in the male dominated world of business and made it without emulating (or even emasculating) not only the men but also the other women. Hilary is very much “out there” on her own. She is what people commonly call “a character”. A “personality”. She’s practically her own archetype. The anima of some weird medieval carnival god hand-carved by drunken monks on Lindisfarne as Viking raiders attempted to gain forced entry to their vellum lined inner sanctums. Oo-er.

Hilary appears to emanate her own completely localised biosphere. A Hilary Zone through which we – the denizens of the outside world – are filtered and interpreted before her formidable commerce-based intellect can fully ingest and process us. And if we are lucky, offer us 100K and her worldly-wise business acumen to ensure our new fangled, patent pending self-cleaning pooperscoop gets pride of place at Pets R Us.

Hilary is one of us. Slightly weird, slightly unhinged, more leftfield than Grayson Perry and with the bad dress sense and wardrobe to match. But she don’t care. Hilary is her own woman and does her own thing. She has cut herself adrift from fashion, taste and public opinion. The only thing that keep her moored to the plane of existence that we all share is her uncanny ability to make money. And, I sincerely hope, her unerring ability to throw razor-sharp knives at bent politicos.

Hilary, I salute you.

Long may you reign vainglorious and victorious at the vulpine vanguard of vicarious visual verisimilitude.

Midday Express

I went for a lunch time meal with mates the other day.

We tried the new Wagamama’s that had opened in town a month or two ago.

My experience of noodles up to this point had been constrained to the dry stuff that you buy in supermarkets and boil for about 10 minutes or the occasional visit to a Thai restaurant. I figured Wagamama’s fell somewhere between the two with its noodles being cooked by professional chefs but cooked in a kitchen belonging to a restaurant chain as opposed to a little Thai family who emigrated here in the 80’s and opened up a family run restaurant in a shoebox.

I was quite impressed by the Wagamama experience. There was an energy about the place that you don’t normally find in restaurants. The waiters and waitresses were visibly busy. As opposed to being invisibly busy where you cannot see them but charitably suppose them to be about the business of another diner.

The food was good but as this is not a sponsored post I am not going to wax lyrical about their fresh spring onions or the tenderness of their chicken breasts. Instead I am going to focus on the tables.

Wagamama’s in Leamington has long trestle tables that span the entire width of the eating environment. Down the centre of this table glides a metal dividing pole with a small strip light installed into the top of it so that one side of the trestle table is divided from the other by close quarter lighting from above.

Maybe to those of you who “do lunch” regularly this is old hat. Those of you who are more cosmopolitan possibly eat from loveseats suspended 8ft above lotus flower strewn water and consider the novelty of long benches and tables to me as being rather twee. To me, however, it was new. And unfortunately my diseased mind could only conjure up one reference point with which to normalize the experience.

Midnight Express.

The bit where Billy Hayes has been locked up but gets a last visit from his girlfriend and attempts to connect his slobbering, sobbing lips with her pert breasts through about two inches of bullet proof, knife proof, definitely penis proof glass.

Mentioning this out loud probably explains why the conversation between me and my two female colleagues stalled momentarily.

This aside I was impressed by the amount of young kids that were about the place merrily tucking into steaming bowls of eastern-esque cuisine.

Haven’t us proles come a long way since I was a kid?

Back when I were a lad (by ‘eck) it were a big thing to eat out at a Berni Inn let alone somewhere that sold sushi and noodles and expected you to mop the lot up with a pair of chopsticks.

Such marlarky was for rich toffs – those who holidayed in places other than Weston-super-Mare and Scunthorpe and instead pushed the envelope out to the continent and ate at an El Berni Posada in Spain.

The world has very quickly got a lot smaller.

Though, of course, this could entirely be down to an optical illusion caused by the size of the tables...

Easy Rider

I like to think of myself as a cultured, educated kind of guy. I know my Munch from my Munchies; my Socrates from my sock drawer. I can string a few words together and sound vaguely articulate.

But this is all a lie.

I am at heart a popularist. A pop person. A middle of the road, representational, non-abstract, can-you-see-what-it-is-yet, the-medium-is-not-the-message, does-what-it-says-on-the-tin kind of guy. I like paintings to look like something real. Music to have a tune. Lyrics to tell a story. And movies...

I like movies, even if they do nothing else, to just entertain.

And this gets me into trouble. Because my frustration threshold with movies is pretty high. I can take a whole heap of cheesy dialogue and improbable plot devices and still have a great time at the cinema. Because, at the end of day, I just want to be shown a good time.

The movie doesn’t have to be intelligent. The experience doesn’t have to be meaningful. The story doesn’t have to be worthy. In fact I’d much rather it wasn’t.

If movies were women I’d be up for a one night stand with the town bike.

I don’t want a relationship; something that will stay with me forever; something that will change me. I don’t want a trophy girl, or a rich girl or a high maintenance girl. Quick, cheap and nasty is fine. Behind the pub, up against the bins, no small talk. In and out, both our bells ring, ding-a-ding-ding. Never going to see you again... not unless you’re out on DVD for a reasonable price anyway.

That’s entertainment.

Which isn’t to say I don’t get pulled into worthy movies. To classics. Of course I do. I enjoy a steak as much as the next man. All I’m saying is, most of the time, when I go out to the movies, I’m happy with a hamburger.

It means I can forgive films like Immortals, Sherlock Holmes and Clash Of The Titans. I’m aware that other bloggers can’t. Bloggers with more taste and higher standards than me.

I’m a movie scumbag and I admit it.

I look at film posters for movies like Black Swan and Salmon Fishing In The Yemen and I can feel my guts cramp in boredom. I’m sure these are great movies. Well written. Pieces of incredible movie art. They’d enlighten me. Cause me to question my own linear, one-track existence.

But they make me want to shit bullets.

I want pizzazz. I want spectacle. I want escapism.

I don’t want misery and the dreariness of the human condition thrust into my face while I thrust handfuls of Mars Planets into my face.

I ain’t looking for nothing but a good time. I’m just an easy rider, baby. I’m out for a laugh and nothing more. Don’t get all heavy on me.

And if that makes me shallow and superficial, well, I can stay at home and self harm to Joy Division records with the best of them. I have as many depths and facets as everybody else. I really do.

I just leave them behind me when I climb into a cinema seat.

So I’m just saying... if you read this blog and you’re expecting choice movies reviews that are considered and sophisticated and erudite you’re going to be (or, more likely, have been) massively disappointed.

As long as a movie can stick it’s tongue down my ear and frottage me up, I’m perfectly happy.

So you Culture Show fans might want to get your movie reviews somewhere else...

Now shut up please – the Pearl & Dean presentation is about to begin.