Showing posts with label 80s. Show all posts
Showing posts with label 80s. Show all posts

Friday, May 09, 2014

Year Zero

This post has been inspired by “Year Zero: A History of 1945” by Ian Buruma.

Being born in 1969 I grew up with the Second World War.

This possibly seems an odd statement to make but it is true.

Throughout the seventies WWII was there. Ever present through the medium of the comics my dad used to buy me – Battle and Action – through toys like Action Man and model Spitfires which, despite the air superiority of the Hurricane, was the one that caught everyone’s imagination. And through the good old “war film” that the BBC and ITV would roll out every Sunday afternoon. Before I was familiar with algebra I was familiar with The Guns of Navarone, A Bridge Too Far and Von Ryan’s Express. My grandfather occasionally showing me his medals and my Nan’s reminiscences of working in a munitions factory during the 1940’s made the myth making very personal.

Although WWII faded from my mind during the 1980’s – my teenage mind finally progressed to the Cold War and the imminent threat (or so we thought) of nuclear holocaust – there are those who argue that WWII did not end until the collapse of the Berlin Wall in 1989. In reality, the world we have all been born into – all us post war babies – has been and still is shaped by the ongoing strifes and struggles that WWII either created or did not amply settle. The guns of WWII might be silent but the rumbles still produce shellshock in the unfortunates around the globe who found the taste of liberation merely a slightly less bitter pill to swallow than occupation.

In my mind, as a boy, 1945 must have been a great year. Celebration. Relief. Freedom. The end of suffering, death, starvation and chaos. The beginning of a better world.

In fact, 1945, even after the capitulation of Germany and Japan, was a horrific bloodbath. Hundreds of thousands of people were killed in reprisal and revenge attacks all across Europe and Asia. In some cases the Allies made attempts to keep a lid on it; in others they supplied the means – be it guns or a temporary policy to turn a blind eye. Thousands of German women were raped every day by the Russian Red Army – and this went on until 1947 when the Red Army was eventually confined to barracks. Thousands of POWS and Death Camp survivors died after liberation – not through maltreatment – but through well-meaning ignorance. Soldiers and medical teams would give them food not realizing that a body, in an advanced state of starvation, cannot cope with rich food. Women across Europe who were accused of being “horizontal collaborators” were tarred, feathered, beaten, publically humiliated and in some cases executed. Others, male and female, were accused of collaboration with the fascists, or the communists, or whoever was out of favour that week and executed in almost endless rounds of reprisals as those who perhaps were not as brave as they felt they should have been during the actual conflict crawled out of the woodwork to flex last minute muscles and do their bit for glorious freedom.

And there were, of course, the political betrayals which were ultimately no less bloody. The Cossacks sold back to the Russians, disarmed both martially and emotionally by false promises spouted by the mouthpieces of the West and executed within hours of being loaded onto the trucks. The Koreans who within days of declaring their independence found themselves occupied by the communists in the north and the western powers in the south; years later the entire country would be split into two – an absolute travesty of liberation. And there were the Jews – who nobody wanted and whose true suffering at that point in time nobody bar a precious few really understood – who were still being treated as pariahs.

1945 was bleak.

But humanity did begin to exert itself again. Within days of the cease fires the Allies were mobilizing themselves to save Germany and later Japan from starvation. It was at least understood that the economy of Europe and later the world depended on their survival. Less charitably it was also understood that leaving them to completely collapse would make them ripe pickings for communist ideologies. Because despite the uneasy alliance with Uncle Joe Stalin, the battlefronts for the Cold War were already being drawn up and marked out.

The big idea – the big ideal, in fact – that emerged from the chaos of WWII was the United Nations. A means to prevent such a costly, disastrous war ever happening again. A means to exert and make sacred globally certain human rights and essential freedoms. Freedom of speech. Freedom of worship. Freedom from want. Freedom from fear. High ideals. But even at the time the Allied powers would only go as far as making these rights a “declaration” and not “a guarantee”. How could they with Korea occupied? The Shinto religion banned in Japan? The communist zone in East Germany already closing like a suffocating fist? National re-education programmes put into place in both Japan and Germany to “civilize the brutes”. And a hundred other nudges, pushes and pressures as the Yanks and the Commies divided up the spoils of war and created the world in which we all currently live.

The modern world then, our world, was borne out of good intentions and unholy hypocrisy. And the guns of its collective war machine, it’s collective peace machine, rumble on and on and on.

Sobering to acknowledge as we take stock of the world around us in 2014, both at home and abroad, that although good intentions can never cancel out hypocrisy, hypocrisy can and does fully cancel out good intentions.

Are those four freedoms really so unobtainable? So unmaintainable? Is it time to admit defeat and present each one of them with a single white feather?

World Wars, it seems, never end but the peace we as individuals make with them sometimes, sadly, does.

Monday, April 07, 2014

Privet

I’ve had to take the unprecedented step of leaving the Kate Bush Fan Club Facebook page.

Actually, it’s not unprecedented at all. I’ve left loads of pages on Facebook. When it comes to nixing FB related things I’m like Charles Bronson at the start of Once Upon A Time In The West. Sweaty, bristly, breath like Chicken Fajitas but with a lightning fast trigger finger.

And the Kate Bush Fan Club page, well, they brought too many horses (true Western fans will get that reference).

It was the whinging. The whining. The petty schoolyard arguments:

“I haven’t got a ticket to her live show and it’s so unfair ‘cos I’m her number one fan and all the touts who aren’t fans have got the tickets are selling them for the price of a Heston Blumenthal 3 course meal”.

“I have got tickets and I want to witter on and on about what songs she might sing and what songs I want her to sing and what songs do you think she will sing?”

“I haven’t got tickets and I don’t want to hear about what songs you think she might sing ‘cos I want to die for the entire duration of her shows so that I don’t have to live in a world where I don’t have tickets to see her.”

“Hello I’m new to the group and I want to show you a picture of a Kate Bush 7 inch single I bought from a flea market in Birmingham and ask if it is worth anything and does anybody have any spare tickets to sell, I heard she is going to play some live dates in September…?”

On and on and on.

Now I’m a fan. I’m up there with the most devoted and delusional of any of them. I can trace my Kate Bush pedigree back to the early 80’s – none of this “been a fan since Aerial” malarkey. I have all her records. I have tickets not only to her show but also to the hospitality party beforehand. I’m convinced she is going to personally serve me canapés and share her champagne with me in the toilets. And ask me to help compose the lyrics to her next album. It is meant to be.

But I know how galling it is to not have tickets. For 2 days I was in deep dudgeon because despite having early access to the fan only tickets I still missed out and felt that the general release was merely going to give me a cat in hell’s chance. I can remember the excoriating feeling of “I’m going to miss out on a truly rare event”. I know it came good for me in the end but I still retain the muscle memory of that previous failure. Like Frodo forever feeling the burning loss of his ring. Or something like that.

But joking aside it is not the end of the world or even the start of it. If I hadn’t got tickets I would have felt gutted but I would have moved on. I still have Kate’s music to enjoy and stalking is a perfectly acceptable pastime these days.

But the petty nit-picking and childish sourness of the Facebook group was too much. I know people are just people… but really! I expected more from Kate Bush fans. And I know how stupid and vapid that sounds. As if liking Kate Bush immediately bestows wisdom and first class mental health onto the patron. But it was like being back at school. The old “I’m a bigger fan than you are – no you’re not, I am” kind of thing.

I felt besmirched. I felt like I was a kid again and not in a good way.

Do adults really behave like this without being aware of it?

Plainly they do.

So I did the adult thing. I didn’t castigate everyone in the group for being pathetic; I didn’t lob a sarky grenade into the status box and then run for cover. I just revoked my own membership, left forever and instantly felt calm again.

See, I don’t need the others. I don’t need to be part of a big group or a gang. I don’t need to be part of a happening or “a thing”.

Kate and me, we’ve got our own thing going on. A special relationship.

She’s hired a private policeman just for me.

At least that’s what my lawyer has told me.

Friday, March 28, 2014

Bush Fire

When do you officially start being a fan of someone? When you first buy one of their records? Or when you first hear one? If the former, I have been a fan of Kate Bush since I was 15. If the latter, since considerably earlier though I’d be hard pushed to nail down the exact time frame. I can vaguely remember hearing Wow on the radio and loving it and then later Babooshka and Sat In Your Lap. But I didn’t start buying records until I was 15 and had finally embraced the largely teenage ethos of “owning music”. Running Up That Hill is one of the first records I ever bought alongside Prince’s Paisley Park. Funny how Prince hasn’t really stood the test of time but Kate Bush seems somehow eternal.

I got into record buying in a big way from then on. It’s fair to say I moved from record buying to record collecting in the space of a few years. I loved the thrill of the hunt; winkling out golden oldies and rare vinyl; visiting musty record fairs and even mustier basement shops. Before long I had accrued original copies of Wow, Babooshka and practically everything else that Kate Bush had ever composed. In fact, bar a couple of very rare 7” singles I have practically everything. A 99% complete collection.

Including, of course, a video of her much celebrated “tour” at Hammersmith Odeon in 1979. Her one and only live music tour. In my heart of hearts I’d kind of accepted that, bar a miracle, I would never get to see her live. The possibility of her ever performing more live dates was slim at best and a fool’s dream at worst. It’s just the way it was. Like most of her fans I was just grateful she was still producing music that was as ground breaking and thought provoking as it ever was.

I would never get to see her live. And I accepted it.

Until today.

News of her suddenly announced concerts for later this year flooded the news pages last week. I had an email announcing the dates from KateBush.com last week and had to read it three times before it sank in. Kate was actually going to perform a string of live dates. Finally. A miracle. It was fairly obvious this was going to be a once in a lifetime opportunity. I can’t see her announcing more dates in the years to come. It was now or never. I had an early access code from the site which meant I could try for tickets on Wednesday before they officially went under general release today. It seemed a gift horse.

Gallingly, technology let me down. I came within a cat’s whisker of getting decent seats before a PC failure ruined my chances. And that was it. My best chance gone. The advance tickets had all sold out within 30 minutes.

I haven’t felt so crushed since I was a spotty teenager. Which is probably rather apt.

My only chance now was a forlorn hope. Trying today, in competition with the whole world, when the general tickets went on general release at 9.30. It was going to be one hell of a mountain to climb, with thousands of others doing their best to knock me and everyone else off the north face. The wife and I went for a 2 pronged separate attack. Telephone and PC, using every technological trick at our disposal. We knew of other friends who were seriously going to have 4 PCs on the go at once with several tabs opened on each. Desperation of the highest order.

Chances of success were minute. And this was confirmed almost immediately by the phone line effectively redirecting us to the web site as the operators couldn’t cope with the amount of traffic and the web site hanging and hanging and hanging, pushing us into a virtual waiting room where we seemed to be repeatedly forgotten about and ignored. Ten minutes in tickets were already being flagged up as “unavailable”.

In a last ditch attempt I went for anything – absolutely anything, the last option that was available in fact – and ended up plumping for a high end “hospitality” package; a luxury pre-concert party-come-meet-and-greet at St Pauls Neo Gothic Church opposite the venue with a sumptuous hamper and brochure thrown in before being escorted to the venue and our seats. No doubt the price had dissuaded many and I had little hope we’d get a bite at this particular cherry anyway. Competition for tickets was evidently insane.

Ordinarily the massive price would have dissuaded me too but, you know what? It’s not often Karen and I award ourselves a big treat. I don’t think we’ve ever really done it, in fact.

So we thought sod it.

I clicked “buy” and fully expected the site to hang and then throw me out onto the street with apologies.

It didn’t.

It gave me an in.

And a countdown. My tickets would be reserved for 7 minutes while I filled in various online forms to set up an account with the venue and then go through the payment process. My typing was suddenly appalling but I did it.

2 tickets for Saturday September 27th. Booked. Confirmed. Finally, Kate and me in the same room together. Albeit a very big room with thousands of other people in it too. 2 tickets that are mine.

It’s going to take months to pay off the credit card bill. But what the hell. For me this is an event that I thought would never happen. As sad it sounds I would have been truly gutted if I had been unable to get tickets and the whole thing went ahead without me. Not that I’m an essential component, you understand.

Right now the wife and I are shaking, wondering what the hell we have done. We’ve spent the price of a small holiday on 2 concert tickets.

But it’s Kate Bush.

Kate Bush is playing live and we’re going to be there.

Wow. Wow. Wow.


Tuesday, January 07, 2014

‘Straining

Time was, years ago, I was training averse.

Far from seeing training as the free-lunch-supplied-jolly of corporate tradition I saw training as a stodgy corporate attempt to mentally and emotionally waterboard the prevailing corporate ethos into my captive psyche over the course of a working day (with a few egg mayo sandwiches thrown in for free).

A boxed set of The Office had also indelibly marked my intellectual flux capacitors with images of David Brent jerking his moobs to Tina Turner’s “Simply The Best” and thus the mere mention of ‘training’ transported me psychologically through time to the worst excesses of both the 1980s and the 1990s and, really, no egg mayo sandwich, no matter how good, was ever going to compensate for that kind of spiritual trauma.

So I gave training a wide berth.

And as a consequence I stayed sane but also remained in a state of career undevelopment.

Not anymore.

The last few months have seen a sea-change.

Not sure why – possibly the promotion has re-engaged me and helped me slough off the mantle of stagnation and disenchantment – but suddenly I’m up for all the training I can get. Even Health & Safety stuff. Yeah. That’s how switched on I have become.

Of course, there might also be a survival instinct kicking in here. People in my sector are losing their job, subsisting on crap pay that is forever losing the race with inflation, a job for life seems about as realistic as living on the moon in 2020… training suddenly seems a quick way to arm myself with the knowledge needed to make me seem a viable prospective employee or an employee worth retaining. 

So I’m putting my name down for everything. Grievance and Disciplinary. Data Protection. Institute of Occupational Safety & Health. Fish Thinking. Mind Gym. Cresting The Curve. Killing With Papier Mâché.

Only one of those is made up.

I’m becoming a sound-bite hoover. A corporate cyborg. It is becoming ideologically impossible to waterboard me because my mouth and mind is always receptive and I can drink faster than they can pour.

I am, in short, becoming simply the best.

Fear me.

The creature I am becoming would give Mary Shelley the willies.



Tuesday, November 12, 2013

Knight Rider 2013

It is a well-known fact that the average domestic washing machine has more processing power than NASA’s Voyager 1 space probe. And it struck me the other day as I watched my boys play on their Nintendo DS’s that it must surely follow that there is probably more computing power in those annoying little games consoles than the original producers of Knight Rider could have ever envisaged for their crime fighting super car, Kitt, in the 1980s.

And then my own internal CPU got to working… What would happen if we brought Kitt bang up to date with modern computing technology (and conveniently ignored the fact that some daft producer in the US actually already did that in 2008)? Would Michael Knight and Kitt actually benefit from modern social networking and broadband Wi-Fi?


“Kitt, I need all you got on Mr Big – prison records, Interpol logs, all known connections to any terrorist cells!”

“Sorry, Michael, I’m playing Angry Birds on Facebook. How about if I PM him and see if he gets back to us?”

“Goddamn it, Kitt, I need that information now!”

“[Sigh] OK, Michael. I’ll Poke him.”


Or what about:

“OK, Kitt, let’s get Mr Crimelord down to the precinct. He’s gonna be banged up for twenty or my name’s not Michael Knight!”

“Sorry, Michael, I refuse to help you arrest that man.”

“What?!”

“He’s one of my connections on LinkedIn. I need him to endorse me for crime fighting and high speed car chases.”

“So in his case you’re not going to fight crime so that he can endorse you for fighting crime?”

“That does not compute. Screw you, Michael. I’m going to Tweet that you’re a pedantic, crime-ist asshole.”


Or what about during a high speed car chase and Michael presses the much loved (and completely over used) Turbo Boost button?

“Come on, Kitt, let’s go – Turbo Boost!”

[Nothing happens]

Michael presses the button repeatedly and furiously. “What’s happening? Turbo Boost! Turbo Boost!”

[Still nothing happens]

Michael starts hammering the Turbo Boost button with his fist. “Jesus – the bridge is out! I need that Turbo Boost now Kitt! What the hell’s going on?”

“Sorry, Michael. Please be patient. I’m buffering.”


*sigh*

The imaginary world of my teen-hood would have been so disappointingly different if I knew then what I know now.

Tune in again next week when I’ll pitch an idea to bring Baywatch bang up to date utilizing spy satellite technology…


Monday, April 29, 2013

Tawdry Telly

It struck me the other day how little television my boys watch. Their TV time seems to be confined to meal times; times when, by necessity, their hands are too full of cutlery to be able to manipulate a joypad or a game controller. And even then, half the time, they’re not soaking up some faceless TV scheduler’s entertainment menu but are watching a DVD or something we’ve pre-recorded and stored on the set-top box.

How different things were when I was a kid.

There was no choice other than ITV and BBC. By the time I was on the scene the Beeb was for old traditionalists (my grandparents were big BBC-ers) and ITV was for young thrusting hip-young things (which enticed my parents into its viewing fold).

Hence I never watched Doctor Who as a child because it was on the BBC and we rarely watched the BBC. The BBC seemed glamorous to me, simply because it was forbidden fruit. Or seemed that way. I seem to remember watching Bod and the Mr Men as a child and they were definitely BBC. I suspect my parent’s ITV leanings were abandoned temporarily when the BBC’s kid’s hour was on as a tactic to keep me and my sisters quiet and malleable for a little while longer.

My overriding memory of my pre-teen telly though is that on the whole it felt rather tawdry. But maybe that was just the seventies? Sure, I have fond memories of Daktari, Tarzan and Robinson Crusoe on a Saturday morning and, of course, the magnificent Tiswas… but overshadowing all these is the over-arching memory of how utterly awful weekend telly was for kids in the seventies.

My trouble was I never really “played out” as a kid. I wasn’t a street kid. I didn’t learn to ride a bike until my twenties. I was stuck indoors. My window on the world, on reality, was via the TV. Via ITV.

And on a weekend ITV delivered The Grumbleweeds. It coughed up Russ Abbott’s Madhouse. It vomited out 3-2-1. Recalling Bullseye and Family Fortunes – the latter even fronted by the great Bob Monkhouse – make me depressed in equal measure. I sometimes think that no telly at all would have been better.

For some reason, when I think of all these shows they appear in my mind as if nicotine stained. As if dyed brown with tobacco juice. I think tank-tops and brown plaid. And orange shirts. And carbuncly men with faces like blighted potatoes and working men’s club accents holding microphones topped with full-sized afros. I recall the subconscious despair that I lived with before the obvious question finally formed itself in my burgeoning little brain: is this it? Is this all that life has to offer?

The answer, of course, was no. There was the BBC. And the multi-coloured Swapshop revolution of the eighties. And then Channel 4. And satellite television. And cable. And eventually digital. And HD. And iPlayer. And choice.

Glorious, glorious choice.

How far we have come since Ted Rogers and Dusty Bin. For me, the mid-eighties is when television began to come good. When the new TV choices that became available began to heal some of the deep-seated wounds of the drab seventies.

I’m not sure what TV memories my boys will have when they are older. I don’t think it is possible for computer games to impinge on the memory in quite the same the way that a TV show does (yeah, I remember pressing LEFT RIGHT RIGHT and the X button on that particular day doesn’t cut the same mustard as remembering when Stu-pot and his mates finally faced down Gripper Stebson in Grange Hill) and I sometimes worry that they’re missing out on the shared peer experience of watching a truly great TV show at the exact same time that your mates are in their own houses.

But on the whole, if they’re being spared 3-2-1 and The Grumbleweeds, I am reconciled that the good effects of progress outweigh the bad. And it does seem to be that, these days, what you play is far more important than what you watch.

As for me though, I think I’ll pass up on Halo and get Daktari on DVD. I’m sure old wine in a new wine skin will taste just as good. But if my boys would rather play outside than watch it with me, I’ll be inclined to let them.

Monday, March 11, 2013

Reactolite Rapide

In many respects I was the author of my own uncoolness at school. It was at those times when I made a conscious effort to be cool that the gods of style and grace were laughing most loudly up their sleeves at me.

Take 6th form.

For the first time ever free from the stylistically limiting potential of standard school uniform and feeling confident enough finally to not let my mother buy all my clothes for me I made some unfathomably bad choices.

Corduroy trousers in blue, green and black. The black, colourwise, were probably the least offensive but nevertheless the auditory properties of corduroy meant I was accompanied by a “fwip-fwip-fwip” backing track wherever I walked. And I walked everywhere.

Blue and green corduroy also did not do much for my vaguely burgeoning goth tendencies.

And then there were my glasses.

I’d gone through much of my school career (a)stigmatized by the good ol’ never-let-you-down NHS spectacles that all children grow up hating. Even those who never have to wear them. Of course, Jarvis Cocker made them trendy years later but for me, with my school career firmly ensconced in the eighties, years before Pulp made a name for themselves, they were another burden on young shoulders already weighed down by the cheapest Burton shirts I could find.

But when I started 6th form I was given the opportunity to cast off the yolk off NHS speccyness for good. I could go for some proper metal framed grown-up ones.

My innocence and unworldliness meant I was easy fodder for the advertising industry and before I knew it I’d been taken in by those awful eighties adverts for Reactolite Rapide glasses. Spectacles that become prescription sunglasses the instant they are hit by even the tiniest light wave from the earth’s nearest star.

On the telly this was fine. Chisel jawed models sunbathing on yachts in the Med or quaffing Bacardis from the roof-top garden of a skyscraper in Madrid.

But not so fine on a white skied day in Leamington Spa.

Because what the adverts didn’t tell you was that Reactolite Rapide glasses could not be seasonally adjusted. You couldn’t turn off the ability to sun-glassify in winter. Or even when you were indoors and happened to be sat near a window allowing access to direct sunlight of varying degrees of intensity.

Because of Reactolite Rapide I was the one kid in my 6th form who wore shades in December. Who wore shades inside the classroom. Who wore shades even when it was raining and overcast and the sun was obliterated by atmospheric precipitation.

Reactolite Rapide glasses were not cool and never made me cool. They just highlighted and drew attention to my fundamental uncoolness.

To be frank, wearing a brown paper bag would have had the same effect but at a fraction of the cost.

Do girls make passes at boys who wear sunglasses?

No. They do not.

Not ever.

It took me another decade to finally rid myself of hang-ups about not being cool, to stop trying to be anything but myself.

Once I managed that things came a lot easier. And not wearing corduroy helped too.

But even now, even on genuinely sunny days when I can feel my retinas crisping beneath an ultraviolet barrage, I still cannot bring myself to wear sunglasses.

As affectations of coolness go, it is an affectation too far.

I would rather squint like a nerd and not see properly at all.

Weirdly, the world is much better that way.

Thursday, March 01, 2012

RIP Richard Kip Carpenter

I’m not expecting a lot of comments on this post because most of you will be thinking “who the hell is Richard Carpenter and anyway didn’t Davey Jones from The Monkees die yesterday?”

But to a few of you, Richard Carpenter will mean something special. And I’m not talking about Karen Carpenter’s brother here either. I’m talking about one of the best British television writers that this country has ever produced. Certainly he’s a writer who has influenced and fed my imagination more than any other... even before I was properly aware of who he was or even if I wanted to be a writer myself.

If you were a kid in the 70’s and 80’s you would have been very familiar with Richard Carpenter’s television work. Catweazle, The Ghosts of Motley Hall, Dick Turpin, The Scarlet Pimpernel and, my favourite show of all time, Robin Of Sherwood to name but a few.

The Ghosts of Motley Hall and Dick Turpin were a major feature of my weekends when I was a kid. Both were on a Sunday evening and would be something me and my sisters would watch at my Nan’s house after spending the day there. They bring back cosy memories of a time when life was much simpler than it is now.

Robin Of Sherwood holds a special place in my heart and was just one of the shows that spoke to me on a spiritual level – as crass and hysterical as that might sound. On some level Richard’s writing and the acting of the cast embodied all that was magical and mythical and British about this country of ours. The off-screen chemistry of the cast spilled over onto the screen and for a lonely wallflower like me it was like a beacon of how wonderful life could potentially be. Years later, reading interviews with the cast, their friendships plainly remain and Richard Carpenter himself is quoted as saying that this forging of friendships and the lasting camaraderie of those involved in the show is one of the things he was most proud of. Robin Of Sherwood went on to majorly influence Kevin Costner’s criminal foul-up of a film and the BBC’s recent Robin Hood.

Most of Richard’s television work is now available on DVD. Robin Of Sherwood has recently been reissued on Blu-Ray – remastered for both sound and picture quality. I have treated myself because it is the one show that I know will stay with me for the rest of my life.

I am saddened that Richard’s passing on the 26th February hasn’t been more picked up on in the press and the national media. His death is a huge loss for both television and British writing per se. Back in the days before CGI and computer generated lighting Richard worked wonders with tight budgets, proper location shoots and real flesh and blood people. His writing was heartfelt and emotive and quietly proud.

Richard, Albion salutes you.



Wednesday, February 01, 2012

Caught In Amber

A nice diversion from all the strife that has currently been assailing Bloggertropolis Towers has been the discovery of how easy it is these days to convert old C90 cassettes into a digital format that I can play, modify and edit on the ol’ PC.

Back in 1989 when I was a somewhat awkward, repressed, geeky, closet-extrovert teen, me and a good mate of mine spent every Saturday evening for a month or two adlibbing comedy, songs and general testosterone fuelled mayhem onto C90 cassettes. I had at the time purchased one of Alan Sugar’s finest creations: a home studio 4-track recording unit replete with turntable and twin cassettes and input jacks for just about everything.

If I remember rightly it cost about £499 and looked like a Borg spaceship (hello Star Trek fans). I had visions of... I don’t know. Certainly not making it onto the music scene. Possibly not even making it onto the comedy scene. I think all I really wanted to do was alleviate the dreary scene in my head of being stuck at British Telecom for the rest of my life being ungainfully employed as a telephone operator.

In many respects they were dark days. The job was awful. Sheer anathema to an obsessively creative type like me. I was spotty and painfully shy around girls. And not much better around blokes I didn’t know (which, let’s face it, was most of them). I lived with the ever-abiding fear that I would die a lonely old social outcast and would never ever have a girlfriend. My best mate at the time, Dave, was probably not much better off socially – though he wasn’t bad looking, could sing and seemed to have a natural flair for learning to play the guitar.

And yet I remember those days very fondly. We were relatively carefree and our troubles at the time – in retrospect – were minor and bound to come good just by having a little patience and waiting for life to take its course. Whilst I couldn’t sing or instantly play the guitar like Hendrix I did have a frighteningly egotistical sense of humour which seemed to burst into life as soon as any recording device was placed in front of me and switched on.

Somehow a double act was born and over the space of 3 months Dave and I must have amassed nearly 12 hours of the most inane, embarrassingly juvenile recordings ever committed to magnetic tape. We did impressions, told jokes, made up songs and murdered existing ones by recording our own lyrics over the tops of the originals. I can lay personal claim to having murdered Bono and lyrically shitting on his grave on at least five separate occasions.

And then the recordings stopped. Dave got a job as a postman and got himself a woman. For some reason that diverted his attentions elsewhere. I’m not bitter but I do blame Dave unreservedly for ruining our chances of getting onto the telly or the radio. Because, to be honest, Rik Mayal’s and Ade Edmondson’s “Bottom” wasn’t that far removed from the type of material that Dave and I were coming up with off the top of our head’s week after week.

Well. So we thought at the time.

The tapes were mixed and then stored away. I even made covers for them. They lay forgotten for years gathering dust.

And then finally in 2011 the cost of technology had dropped so much that a simple tape to mp3 converting device set me back no more than £25. It was something I’ve always meant to do. Future proof all those Derek and Clive moments.

It doesn’t matter that the jokes are bad. That the ethics and sensibilities behind them are as blunt and callous as any teenager’s – we knew little of the world though thought we knew it all. It matters not that some of the verbal outpourings that came out of my mouth now make me cringe and want to tell myself to shut up...

They are little time machines. Moments in time – whole evenings – captured and held in amber. Exactly as we used to be. Without edits or cuts or a single layer of varnish to make any of it any more or less palatable.

I love them dearly, those recordings. They make me smile and frequently make me laugh.

We had something special, Dave and I . We really did.

A friendship. And it’s nice to know that it’s still there (if you’re reading this, Dave).

And no. I will not be posting excerpts of any of the recordings on this ‘ere blog.

I have something now that I didn’t have back then.

A reputation.

(Though do feel free to tell me I’m wrong.)



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Wednesday, September 28, 2011

Theme Tunes

Funny how the music to certain TV shows sticks in your mind. I mean, we all have favourite ‘pop’ records. Music that provided the incidental backdrop to our first kiss, our first shag, our first civilian kill whilst piloting an Apache helicopter over Baghdad (oops, sorry, bit political; bit old news but always, always relevant).

But what about those favourite TV theme tunes that you used to hear as a kid and now remind you of happier and not-so happier times?

For me, I can’t listen to the theme tunes of Sesame Street, The Banana Splits or Hong Kong Phooey without thinking of long school summer holidays in the 1970’s. These shows seemed to be ubiquitous every summer. I don’t recall them being on at any other time of the year though surely they must have been. There was something about Sesame Street and The Banana Splits that was kind of special. I wasn’t really that aware of the world at the time. I knew America was another country but that was about it. Sesame Street and The Banana Splits made it seem a wonderfully warm and inviting place to be.

I mean, let’s face it, the American’s had all the best kids TV shows. Sorry and all that, but Rainbow and Pipkins were hardly in the same league, were they? If you pitted Big Bird and Octavia the ostrich against each other in a cage fight Big Bird would win even though he’s a hopeless pacifist. Octavia would get herself tangled up in her own strings purely down to the jerky way she half-walked half-floated over the ground.

And then there are the theme tunes that make me feel depressed.

Family Fortunes. Hart To Hart. Magnum PI.

Yes, even Magnum PI makes me feel a little bit depressed.

These shows were invariably broadcast on a Sunday evening in the 1980’s which, for me, meant school the next day. Secondary school. Big school. And not just school but “Games” first thing and that meant rugby which I absolutely loathed. And not only rugby but the horrible school communal showers afterwards which I also loathed (though am at pains to point out that nothing untoward ever happened to me in the boys’ showers at school, OK? Not ever. I’m hang-up free when it comes to nudity – just ask the young mums who visit my local park at lunchtime).

Hearing these theme tunes meant that bedtime was fast approaching and that meant sleep and a hastening of time passing. Monday morning was approaching all too quickly and the weekend was over.

And then there are the theme tunes that are truly special but for no special reason at all. Just odd slivers of memory that make no sense to anybody else but nevertheless remind you of how loved you were and how safe.

Rupert The Bear. I have this on my MP3 player. I used to watch this as a toddler at my Nan’s when we’d visit her every Wednesday. I think the show had originally been produced in the 1960’s and was probably going round the block for the fifth time when I used to watch it. Nevertheless it had me mesmerized and whenever I hear the music now I am instantly transported back to my Nan’s sitting room with the smell of beef stew wafting in from the kitchen and warm sunlight streaming in through the dining room window. I didn’t know much about the world but I knew it was all going to be OK.

*sigh*

Alas, I haven’t heard a piece of music in a long time that makes me feel that way. But it’s not the music that has changed, it’s me.

I look at my kids now – look at the TV shows they like; the ones they don’t – and wonder if they’ll have their own musical aide-mémoires when they are older.

I hope so. And I hope they’ll be for similar reasons.

Though maybe not the rugby thing. Or the showers. I could have lived without those.

Right. I’m off to the park. See you there.

Second bush on the right (that’s me).

;-)



Friday, September 23, 2011

The Ghost Of Wayne Inglis

Looking back on it now it’s probably far more common than it felt at the time. The death of a fellow school pupil.

It was, I think, sometime near the end of my penultimate year at North Leamington school – so probably round 1984 – and I can remember the headmaster handing over proceedings for that morning’s assembly to Mrs Mordecai, our Hobbit-like French and Religious Education teacher. If he thought Mrs Mordecai would bring a more gentle ambience to proceedings he’d obviously never seen her in action during double French.

She delivered the news in a calm, measured, almost BBC manner.

Wayne had died at the weekend. Our sympathies went out to his parents and to his younger sister who would not be attending school this week.

And that was it.

No details. No explanation of how, why and where. Just that he’d died.

I remember feeling very shocked. Benumbed. Which struck me as odd because although Wayne was in my form we weren’t mates. We weren’t enemies either; he wasn’t that type of boy but he existed outside my tight knit circle of friends and I outside of his. He’d always come across as a little strange. Blonde and oddly Germanic looking. A neck that was slightly too long. In fact, for all he was not excessively tall, everything about him seemed slightly too long. Legs, arms and shoulders were all odd, awkward and angular. He had a smutty sense of humour that, because of the way he exercised it – huddled and whispered – seemed slightly unwholesome. He brought a key-ring into school once that, due to simple thumb operated mechanics, featured a couple that furiously copulated. He was that type of boy.

A bit strange but harmless. A bit of a joke really. But not enough to impinge much on anybody’s radar.

I can remember some of my peers laughing as we were dismissed from assembly. They found the news funny. I’d like to think it was down to shock but, no, they genuinely found it funny in that unfathomably cruel way teenagers have of misconnecting with the world and everything that isn’t actually about them personally. One girl actually voiced the opinion that she was glad he was dead because she never liked him anyway.

I through her a disgusted look but that was as far as it went. I was a shrinking violet and she didn’t care anyway.

Days later a few more details leaked out. Apparently Wayne had recently taken part in a charity parachute jump. He must have been so enamoured of the experience of floating down to earth that he’d tried to recreate the process in his bedroom with his parachute and a leap from the wardrobe. I kid you not. But for his resultant death it reads like a script from Some Mother Do ‘Ave ‘Em. Who knows if that was the true reason? We’ll never know. What was known was that Wayne was found tangled up in the parachute chords. He’d effectively hanged himself. I think the circumstances were such that it was plain it was not intentional.

It had a sobering effect on my school year for about 2 weeks. Until after the funeral, I suppose. Only his closest friends went. And then it seemed to get forgotten. We broke up for the summer holidays and when we came back we were 5th years with O levels and school leaving to look forward to. We had moved on.

Unlike Wayne. Unlike, I suspect, his parents and his sister.

I often think of Wayne now. It’s a minor sadness that nevertheless touches me deeply. I often wonder what he would have become if he had lived. What he would have done. Who he would have married. I can’t quite see him as a serious grown-up person doing a proper job at all.

In my mind he’s still playing with that blessed key-ring and giggling quietly to himself.



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Monday, August 01, 2011

Touching Wood

+++ MINORITY INTEREST POST +++

(But hey - aren't they all?)

So. Onto pastures new.

Torchwood has moved to the US of A. It has eschewed the bright lights and broad vowels of Cardiff and gone for the clipped and curled accents of, er, somewhere in America.

And this is the problem. They may have said exactly where in America the action is taking place but if they did I didn't take it in. And neither can I figure it out for myself by trying to eyeball any landmarks in the establishing shots. It appears to be somewhere in "TV America". That mythical place that seemed to come into being sometime over the 50's and 60's and then solidified into a place in the hearts and minds of kids the world over in the 70's and 80's.

TV America is how the rest of the world believes America to be. Michael Knight lives next door to B.A Baracus. Charlie's Angels sell Avon products to Jody from The Fall Guy.

It isn't real.

And this is why I am having a hard time getting my head around the current series of Torchwood. The plot is interesting. The ideas are good. The action is glossy, slick and movie quality. Clearly a lot of moolah has been spent on the show. £10,000,000 from what I've read. Though possibly that's in dollars rather than pounds. There's been some heavy-ish investment from an American TV channel / producer. A cash injection that would make even Captain Jack's eyes water.

And this, I suspect, explains everything.

The show is angling itself toward the American market. It has transformed itself into an American-ready chicken. Notice I didn't say turkey. Because it isn't that bad.

It's just the American thing... Don't get me wrong, I like America. I loved all those American action shows as a kid; they fed my young imagination. But it doesn't work with Torchwood. It doesn't work for me.

It feels too glossy. Too generic. Too Eighties pastiche. Rather than emulating modern American action shows it feels like they're emulating American action shows from 20 years ago. It clashes and it grinds. And not in a good way.

The American actors give it their all. They're reliable; they're competent. It's damning them with faint praise but it's true. Eve Myles as Gwen Cooper acts them all off the screen. Maybe it's the quirky Welsh thing? Maybe she seems more believable simply through familiarity? But I don't think so. Her acting and her emotional responses are streets ahead of everybody else. A couple of weeks ago she did a scene at the bedside of her on-screen father. He was ill in hospital. Her performance was brilliant. Real, gritty, restrained and yet emotionally full at the same time.

Everybody else behaves like a cartoon character in comparison. It's like the American contingent are just going through the motions. Possibly seeing their outing on Torchwood as merely a way to be noticed by one of the bigger TV channels, who knows?

John Barrowman too is pretty good but his character feels like it has been emotionally dumbed down. There's no range or even much scope for range at the moment. Maybe that will change as the series progresses? I hope so.

In the meantime I will stick with it. The plot has enough hooks in it that I want to see what happens next. This isn't a bad piece of TV.

It's just that after the previous Torchwood outing it feels like they've lost something. A little heart. A little soul.

I suspect there is a little demon running around somewhere thinking that's it's got itself a good deal.

And that's fine, believe me - as long as we, the viewers, are not ultimately short-changed.



Friday, June 24, 2011

CSI Leamington Spa

Yo. Rookie. Get your butt over here.

See this badge? I’m DCI McBlake and I’m gonna be the mutha who’s gonna be ripping off your head and spitting down your neck for the next 3 weeks until this case is closed. Capiche?

Whazzat? This ain’t the 80’s no more, you say? Wise guy, huh? Just push your jacket sleeves up to your elbows and walk your cheap loafers over here. You might learn something.

See, that there? Know what that is? A toilet stall? You’re half right, bozo. It’s a crime scene is what that is. This is the crime that has got the boys in the lab clawing their eyes out through their Medisave goggles.

We’ve lost approximately 14 this last week alone. Bodies? Are you nuts? Does this look like a homicide investigation? I’m talking loo rolls, son. Bog paper. Hole roll. Shit ticket. Some scrote has been coming in here, breaking into the loo roll dispensers and walking out with bog standard (if you’ll excuse the pun) 2-ply toilet paper and leaving the other patrons wishing they’d worn a longer tie to work today.

This situation cannot be allowed to continue. It is our job to track down this Izal sniffing pervert and see that he is appropriately apprehended and his paper snaffling days put firmly behind him. If we don’t we’ll be looking at a skid mark epidemic the like of which the world has never seen. Before you know it there’ll be a shortage of haemorrhoid cream and Top Man boxer shorts and then where will we be?

Back to Y-fronts is where. Try and keep up with me, son. Geez, I thought you were on the fast track straight out of Hendon?

I want these stalls dusted for fingerprints. I want casts made of the shit prints. I want DNA samples taken from the various effluvia that you see deposited around the toilet bowl. And yes those pipettes are standard issue. Get to it, son. I don’t keep a dog and bark myself.

Now to catch our man we’re gonna have to be a bit clever. We’re gonna have to get inside his head and think like him. Why does he want all this toilet paper? Could he have a bad case of Delhi belly? Well, it’s possible given the proliferation of curry houses in the district but when you got liquid fire running out of your bomb bay doors the first thing you reach for is an ice pack, not cheap loo paper made from recycled packing crates. Could he be selling it on the black market? It’s possible. Check our database for any Andrex puppy owners who are known to be making loo paper adverts at this current time.

Has he got some kind of weird sexual loo paper fetish that makes him want to insulate his entire body the better to contain and preserve his pubescent secretions? You betcha bottom dollar, kid. No, no need to say it. I can see we’re singing from the same hymn sheet. I can see that disgust written large all over your face. Well, maybe, just maybe there’s something about you after all, son.

So we need to trap this dirtbag. We need to get him to reveal his identity so we can swoop down on him like the ungodly angels of vengeance that we undoubtedly are. It says so right here on my Met badge. Ungodly. Angel. Of. Justice. Whoops, sorry, kid, that’s my Blockbusters membership card. Never mind that. See this? Know what this is?

No, it ain’t marijuana. It’s itching powder. Itching powder, dumbass. You get sprinkling it all over those loo rolls and then stick ‘em back into that there loo roll holder.

Some poor fool is gonna have himself a crack attack so bad he’s gonna rip a 5ft hole into his own arsehole. And when that happens we’ll be right here ready to jump on in.

We’re gonna get covered in glory on this one and no mistake, son.

Why you looking at me like that? Just button your lip and get sprinkling.

Boy, I could sure use a chocolate donut round about now...



Monday, January 17, 2011

Looky-Likey



Yesterday morning, when I should I have been turning my thoughts to higher things, I indulged in a spot of Twitter based badinage with 2 fellow bloggers (you know who you are and so do my lawyers; you’ll be hearing from them later in the week) and the subject got onto eighties TV.

You don’t need to know how we got onto this subject because the route was circuitous and passed through some weird and wonderful country, within the borders of which I was imagined dressed up in a gold skirt like Freddie Mercury in Queen’s “I Want To Break Free” video.

Suffering under the barrage of cackling that thus ensued I decided to use the old distraction technique that Freddie Mercury taught me on the video shoot and came up with the true observation that some of my friends, back when I had a fuller beard, thought I resembled Mr Claypole from Rentaghost.

Much cackling then ensued and I thought, yeah, thanks, Freddie, great help you were.

But it got me digging around online for Mr Claypole related facts. Rentaghost was a great programme when I was a kid and Mr Claypole was every kid’s favourite character.

What is he doing now, I wondered, ‘cos he just seemed to disappear into thin air? Er, rather like his Rentaghost persona.

Well, it was a shock to discover that actually Mr Claypole isn’t doing anything very much at all at the moment because, just like the character he played in Rentaghost, he’s actually dead. He died in 1987!

For those of you brought up on BBC kid’s television this must come as a great shock.

I knew nothing of this. The poor guy has been dead for nearly 25 years and I didn’t know.

It’s like finding out that the original Bagpuss has been destroyed in a house fire or that He-Man had homo-erotic undertones.

It casts a dark shadow over your entire childhood.

I am indebted to www.cheesebrush.com for furnishing me with the sad facts of Mr Claypole’s demise. I feel gutted. I have the Rentaghost theme tune on my MP3 player and just hearing his voice singing the crazy lyrics now brings a lump to my throat.

The child in me is weeping. You’ll be telling me next that Roy Castle is dead. *sigh*

But on the bright side I can’t think of anyone else I’d much rather look like.

Especially when the same bunch of friends who thought I looked like Mr Claypole also made the observation that I looked a little bit like Gerry Adams.

Gits.

Alright, alright. Cut the cackling.







Wednesday, September 29, 2010

Rack Off

The great debate has started.

Forget the US vs. Iran. Forget Miliband vs. Miliband. Forget man-pants vs. mankinis.

The question that is dividing the nation at the moment (like a wire-thin mankini in fact) is what is your all time favourite sit-com?

Bizarrely two distinct contenders have stepped forth out of the smoke and rubble of snarling opinion. In the red corner we have The Office – currently flopping about in Heather’s boxing glove like a rogue horse-shoe – and in the blue corner we have Kath & Kim swishing about like an illegal nunchaku in a Japanese tea-house as toted by London City Mum.

This is the moment when I jump into the debate and, much as I love The Office, I am going to nail my boxing shorts to the blue corner. For those of you that have been reading this blog a while, this patronage should come as no surprise as I’ve previously written about my love of Kath & Kim before – right here in fact – see I was on this particular bandwagon before it was even a bandwagon! That’s how cool I am.

Now I freely admit Kath & Kim aren’t to everybody’s taste. The ‘yoomer’ is distinctly Australian and rooted (if you’re Australian, you’ll find that word funny) in the heart of Australian suburban life. It is, to quote one Australian TV presenter whose name I don’t know, Australia laughing at itself.

So to get the yoomer I guess you need to have some kind of affinity with all things Oz. This does not mean you have to like Neighbours or Home & Away. In fact if you don’t like them Kath & Kim will probably tickle your fancy even more.

For me though, the biggest selling point of Kath & Kim is the incredible dialogue. This is where the yoomer resides. Yes, occasionally they do slapstick and physical humour, but for the large part the funnies are in the language and in particular how it is (Joe) mangled. Words are misplaced, transposed, wrongly emphasized and spliced in ways that are both cringe-making and ingenious. For me it’s what makes the whole show one of the most joyously quotable on the market.

For instance when Kath Day-Knight nee Day thought she’d committed bigamy with the love of her life Kel: “you know, Kel, I think I might just ask the pope for an annulment and be damned.”

Or when Kim lays into her poor beleaguered husband Brett: “Oi’ve made your favourite tonight, Brett – rack off lamb” (think about it).

The characters are incredibly endearing too. You can’t help but love Kath even with her eighties fashion sense and her frizzy perm (“the fro is the way to go – Kel loves my frizzy hair, no matter where on my body it is” and “Kel, loves my hair, he says it’s my clowning glory”) and even though Kim is the most horribly obnoxious, high maintenance be-actch in the entire world you can’t help liking the ol’ hornbag. And as for Kim’s “second best friend” Sharon Strzelecki – there is something about her morbid obesity combined with her rabid devotion to sport that is both tragic and richly funny.

I could go on. I know humour is a personal thing but my vote goes to Kath & Kim because, if nothing else, it is a Ricky Gervais free zone.

Now that has got to be the killer argument.

If you want to join the debate then feel free to dive in! The troops are assembling. People are arming themselves. Do you really want to be the one left in no-man’s land with only a copy of It Ain't Half Hot, Mum to protect yourself?


Saturday, May 08, 2010

Mad Max Beyond Blunderdome

Monday night I think it was, the 9.0 watershed had arrived and with it a complete dirth of anything worthy to watch on TV... so I did the only thing a sane man can do in such a situation. I spurned all thought of improving myself with a good book and channel hopped my way out of boredom.

This may say something about the state of my mind at the time but I settled for Mad Max Beyond Thunderdome showing on one of ITV's alternative cable channels. Admittedly I only watched about an hour of it before sleep overcame me but I have say, hand on heart, despite the awfully dated eighties soundtrack and production values I quite enjoyed what I saw. I'm sure most of my enjoyment came from a sense of nostalgia - I remember going to see this film at the cinema with my mate Tris sometime after we left Art College.

Looking back on it now I'm astonished at how camp the film is, how subliminally homo-erotic. Men everywhere oiled up and dressed in bizarre cut-away leather costumes that would have been far too provocative for Priscilla Queen Of The Desert. Dirt, grime and sweat beading every curved and rounded bicep. And through it all Mel Gibson staring out at the camera with that knowing look that says my eyes are bluer than anybody elses and that's why the ladies love me.

It's strange to reappraise Tina Turner's performance too now that the obstacle of her music career is all but removed. She's not bad. Not bad at all. She has real presence and charisma. I remember not really liking her in the film at the time. I think everytime she duck waddled on the screen I kept having flashbacks to Nutbush City Limits... and let's be honest, when a woman old enough to be your granny is on a huge screen before you wearing a skirt shorter than the BNP's MP list the last thing you want to be thinking about is Nutbush.

Anyway, the film seemed rather apt for these modern politically grey times. All is in disarray. Nobody knows what they want or how to get it. They just know what they don't want. They don't want another hero. They just want life beyond Thunderdome.

As I type I am having visions of Nick Clegg sitting astride David Cameron's shoulders in some bizarre homage to Master-Blaster. But does that make Gordon Brown Mad Max? And who the hell is going to be our Auntie? Is our little Barter Town going to be run forever on pig shit?

I don't know. All I know is today I am breaking out the leathers and walking around talking with an Australian accent. There's got to be a better world out there beyond the desert. There's just got to be.

Care to help me find it?


Friday, April 23, 2010

Sauna Coats

I really should have more sympathy because when I was a geeky teenager I too did this: wore a long black coat even when the weather was warm. Even when the summer heat was beating down onto my angular shoulders like a scorching hammer onto an extremely bony anvil. I persevered. I stuck with the sweaty neck and the rivulets of moisture that ran down between my callow shoulder blades. Just so I could walk around with a swirly long black coat and imagine I was somehow cool and mysterious.

It had nothing to do with painful shyness and a need to obliterate my physical form with a large bail of machine processed wool that had been tailored for a man 5 sizes bigger than me.

No. It was about fashion. It was about coolness.

And if I suffered in the heat then I suffered for fashion.

And looked an absolute twat (sorry: wassock) in the process. Because I can see now that I did not look cool. I did not look like Keanu Reeves in The Matrix. I looked like a nerd who just didn’t have the confidence or maybe the intelligence to dress in a manner that was climate appropriate.

People were laughing at me behind my back but I couldn’t see them because the huge airplane wing collars of my ex-army de-mob coat were obscuring everything that existed behind my 18 year old ears.

But I can see it all now. Because every time Leamington Spa is blessed with warm weather – as we have been this week – there are inevitably at least 2 members of the local populace who (like me when I was a barely pubescent teen) persist in wearing a huge, ankle-dusting coat of leather so black it looks like it has been woven out of hairs from the devil’s own arsehole.

And instead of reaching out emotionally to these idiots with sympathy and understanding I instead feel an overriding urge to sing as loudly as I possibly can the opening bars of Rage Against The Machine’s “Wake Up” used in the closing credits of The Matrix.

When my family and I are cruising the windy streets of Leamington Spa in our trusty Peugeot, the moment they hear a “Na-na-na-na-na! Na-na-na-na-na!” burst from my lips all eyes will swivel to the pavements in search of the black caped sweat crusader who has crossed my field of vision.

And there he will be. Black coat lopping the top off sundry dog turds as he walks, legs struggling to lift the massive moonboots he is wearing on his feet and his head bowed and dripping inside the inevitable hoody that he is wearing beneath his absurd trench coat.

Na-na-na-na-na! Na-na-na-na-na!

I’m not sure why it angers me so much. Possibly because I am in some way angry at myself for not waking up to myself sooner. If I could go back in time I’d give myself a kick up the arse (if I could find it beneath all that voluminous material) and urge myself to put on a T-shirt. Get some sun on my arms. Not sweat so much. Let the air get to me and circulate.

Heaven forbid, let the world actually see me.

Who knows, if I’d done that I might actually have got myself a girlfriend before my 30th birthday.

After all, miracles have been worked with less.

In the meantime: Keanu Reeves, you’ve got a lot to answer for (and don’t even get me started on those stupid ruddy sunglasses)...


Wednesday, April 21, 2010

The Return Of The Der-Bains

When you’re at school certain insults do the rounds like a weird kind of grammatical virus. Two that stand out for me are “wassock” and “pranite”, both of which became very popular in the early eighties and were slung about my junior school playground like disyllabic Molotov cocktails.

But the one that caught on the most and had the biggest impact was “der-brain”. Anyone who did or said anything remotely idiotic (which when you are 10 or 11 is a regular occurrence) was declaimed in as loud a voice as possible as being a “der-brain”. Adopting a heavily spasticated tone of voice was also thought de rigeur when using this insult.

I’m sure this insult went national during the eighties and was heard in playgrounds (and building sites) all over the land. However, what I am sure was a purely local phenomenon was the transmutation that occurred one day when in my school playground at least “der-brain” suddenly morphed into “der-bain”. The meaning stayed the same but the loss of that single “r” somehow rendered the insult (a) funnier and (b) more effective. Being labelled a “der-bain” was a good degree worse than being labelled a “der-brain”.

Eventually, as these things do, these schoolyard insults died away to be replaced with boring, standardized, post puberty expletive combinations. Insulting someone became a cold and precise undertaking with no real room for imagination or the invention of new language forms. So “der-brain” – and indeed “der-bain” – died a natural death and dropped away from the general lexicon of childhood foulmouthedness.

Until last Sunday.

I must have dug “der-bain” out of my memory and uttered it at home or talked about it to Karen... who knows... but suddenly I heard it coming out of the mouth of Ben, my eldest boy. He was playing in the bath with some minifigures while I did some chores in the office and I could hear him re-enacting various scenes from Doctor Who. David Tennant’s last episode featuring the return of the Timelords (and a viciously spitting Timothy Dalton) had obviously made a big impression.

The improvised script when something like this:

Timelords: kneel before us petty humans! You are no match for us – we are far cleverer than you are and you are nothing!

Humans: no we’re not; we’re cleverer than you think and we will defeat you, you der-bains...!


I have to say I stumbled in my chores and had to stifle a giggle. It took me right back to the playground. I am now wondering if, with some clever auto-suggestion, I can resurrect “wassock” and “pranite” for a new generation.

In the meantime, if Steven Moffatt and the BBC would like to purchase a brand new Doctor Who script with cool playground lingo they can contact me via this blog.

Toodle-pip, der-bains.


Sunday, April 04, 2010

Who Needs Easter Eggs When You Have Eye Candy...?

Apologies to my international readers (oh how I love saying that) who don't have access to UK terrestrial television but it's been a bumper weekend for both TV and the BBC. Friday saw the return of Ashes To Ashes - the third and final series - and yesterday saw the return of Doctor Who.

Suddenly weekend television is great again.

Given the media stir that both these programmes create surely TV executives everywhere must be able to interpret this as a clear vote for more quality drama on our televisions and less of the (comparatively cheaper to make which is why so much of it is made) reality TV tosh that infects UK programming schedules like slugs around a lettuce bed?

Hmm.

But back to the plot: the first instalment of Ashes To Ashes was shockingly dark. The actual crime story of the episode almost took second place to the black undercurrents of trouble occurring within the police team that Alex Drake finds herself trapped within. The apparently unassailable Gene Hunt suddenly finds himself confronted with a sly nemesis in the shape of Discipline and Complaints officer, DCI Jim Keats - a strange mix of East End wide boy and geeky university post-grad. A cocktail that is never going to appeal to the Gene Genie. And there is nothing poetic about Keats. He is wheedling, he is smarmy, he is two-faced. He is courting Alex Drake - albeit only professionally at the moment - but has already voiced his hatred of Hunt to the great man's face. There was a lovely TV moment when, caught within the glass of Hunt's closing office door, Keats's reflections passed across the image of Hunt like a glowering cloud. Matter and antimatter. Dark and light.

There are uncomfortable secrets about to be revealed. Keats promises to reveal the truth about Hunt... and by extension, the truth about Drake's predicament in this 1980's world. And I suspect it's going to be nasty.

I have to be honest and say that Keeley Hawes could be dressed as a tramp and I'd still watch her but Alex Drake is a fabulous creation and is actually a better foil for Hunt's blustering machismo than Sam Tyler ever could have been. In the end, Sam became one of the boys. This is something Alex Drake can never be. Certainly not with those amazing legs anyway...

...and talking of legs, Karen Gillan made a rather long legged splash onto our TV screens as Doctor Who's new companion. Dressed as a policewoman kissogram with legs longer than the double doors of the Tardis (but, I suspect, leading to a box far more exciting - sorry, couldn't resist; am high on chocolate this Easter morning) Amy Pond established herself within the Doctor Who world with serious redheaded aplomb. In a single episode Steven Moffat has again proved himself to me to be one of this country's finest screenwriters. This first episode crackled with tension, humour, in-jokes, Whovian references and technological cleverness. Unlike R.T. Davies who, God bless him, knows drama from a soapy / emotional standpoint, Moffat understands science and technology. He understands time as well as people. Without blowing too much of the plot for those of you who are still to see it, he establishes a truly emotive link between Amy Pond and the new doctor with ease and without it feeling too clunky or contrived. This is what I like most about Moffat's writing. Nothing is wasted. Nothing is throw-away. Everything is well used.

And what of the new Doctor?

*Nods* Yeah.

I give him - Matt Smith - a thumbs up. I'd seen a couple of interviews with him and found him curiously "not quite likeable" but having watched last night's episode I can't knock his acting skills. Tennant is a hard act to follow but Smith has done it. He has the energy of Tennant's old doctor but also brings something more to it. An Englishness. An eccentricity that appears to be genuine and is, I suspect, as much a part of Smith's true real-life make-up as that of the character he plays. By the end of the episode I had accepted him fully as the Doctor. He had stamped his Gallifreyan DNA indelibly all over the role.

So. A victory for Moffat, Smith and Gillan.

A victory in fact for the BBC.

A proud morning to be British. Happy Easter everyone.


Wednesday, January 06, 2010

Snow Day

Why, in the UK, does the snow take us by surprise every year?

We act like we have never seen the stuff before.

Ohmygod! Snow! On the ground. On the roads. Everywhere! White stuff! I can’t possibly travel in that. Our modern technology just cannot cope with it! We’re just not built to function in snow! Stop the country! Back to the caves!

A hundred years of industrial revolution grinds to a halt in the time it takes for some middle class office worker to pull back the curtains, see an inch of snow on his people carrier and decide that it is simply too difficult to attempt any kind of journey into work.

Scott of the Antarctic would throw his frozen shite at us in disgust. I bet Sir Ranulph Fiennes is out on his front lawn right now sunbathing and eating a Cornetto.

What utter wussies we are.

The entire country shuts up shop. It’s ridiculous. My wife has had to take an unpaid day off work today because all the bloody schools are closed.

There’s barely an inch of snow on the ground here in the Midlands! It’s nothing. Nothing at all. When I was a kid I can remember weeks and weeks of heavy snow in ‘81/’82 and having to walk to school in it every day. The staff all turned up for work. And so did most of the kids. The only time the school ever gave us a day off was when the boilers broke.

Nowadays everybody leaps onto the smallest snowflake as an excuse to take a day off. To have an impromptu holiday. No wonder this country is the poor old man of Europe. Where’s our hardy British spirit gone? Over the last few decades it’s been replaced with a whiny, wheedling, shirking tendency to try and wriggle out of any onerous responsibility or task that requires even the tiniest bit of hard work. Nowadays I suspect schools and businesses close merely to avoid the possibility of litigation should someone slip and smash their buttock on a kerbstone while trying to gain access to their premises.

It’s cowardly, lazy and a little bit tawdry.

The snow up North has been far worse and I bet there’s a fair few people there who will still struggle into work nonetheless.

From the Midlands down to the South though (maybe I’m wrong) the snowfall hasn’t been nearly as bad. It should be business as normal with the added novelty of some beautiful winter views to gawp at from our office windows.

Instead most people are at home watching telly or building snowmen in the garden.

I’m not. I’m at work.

Harrumph.

Pass me another turd, Scott old man, I’ve got the ballista working properly now.