Sonic Doom

I don’t, as a rule, like other people’s music.
 
This is a conclusion I have reached through a lifetime of empiric research.
 
“Other people” – certainly in Leamington Spa – invariably have poor taste, play 'up' and 'slow' tempo songs at times that are not appropriate to my mood or are white and like to think that below the surface they are Dr Dre’s main man and spiritual bro.
 
The above facts, on the whole, do not impinge on my life too much or cause me to impinge on others.
 
Except when, as happened yesterday, I was walking down the street minding my own business when the keys in my trouser pocket began to oscillate to some kind of sonic disruption that was fast approaching me from the rear.
 
To my eternal regret it was neither Matt Smith with his Doctor Who screwdriver or Keeley Hawes with a vibrator. It was in fact some teenager’s third-rate pimp mobile from the bowels of which was emanating the kind of low level bass frequency normally associated with fracking operations in Canada.
 
I felt the car’s approach long before I heard the actual music and longer before I heard the tinplate rattle of the engine. I swear the air shimmered in a sort of heat haze halo around the extremities of the vehicle. Like some kind of vibrato field had been created that would pulp anything solid that dared to cross its boundaries. Anyone with gallstones in the immediate vicinity would have found themselves instantly cured.

I cannot for the life of me tell you what musical track the guy was playing. There was nothing but a solid, constant bass rumble. The sound a black hole makes when it incessantly sucks all matter and light around it into its greedy maw. And let me tell you that this guy’s music etiquette certainly sucked like a black hole. He didn’t give a damn about anyone else. He didn’t give a damn about the asphalt powdering beneath the shadow of his passing. He didn’t give a damn about the rivets and bolts that were undoubtedly being shaken loose from the engine of the very vehicle he was enveloped within. He didn’t give a damn that even when he had driven four hundred yards down the road from me, the recycling boxes that the good people of Leamington Spa had left out for the sake of eco-conservation were still audibly vibrating from the residual shockwaves he had left behind.
 
That last is a God's honest actual fact.
 
The whole episode just made me want to sneer out loud. In fact I probably did precisely that but nobody heard me, not with the blood still pouring out of their ears.
 
Why do people do this kind of thing? Why? It is invariably men that do it which leads me to think that testosterone is a contributing factor. Are these tectonic plate shifting mega-rumbles the human male’s equivalent to birdsong and stags flexing their bruising antlers? Are women attracted by the possibility of having their DNA granulated at the quantum level by the bass line of Showaddywaddy’s “Under The Moon Of Love” played at a decibel level that can actually be heard on the moon?
 
Is that what women go for these days? Having their atoms split open by a sonic scalpel?
 
Is this both safe sex and its soundtrack?
 
I don’t know.
 
Once my eardrums had returned to their normal concave state I really wasn’t sure if I was coming or going. I only knew that the earth had moved for me and I was still not at all satisfied.

My Set Top Box F*cked River Song

You’ve got to love digital technology.

Our set top box is like a virtual octopus. It can multitask. And I don’t mean do stuff sequentially. I mean it can do lots of stuff all at the same time. It can record one channel whilst allowing you to watch another. It can even record 2 channels at once whilst allowing you to play back a recording you made earlier. It can even pause a live programme should you need a loo break and then resume playing it when you are ready so that you don’t miss a single second of your favourite show. Apparently the technical term for this activity is “deferring”.

It’s a cool and convenient little facility and no mistake.

And so we decided to employ it during the season finale of Doctor Who.

Now, I need to give you some additional technical information here. It won’t sound very technical but believe me it is. We were watching Doctor Who. Got that? We had programmed our set top box to record Merlin straight afterwards (eldest boy’s bed time, etc, but he wanted to watch it the next day). OK? Still with me? It should not have been a problem.

Due to a few household happenings and an unplanned for loo break, however, we’d ended up having to defer Doctor Who. It should be fine, I thought, cos this clever technological monstrosity can record 2 things at once so even if we defer Doctor Who until it overlaps Merlin it will be able to cope. We won’t miss a damned thing.

So. Cut to us all sucking up the spectacular sci-fi feast that was the Doctor Who finale. I’m not going to give any spoilers here (sweetie) but it was brilliant. The best DW season finale ever. Packed to the gills, overflowing with ideas, spectacle and heart stopping emotion. The finest bit of television I’ve seen for a long time. If you haven’t seen it yet you’re in for a treat. Superb acting from everyone but especially Matt Smith. And he got to snog Alex Kingston. On the top of a pyramid. Lucky git.

But I digress.

We were 5 minutes away from the end. The Doctor was dead. Seemingly so. River Song (Alex Kingston) and Amy Pond (Karen Gillan) were discussing his demise over a bottle of red. River laughed: but of course the Doctor isn’t dead!

Well, we’d already guessed that given that they’ve lined up Outnumbered's foxy mum, Claire Skinner, for the DW Christmas special. We just needed to know the clever plot device that had allowed this to happen.

How did he escape? How did he do it?

The small ingenious cogs of the script began to turn. The moment, the finale denouement was about to be revealed...

And the bloody set top box stops deferring Doctor Who and suddenly switches straight to real time and commences recording Merlin.

Aaaaargh!

No. No. No.

It can record 2 sodding things at once! How can it not cope with this?! It’s supposed to be clever, for Heaven’s sake!

Doh. Because it can’t record 2 separate things that are being broadcast consecutively on the same channel. The programmed recording takes precedence over the ad hoc ‘live’ recording. It can’t cope with overlapping.

Gah!

Hence, my set top box f*cked River Song. And while I am secretly admiring of that singularly enviable feat (in a metaphorical sense) I am mainly seething at its black, soft moulded casing this morning and considering swapping it out for a top loading VCR.

‘Cos we had to do something that I haven’t done since I was a teenager.

We had to wait for the repeat to be broadcast in order to see what we’d missed (which, being modern times, was shown the very next day on BBC3).

Yes, I know that’s only 24 hours but in this modern world of instant gratification and immediate sensory download that’s like watching Star Wars at the cinema as a kid and then having to wait 5 whole years for it to be finally released on video before you can watch it again.

The great god technology is dead.

Long live technology.

Officially Middle Aged

That’s it. I’m at the brow of the hill. I’m looking down at the giddy descent into old age.

The sign post that I am leaning on whilst I catch my breath says “Middle Aged”.

How do I know this?

Matt Smith told me. Steven Moffat told me. The BBC told me.

In short, Doctor Who told me.

Years ago, I would have been all over Amy Pond (played by Karen Gillan) like (to quote Sandy Cheeks from Spongebob Squarepants) ugly on an ape (Gorilla Bananas: no offense intended). She would have ignited day dreams and night dreams so hot and puerile that the script writers of The Inbetweeners would have recoiled in horror and told me to grow up. Luscious lips, long red hair, long legs and a lust-worthy Scottish accent. I mean, can you imagine anything sexier than being bossed about sexually by someone who sounds like a rebel from Balamory? I dinnae care what ye wannae doo – jus’ git doon there an’ git busy, yer filthy, dirty little Sassenach...

Yes, ma’am!

But the flames have not been ignited. I look at Amy Pond and I see the lips and the hair and the legs and I think, Christ, I hope she’s warm enough; I hope her mother sent her to work with a nice thermos flask of hot soup and one of those high fibre bars with chunks of fruit in it. She’s so young. She ought to have a chaperone on set. I hope she’s being looked after properly. I hear her accent and I hear my gran from Scotland asking me if am doing well at school and would I like another Werther’s Original?

I have reached that age when I am automatically filtering out girls like Amy Pond from my fantasy directory. I am rubber stamping her in my mind with the words Not Age Appropriate.

But more than this, what tells me most of all that I have embraced middle age is the discovery that my fires are now being ignited by the older woman. Because while Amy Pond might not be wetting my whistle, River Song (played by Alex Kingston) most definitely is. My whistle is positively drowning in wetness.

Sorry. Possibly too much info.

River Song is magnificent. River Song is sexy. Wild hair. Décolletage that could conceal an AK-47 and a few hundred spare rounds. Beautiful lips and forever arching upward eye brows. And most of all an attitude that exudes knowing confidence and a sense of being more than comfortable with herself.

Like I said: magnificent.

What sums it up best for me is after regenerating in last Saturday’s episode into the River Song we all know and love she took one look at herself and oozed, “ooh, it’s all going on down there isn’t it...? I feel so... mature.”

Mature in that second, in the way River Song enunciated it, became profoundly OK. It became sexy and desirable. It became exciting and fun. It became wicked in the very, very best way.

So yeah. I’m on the brow of the hill. And I’m leaning on that sign that says “Middle Aged”. But only as a precursor to pole dancing with it.

Does anyone care to join me?

Who Needs Easter Eggs When You Have Eye Candy...?

Apologies to my international readers (oh how I love saying that) who don't have access to UK terrestrial television but it's been a bumper weekend for both TV and the BBC. Friday saw the return of Ashes To Ashes - the third and final series - and yesterday saw the return of Doctor Who.

Suddenly weekend television is great again.

Given the media stir that both these programmes create surely TV executives everywhere must be able to interpret this as a clear vote for more quality drama on our televisions and less of the (comparatively cheaper to make which is why so much of it is made) reality TV tosh that infects UK programming schedules like slugs around a lettuce bed?

Hmm.

But back to the plot: the first instalment of Ashes To Ashes was shockingly dark. The actual crime story of the episode almost took second place to the black undercurrents of trouble occurring within the police team that Alex Drake finds herself trapped within. The apparently unassailable Gene Hunt suddenly finds himself confronted with a sly nemesis in the shape of Discipline and Complaints officer, DCI Jim Keats - a strange mix of East End wide boy and geeky university post-grad. A cocktail that is never going to appeal to the Gene Genie. And there is nothing poetic about Keats. He is wheedling, he is smarmy, he is two-faced. He is courting Alex Drake - albeit only professionally at the moment - but has already voiced his hatred of Hunt to the great man's face. There was a lovely TV moment when, caught within the glass of Hunt's closing office door, Keats's reflections passed across the image of Hunt like a glowering cloud. Matter and antimatter. Dark and light.

There are uncomfortable secrets about to be revealed. Keats promises to reveal the truth about Hunt... and by extension, the truth about Drake's predicament in this 1980's world. And I suspect it's going to be nasty.

I have to be honest and say that Keeley Hawes could be dressed as a tramp and I'd still watch her but Alex Drake is a fabulous creation and is actually a better foil for Hunt's blustering machismo than Sam Tyler ever could have been. In the end, Sam became one of the boys. This is something Alex Drake can never be. Certainly not with those amazing legs anyway...

...and talking of legs, Karen Gillan made a rather long legged splash onto our TV screens as Doctor Who's new companion. Dressed as a policewoman kissogram with legs longer than the double doors of the Tardis (but, I suspect, leading to a box far more exciting - sorry, couldn't resist; am high on chocolate this Easter morning) Amy Pond established herself within the Doctor Who world with serious redheaded aplomb. In a single episode Steven Moffat has again proved himself to me to be one of this country's finest screenwriters. This first episode crackled with tension, humour, in-jokes, Whovian references and technological cleverness. Unlike R.T. Davies who, God bless him, knows drama from a soapy / emotional standpoint, Moffat understands science and technology. He understands time as well as people. Without blowing too much of the plot for those of you who are still to see it, he establishes a truly emotive link between Amy Pond and the new doctor with ease and without it feeling too clunky or contrived. This is what I like most about Moffat's writing. Nothing is wasted. Nothing is throw-away. Everything is well used.

And what of the new Doctor?

*Nods* Yeah.

I give him - Matt Smith - a thumbs up. I'd seen a couple of interviews with him and found him curiously "not quite likeable" but having watched last night's episode I can't knock his acting skills. Tennant is a hard act to follow but Smith has done it. He has the energy of Tennant's old doctor but also brings something more to it. An Englishness. An eccentricity that appears to be genuine and is, I suspect, as much a part of Smith's true real-life make-up as that of the character he plays. By the end of the episode I had accepted him fully as the Doctor. He had stamped his Gallifreyan DNA indelibly all over the role.

So. A victory for Moffat, Smith and Gillan.

A victory in fact for the BBC.

A proud morning to be British. Happy Easter everyone.