Brown Sugar

For the life of me I cannot work out why I find The Apprentice such compelling viewing. It’s not like I’m a fan of Sir Al. I don’t like the guy at all. He looks like a grumpy, grey gooseberry in an unfashionable suit. And it’s not like I’m fond of the job applicants / contestants either. To a man /woman they are the rummest bunch of self-selling underachievers I have ever encountered in my entire life. And I work for the local council, for God’s sake.

But maybe that is actually the appeal?

Despite my altruistic humanitarian demeanour I can still appreciate the pleasure that can be gleaned from watching two despised enemies thrashing it out to the death in a pit lined with spikes and flaming torches. I guess this explains the sadistic décor of Sir Alan’s much-feared boardroom...

Of course this gladiatorial imagery isn’t strictly accurate. There’s not much of a contest at the end of the day. Sir Al is the chief lion and the Sir Al lackey wannabe’s are the quivering, snivelling, unarmed Christians thrown into the bone and gore strewn sanctum of Sir Alan’s den to be chewed upon by his East End barrow-boy teeth. By the time they’ve had their boardroom roasting they’re practically sweating barbecue sauce anyway.

And they’re not exactly unarmed. They have very nice suits and haircuts and an unshakeable tragic-comic belief in their own (dis/in)abilities. And Heaven help them, they actually ASK for a good smiting. They literally set themselves up to be smashed into smithereens by Sir Al’s sharp as nails business acumen. The gimp who found himself “fired” in last night’s instalment was notable because the word “lose” didn’t apparently exist in his vocabulary.

No. Because I suspect very strongly it was forever on the lips of those around him. To say he couldn’t referee a football match between two peas is an understatement.

But none of them are particularly any better or any brighter. If these are the best business brains that this country has to offer it’s no wonder the UK is going to the dogs. And Sir Al is going to recruit one of these blundering business hippos to come and work for him?

If you’ve got shares in Amstrad I’d sell them now if I were you...

The Homeopath's Guide To Drinking

Karen and I came up with a great way to combine the virtues of homeopathy with the many vices of drinking yesterday.

You take a pint of your favourite tipple – in Karen’s case, vodka – and then add just the tiniest, micro-droplet of orange juice or whatever healthy drink takes your fancy. Basically it’s the same science that lies behind products like Rescue Remedy and Mimulus.

Now your vodka will be imbued with all the goodness and nutritional excellence of orange juice in a way that will be disproportionately more effective than if you’d drunk a whole pint of orange juice on its own.

Absolutely fantastic!

Well... I think that’s the way you’re meant to do it anyway...

Belly's Gonna Get Yer

The fourth series of RTD's Doctor Who hit our TV screens last night with something of a greasy splat... little blobby creatures made from the excess body fat of the clinically obese were running amuck in London. Well. Not running exactly. More like waddling very slowly and occasionally hyperventilating when they passed a chip shop.

The evil Miss Foster - deliciously played by Sarah Lancashire - had come up with the ultimate diet pill that literally made your fat "just walk away". So what's the problem, I hear you ask? Well. To maximise productivity of these little creatures - Adipose, as they were called (such a stupid name, they sound like a brand of trainers) - the unfortunate dieters were being reduced to nothing but a pile of oversized clothes. Britain's burgeoning obesity problems solved in one fell swoop you might think but no... by a marvellous script coincidence both the good Doctor and Donna Noble were attempting to put a stop to it.

Ta da! Welcome to the wacky world of the BBC's Doctor Who.

Actually, it was fairly entertaining stuff and although it didn't say anything intelligent about the UK's obesity problems and the worldwide obsession with quick-fix dieting I suppose the story could be seen as mildly satirical. It just didn't go anywhere with it. The Adipose themselves were a bit of a disappointment too. Way too cutesy by half. Little blocks of lard with arms and legs and, rather bizarrely, a single solitary tooth in their little Mr Men mouths. If the Pillsbury Dough-boy and the Michelin Man ever spent a night together in unholy bodily union, the Adipose would be the end result.

But at the end of the day the Adipose were a sideshow. The real focus of last night's episode was Donna Noble's promotion to Doctor Who's travelling companion number twenty-whatever...

So, how did she do? Was she a harridan? Was she a travesty?

I'm possibly going to break ranks with a great number of people when I say that no, I don't think she was. The girl did good. Sure there was the occasional nod to the "Catherine Tate comedy persona" - mouthing "Oh my God" through the window at the Doctor for example - but other than that she was reigned in by the script and her character was given more character and less caricature. And it worked. All at once she was less annoying than her Christmas special debut and became more of a sympathetic, well rounded, likeable character. And a strong character too.

It'll actually be nice to have a foil for the doctor who isn't mooning over him and sighing over his every twitch with the sonic screwdriver. Martha's moo-cow eyes last series were seriously starting to grate on my nellies. In fact as was said on Doctor Who Confidential afterwards: Donna Noble is a "grown up" whereas Rose and Martha were lovelorn teens / twenty-somethings. The Doctor has at last got an older woman on board the Tardis and it might just do him some good.

So dare I say it? A promising start to the fourth series! And Bernard Cribbins as Donna's grandfather played a blinder too.

Well phat.

Of Doorbells And Telephones

I’m sure that my irascibility this week has been caused by lack of sleep pure and simple but it’s curious to note that it has had some positive effects.

I’ve noticed that during any R&R time that I’ve managed to claw to myself over the last few days I’ve been more reluctant than usual to answer the doorbell or the telephone.

In fact “reluctant” is an understatement.

I’ve just refused outright to do it. And it’s felt absolutely great.

Not that I’m shutting out friends or neighbours you understand – I’m 99.9% positive that most of these would be intruders were cold callers, charity workers and salesmen. You can always tell. Usually I at least open the door and give them a polite no thanks but this week I’ve just ignored them completely – and taken great delight in the fact that the TV and any ambient household conversations were all perfectly audible.

On the occasion that the telephone has rung and I haven’t recognized the number I haven’t answered it. Sorry. Too bad. Not interested. Even if you are Keeley Hawes begging me for a pint, a curry and a tongue sarnie.

It feels wonderful to be free of the slavery to the ring tone.

I’ll communicate when I’m ready to, thanks.

And when I want new windows I’ll do my own research and make my own decision in my own free time.

Until then the drawbridge is pulled up and there are sharks in the moat. Attempt to cross at your peril.

Blurgh

5 hours sleep.

5 hours sleep.

And possibly that will be considered a good night at some not too distant point in the future.

Yes Tom’s sleep training has begun in earnest. He’s well recovered from his recent bout of gastro-nastiness and so Karen and I have decided that it’s high time we stopped pegging our eyes open with matchsticks and started getting a decent night’s sleep. We can’t go on as we are – lumbering about like one legged dinosaurs with absinthe hangovers. We’re lurching from one illness to the next due to the fact our batteries are not so much run down as slumped into a state of negative energy.

We need to sleep.

Enough’s enough.

And at nearly 6 months Tom is old enough now to go through the night. He just needs to be persuaded.

Sadly PowerPoint presentations leave him cold at the moment so all we can offer him is cold turkey. Last night he woke just after 11.00 – just as Karen and I were dropping off to sleep in fact – and then proceeded to howl and kick his cot like a miniature Hulk for a good 2 hours until exhaustion finally transported him to the state of beatific sleep.

No food is bad! Hulk smash! Oh alright then I’ll go to sleep. Zzzz...

He then slept through until 6.45am – a minor miracle in our house and then proceeded to chow down on his breakfast bottle like a good ‘un with not even a frown let alone a grudge. Ah bless him. So forgiving.

Karen and I estimate (possibly over optimistically) that it should take 2 weeks at the most to train him to sleep through the night. 2 weeks of sitting head heavy in the small hours of the night listening to our little marvel pitch his will against our own. 2 weeks of thinking that it might actually be worth our while booking a hotel room for the night or even flashing a police man just for a quiet night in the cells just to get some much needed sleep.

If I’m desperate I suppose I could always tie several rolls of plastecine to my waist and get myself held under the prevention of terrorism act. 28 days of howl free sleep sounds mighty fine to me. I could even cope with the plastic bag over my head and the greasy truncheon poked about my nether regions...

I’ll do whatever you want Mr Hunt, just let me sleep...!

Slight Return

Ah the multifarious joys of being back at work.

Actually it’s not too bad. Although I feel as wet as a wet rag left in a flooded mire of wet rot it’s almost pleasant to be back in the “outside world” of work and professional labour.

After Tom’s illness last week I really felt for a while that nothing else existed except dirty nappies, crying, sleeplessness and an all pervading sense of worry and dread. It was really quite depressing and for all work can give me the glums at the best of times, it is a glumness of a much different calibre. Lighter in a way. Cosmetic. You can keep it at a distance. When your children are ill it is horribly up-close-and-personal and there is absolutely no escape from it.

Which isn’t to say I wouldn’t much rather be at home right now. It was very hard saying goodbye to Karen and the kids this morning. We’re close anyway but nothing bonds you even tighter than adversity. It feels very strange not to have Karen around or to be feeding Tom. Or changing the odd fulsome nappy.

Instead I’m back to dealing with cack of a different sort. The usual complaints... Building issues. Plumbing issues. Electrical issues. All stuff that doesn’t so much as float my boat as blow it clean out of the water and then sink it with a massive broadside. Mr Hornblower your cabin awaits...

As for Tom. He’s much better. Not quite 100% but getting there. We actually had a diarrhoea free day yesterday and he’s begun to put on weight again. The only remaining vestige of the illness is a slight return of the colic about an hour after he goes to sleep at night. Luckily Karen’s got the knack for sorting that out but it’s not nice watching him cry and squirm with pain.

The only real blot on the horizon is Tom’s appointment at the doctor’s tomorrow. He’s booked in to have his second inoculation. Apparently it’s more common for babies to react to the second one so I daresay he’ll be feeling rough for another day or two afterwards. Poor kid. It seems to be one thing after another at the moment. It hardly seems fair.

But on a much brighter note... Tom has managed to make a very important and no doubt rather fun discovery over the weekend. He’s located his own toes.

I can only describe his delight as indescribable...

Explosive

I'm glad to say the title of this post isn't a reference to my current bout of close nappy encounters but to the season finale of Ashes To Ashes which was televised last night.

It was simply brilliant. The writer's kept us on tenterhooks all the way through and threw in an ample selection of red herrings. The final twist was heart rending. I won't spoil it for those of you who haven't seen it yet but I didn't see it coming until a few seconds before the actual denouement.

Keeley Hawes is a terrific actress and I've really loved her bubbly DI Drake character - somehow both girlie and professorial at the same time - but I do think she hasn't been stretched nearly enough in her acting abilities. Last night however changed all that. Her screams of despair as she sat in the middle of the road were gut wrenching (and I should know, my guts have been wrenched quite a bit this week). No dialogue was needed. They just faded to black. Perfect. Gene Hunt stepping in at the last moment to take the child's hand was also masterful. It subtlely confounded all our expectations and yet also re-affirmed his inherently paternal role.

In short it was a sad, sad, very tragic story and yet we were left feeling somehow uplifted at the end - mostly I suspect because Drake's relationship with her mother had finally reached a plateau of emotional fulfilment. There was an emotional closure of sorts that mirrored Sam Tyler's at the end of series 1 of Life On Mars. This mirroring is the right way to go I feel (we must bring balance to the Force!) and so I was not at all surprised to learn that the BBC have a second series of Ashes To Ashes already lined up for next year. My feeling is that it'll be the final one and after that we'll have to reconcile ourselves to a life without Gene Hunt.

Can you imagine such a thing? Scary.

Funniest moment for me last night (aside from DI Drake driving a huge pink tank over a car) was DC Chris Skelton finally pointing out the obvious to DS Ray Carling: that he bore an uncanny resemblance to most of the gay rights protestors they were currently holding in the cells.

I'm sure the gay rights people were all absolutely horrified...

Police brutality indeed.

Projectile

Our planned trip to the zoo yesterday didn't quite happen. Bad weather and illness swept the best laid plans of mice and men clean off the table and into the waste paper bin...

Tom started projectile vomitting during the afternoon. Quite spectacular geysers of slimey milk that coated him, Karen, me, the sofa and the rugs on the carpet... This coupled with the voluminous amount of Tom's bedding and clothes that have been regularly saturated with yellow nappy porridge over the last few days has meant that the washing machine has constantly been on the go since Saturday and the whole house smells like a nursery laundry room. Not fun.

We got an appointment to see an emergency doctor at the hospital last night to get Tom checked over. Thanfully by then the vomitting had stopped. The doctor was great but wasn't overly concerned. Thankfully all of our efforts to keep Tom hydrated have paid off - no signs of dehydration. The doctor said a couple of vomitting episodes are fine but if it becomes constant then that will be a cause for concern. Other than prescribing some Dialarite there was little else he could do. The virus needs to run its course so Tom can build up a resistance to it. It could take a week. It could take 10 days. Worse can scenario: it could take up to 3 weeks.

Karen and I are shattered. To make it worse Ben and I have also come down with dodgy stomachs this morning so my return to work has been (un)regrettably postponed until Monday. I'm desperately hoping that the situation will have improved by then.

God knows we all need a break...

Easter Eggs

Not quite the Easter Karen and I were hoping for (though it started off well on Good Friday with an impromptu visit to Legoland Windsor - it was for the kids, honestly)...

Tom is ill. He came down with a horrible stomach virus yesterday morning and spent the entire day either asleep or crying with painful gut cramps. It's heartbreaking not being able to do anything for him except administer Calpol and cuddles as and when necessary. Karen managed to get an emergency appointment with a doctor at the local hospital yesterday evening and he confirmed it was just a virus - a particularly nasty one - but nothing to worry about. That's something at least.

We got Tom into bed as soon as we got home and he had a fitful night - hence Karen and I didn't get as much sleep as we would have liked either. He's better today but still very pale, tired and fractious but at least he's taking more of an interest in the world around him again - yesterday he didn't want to know anyone or anything. It was really very upsetting.

So the Easter eggs have been broken out belatedly this morning - Ben is happy at least as he's had a visit from not only the Easter bunny but also the tooth fairy as his first tooth fell out in the night. I'm tempted to tell him that the chocolate is making his teeth fall out and he'd be better off giving it to me but I don't think he'll fall for it somehow...

Hope the rest of you are having a lovely, stomach cramp free Easter with a full set of gnashers!

Curses

Shock horror no Torchwood review today as I didn’t watch it. Karen and I elected to watch the Curse Of Steptoe instead leaving the dubious joys of Torchwood for Catch Up TV later tonight.

My memories of Steptoe And Son are hazy and incomplete. I wasn’t old enough at the time to fully appreciate its grand humour and its even grander sense of tragedy but some of the classic moments nevertheless impinged on my childhood memory and remain with me still. The scene with Albert sitting in the sink washing himself, his knees up around his ears, trying to find the soap is particularly vivid for some reason.

And I certainly wasn’t old enough to appreciate the impressive acting abilities of Harry H Corbett and it’s only now, looking back at the show, that I can’t help but wonder if it was all a waste of his talents – as fine a sitcom as Steptoe And Son undoubtedly is.

This was certainly the central premise to the BBC’s Curse Of Steptoe. If you missed it, well, you missed out big time. Two of the UK’s finest actors – Jason Isaacs and Phil Davis – made Harry Corbett and Wilfrid Brambell live again. Phil Davis is one of Karen’s favourite actors and Jason Isaacs is one of mine – mostly it has to be said because of his portrayal as Lucius Malfoy in the Harry Potter films. Isaacs is something of a chameleon. One of those actors who does little to change his physical appearance in a role and yet manages to look totally unlike himself every single time.

Last night all trace of the cold and haughty, carefully pronounced eloquence of Lucius Malfoy was gone... and was instead replaced by the broad, nasally tones of Harry H Corbett. It was a remarkable transformation.

The story of life behind the Steptoe scenes was a sad one – success tinged with failure or at least the haunting notion of unfulfilled potential; Corbett and Brambell both finding themselves hopelessly typecast and unable to shake off the dour gloom of Steptoe’s yard. All of Corbett’s much vaunted acting prowess thrown away on series after series of what was at the end of the day merely broad comedy for the masses. Gritty social commentary yes but as one of Harry’s theatre chummies intimated, hardly Shakespeare, hardly the pinnacle of what he was truly capable of.

Suddenly the scene with Harold sobbing at the futility of his situation – knowing he’ll never get out of the rag & bone trade and escape the depressing pall of his dad’s yard – takes on an immensely poignant overtone.

As I said, all this passed me by as a kid but now the tropes and the tragic irony all have extra resonance and significance now that I am a man with more than a few shattered and abandoned dreams behind me.

Not that my life is anything like Steptoe’s yard I hasten to add. I still have my goals and a few dreams that I’m climbing towards and I’m lucky that, unlike Harry Corbett / Harold Steptoe, life has thrown more than a few wonderful opportunities my way to enable me to move on and get a leg up every now and then.

And I never ever bathe in the sink.

Honest.

Passionate

I’m greatly impressed with the BBC’s new rendition of The Passion. It looks good – sumptuous, I guess, would be the right word – and the dialogue and acting is really superb. They’ve got the feel of it just right. No surprise to learn then that the production team involved are the same highly skilled souls who brought Rome to our TV screens last year.

The Passion is both a difficult and an easy story for a director to interpret. Easy because the story is so well known and emotive of itself that it already connects with a huge audience (even the irreligious among us must surely appreciate the beauty of the story’s message) and difficult exactly because of the same. The story is so well known it’s almost been done to death. It’s too familiar.

And yet to quote an old saying, the BBC and HBO have managed to inject new wine into an old wine skin and, as a consequence, have come up with a deeply satisfying beverage.

A top class cast, beautiful locations, fantastic costumes (the costume department of the BBC’s Robin Hood please take note) and a skilled writer have all produced what is one of the best adaptations of the Easter story that I’ve seen for a long time.

All the old traditional motifs are there. I’m happily ticking off each event as it occurs – the Easter story is so ingrained since my school days it’s like re-visiting an old friend – but the writers have bulked out these Biblical checkpoints with elements of easily understandable human frailty and manoeuvrings. There is an inevitability about it all – but it is the inevitability of real human weakness rather than the work of two-dimensional cartoon automatons lifted straight out of the sparse text of the Bible.

There’s talk of controversy afoot too – apparently the director has filmed Jesus being crucified in the foetal position stating that there is strong evidence that this is how the Roman’s did it. Personally I think such details are irrelevant but it’ll be interesting to see how it is handled.

It’s a shame that the director didn’t take a few more risks elsewhere though. As good as Joseph Mawle is in the role of Jesus he does nevertheless conform to that deeply trad and probably deeply inaccurate view of Christ as being white with western features and blue eyes. Even I can see that such a notion is (a) unlikely (b) possibly imperialistic and (c) offensive. But then maybe the same argument should be applied here as to the arrangement of the crucifixion? Nobody really knows what Christ looked like so does it matter? Doesn’t the significance of the message outweigh the minutiae of its details?

My only gripe is a small one. James Nesbitt. He’s a brilliant actor and I really like him... but I just can’t cope with his Irish accent coming out of the mouth of Pontius Pilate. It really jars. I’m just waiting for him to splutter, “Bejasus are you Jesus? Would yer be after coming down to the pub fer a pint?”

Not so much Pontius Pilate as Padraig Pilate... and as we all know, Guinness does not travel well.

Ace Of Clubs

As any chocolate connoisseur will tell you, there is nothing finer than biting into a Jacob’s Club and finding you’ve got hold of that rare treasure – a Club that, either through a production line slip-up or operator failure, is completely biscuit-less.

Instead its interior is comprised solely of that soft Jacob’s patented chocolate filling and nothing else.

What you are holding is a “fillet of Club”. The biscuity bones are fully absent.

You have in your hands, quite unexpectedly, a product of pure, unadulterated JOY.

Call me small-minded. Call me petty. Call me trivial.

But today has been a good day.

Today I have felt special.

Mr Jacob please take note. I am easily pleased...

Hufflepuff

Having escaped the many tags that are currently doing the rounds at the moment I have been hit firmly between the eyes with this one by Matthew Rudd over at Does That Make Sense:

Basically you take the book you are currently reading, turn to page 123, skip the first three lines and then – for reasons darkly mystic and unknowable – reproduce the next five on your blog.

As I am currently reading Harry Potter And The Prisoner Of Azkaban my response to this meme is thus:

Hermione shuddered.
All around them, people were asking each other the same question: "How did he get in?"
"Maybe he knows how to Apparate," said a Ravenclaw a few feet away. "Just appear out of thin air, you know."
"Disguised himself, probably," said a Hufflepuff fifth-year.

Yes, rather typically, I get hit with this meme not when I’m wading through some mighty academic tome or some work of startlingly confrontational politics but when I’m taking a reading sabbatical and am immersing myself in something fun and easy.

Thank God I didn’t get hit last week when I was struggling with Spot The Dog. I don’t think it even has a page 123...

Tris, Gina, I'm tagging you to continue the meme!

Master Baker

Look folks it was a choice between wittering on yet again about my lack of sleep or reviewing last night’s episode of Torchwood so I chose the latter... there ain’t nothing else going on but the rent. And for those of you that are wishing that I’d plumped for the former just bear in mind that a picture of me, unshaven, bleary eyed and dishevelled wouldn’t look half as good on the page as the one above.

Not that I’m sure I particularly like Gwen. I’m trying to but there’s just something intrinsically annoying about her. She’s... what’s the word...? Gobby. Mouthy. Loud. She belongs in a sitcom. Something suitably broad and tea-time-safe featuring a long suffering wife (played by Gwen) and an accident prone, perennially skint husband who blunders through life hopping from scrape to scrape. The chortles, I’m sure, would come thick and fast.

Much as they did in last night’s episode of Torchwood. After the previous 2 heavy weight outings pondering on the nature of death and undeadness the TW team played it for laughs in this week’s episode. Gwen finally got spliced to Rhys but only after overcoming a catalogue of disasters that could have been lifted straight out of an episode of Red Dwarf.

1) She gets impregnated by an alien who does the deed by biting her wrist (hey for some people I know that’s foreplay) and injecting her bloodstream with his off-world baby sauce. Kappow. Gwen is instantly 9 months pregnant and is ready to drop the sprog at any moment.

2) Rhys takes it like a man – i.e. looks totally confused and raises his voice a lot – and decides he’ll marry gravid Gwen anyway. After all he’d managed to do up his tie that morning and Gwen had scrubbed up rather nicely in her wedding dress (nice dimples, wink wink).

3) Gwen is being hunted by the alien’s mother who wants to literally rip the alien baby out of her stomach horror-film stylee and get it straight into RADA. The alien, by the way, is a shape changer and can impersonate absolutely anyone. Anyone on the entire planet... So it inexplicably chooses to look like Rhys’s mother played by none other than Nerys Hughes.

4) Del Boy and Rodney gatecrash the wedding dressed as Batman and Robin. No hold on wait, that was Jack and Ianto, sorry, getting my sitcoms confused.

To be honest it was all good clean fun. A mood lightener after the previously bleak story lines. Well, I say “clean” but one of Rhys’s mates did get eaten mid BJ by the alien mother (who I hasten to add didn’t look like Nerys Hughes at that point – this is a sitcom remember not a horror). Apparently she didn’t bite off more than she could chew... though she was possibly wondering why it wasn’t on a stick.

Which is more than can be said for poor Rhys. What kind of life is he going to have married to a woman who could arrive home at any given moment with an extraterrestrial bun in her oven? Up the duff with ET’s love child! In the family way with a Klingon kiddie!

Mind you, to be honest, Gwen’s swollen belly seemed to pass Rhys by – he couldn’t get his eyes further south than her impressively valleyed bosom. I’m sure at one point he was humming I’ll keep a welcome in the hillside...

I don’t think it’ll be too long before Gobby Gwen gets knocked up again.

Sleep Training

A slight pause from the scintillating TV reviews and time to dip my toes once again into the ever present waters of domesticity...

Karen and I are both gritty eyed this morning – so much so if there’d been a frost last night we could have cleared the roads this morning just by looking at them.

Tom woke at 3 am and then 5 am and then stayed awake, screaming for a full hour until I eventually gave in and took him downstairs. We’re desperately trying to dissuade him from waking twice in the night so, although he got fed at 3, he got nada at 5. A nappy change and words of comfort didn’t help at all. Not one iota. He’s a very determined, very focused little boy.

Training a baby to sleep through the night is surprisingly tough. We want to break one habit without kick-starting another hence although he gets a hug it’s kept to a minimum... we don’t want him screaming the place down in the middle of the night for the next 3 months just because he wants some social interaction. It’s difficult letting him cry though. It’s impossible not to feel mean – though as soon as he was picked up he was full of beaming smiles and giggles. Little tyke.

There’s something about a baby’s scream in the small hours that does something to your brain. It’s like having your frontal lobes lanced with a light sabre. A big purple one like Mace Windu’s. I have to say (almost with a sense of pride) that Tom’s lungs have an awe inspiring capacity. People in the street – were there any at that time in the morning and in the gales that were buffeting the little cul-de-sacs of Little Whinging – would have thought that foulest murder was being committed in our house. I’m sure that blue whales out in the Pacific were picking up Tom’s cries and were whistling back for him to be quiet! He even out-galed the gale.

Bless him.

Anyway, it’s ironic that sleep training at the moment seems to mean that nobody gets any sleep at all. All of us are looking sandy eyed and rather “blurgh” this morning – even Tom.

It’s nice to know he so much wants to be part of the family...!

Ecstasy

Ashes To Ashes made my night in a number of ways last night.

1) It featured XTC’s “Sergeant Rock”. A track that took me straight back to my school days and swapping football stickers in the playground.

2) It featured Killing Joke’s “Turn To Red” – a track from their little known first ever EP, released before they’d even been signed up by Malicious Damage records. You’d have to be a diehard fan to spot it. I am that fan.

3) DS Ray Carling, a man even more homophobic and chauvinistic than Gene Hunt himself, had to infiltrate a gay night club posing as a homosexual to get close to a target. He looks like a Village People reject at the best of times anyway and blended in remarkably well. He even looked to be enjoying himself until sweet nothings were whispered in his ear. His smile dropped faster than a nympho’s knickers at a swinger’s convention and the fists flew wild and hard. He looked like a rabbit caught between the headlights of a fast moving car. Hilarious.

4) Gene Hunt. Ploughing mercilessly through every single euphemism for anal sex and homosexuality known to man with a straight face (well, what else would he have) and his team laughing along with him... until an after footie match celebration of hugging and male bonding at their local boozer was cut abruptly short by DI Drake wondering if they were all closet homosexuals themselves. You sunk my battleship indeed. Anything that blasts homophobia and football clean out of the water is absolutely fine by me...

5) Keeley Hawes just because. But mostly because of the red, off-the-shoulder top that was so flimsy it accentuated every movement and jiggle underneath it. Officer I’ve been a naughty boy and need to be taken into police custody immediately. I may have to be restrained and frisked. Please, please don’t go easy on me...

Sheer ecstasy.

Danse Macabre

A double apology:

Firstly, apologies to those of you whose blogs I have yet to pay a visit to. I’m now halfway through my university essay and once that is out of the way normal service will resume once more. Until then my time for doing pleasurable things seems to be mightily restricted so sorry if I seem to be ignoring people.

And secondly apologies to those of you who view Torchwood as an ugly pimple on the otherwise unblemished face of modern sci-fi... because here’s yet another episode review...

Last night’s story was intriguing. Very intriguing. And not just because the writers had for once inverted their usual modus operandi. Instead of characterization playing second fiddle to gimmicky BBC effects, last night we had the effects relegated to a small sideshow while the emotional development of some of the characters took centre stage.

Maybe some sci-fi puritans will see this as a bad move: yet another sci-fi show degenerating into soft soap and sentimentality but personally I think this is a step in the right direction for Torchwood. It’s hard to care about a team of people who are so ineffably cold and wooden – it’s nice to see some warmth and human emotion being injected into them.

Ironically of course the character who is being humanized the most is Owen – and he’s about as cold and wooden as you’re likely to get on account of the fact that, both technically and medically, he’s dead. Dead as a doornail in fact. Nevertheless he’s walking around and doing his job regardless (I know how he feels). He’s the original dead man walking.

For once though the writers are doing a decent job of investigating the ramification of this “living death”. Owen’s painful attempts to come to terms with the fact that he’s unable to eat, drink, make love, heal, feel pain or indeed feel anything at all is being sensitively handled. The shot of him screaming underwater – unable to drown himself – was suitably discomforting and said far more than any stream of platitudinous dialogue.

Of course the science bit is rather ropey. Owen was unable to give mouth to mouth to Richard Briers (mind you, why would you want to?*) because he didn’t actually breathe air himself. Fine. But then how is it that Owen can talk? Surely you require breath for that? And if Owen has no blood why isn’t he desiccating or at least rustling a bit when he moves?

But I’m picking hairs.

Burn Gorman is playing a blinder. His death has given his character depth and a new dimension. It has undercut his arrogance and aloofness and left a raw, sympathetic human being in his place. If only they can do the same for Captain Jack who’s “keep everybody at arms length” approach (even when he’s bedding them) is fast getting on my tits.

However, it’s difficult to see where they’ll now go with Owen’s character. He has a measure of indestructibility as he cannot feel pain but this is tempered by the fact that he cannot heal. Any breaks or injuries will be permanent. One strike and he’s out. A broken doll with a mind (hey, back into Stephen Hawking territory).

Maybe Owen ought to jump ship and join another Captain Jack who has had experience of dealing with the living dead? Head off to sunnier climes where he can ogle Kiera Knightly struggling to fill a corset and not worry that his death-bed BO is putting off his work colleagues as they nibble upon their M&S sandwiches...?

I can just see Owen weighing anchor on the Black Pearl...


*OK. OK. Maybe he's worth saving because of Roobarb & Custard... but that's all.

Master Of The Universe

I was tickled to read that Stephen Hawking has a new TV series kicking off on Channel 4 tonight called "Stephen Hawking: Master Of The Universe".

Call me adolescent if you must but it had me imagining Stephen Hawking riding his mobility scooter out to Castle Greyskull one day, holding aloft his magic sword and shouting “I HAVE THE POWER” via his electronic voice synthesiser...

“...and my mobility scooter became a mighty battle tank!”

Cue much gaudy and slightly homo-erotic thunder and lightning against a backdrop of flame and cheesily anthemic Euro-rock music.

Ah the return of He-Man at last! But this time as a man of science as well as brawn. Stephen Hawking genetically spliced with Sylvester Stallone.

It could be a truly classy series. I’m mentally composing a letter to Russell T Davies even as I type.

But any idea who could play Skeletor?

The Great Hunt

Don’t get me wrong, the previous episodes of Ashes To Ashes have all been brilliant but something about last night’s felt like they’d upped the ante to a new level. The dialogue was cracking and included some fantastic jokes (Gene Hunt: how many birds does it take to change a light bulb? Answer: two. One to run around screaming “What do I do? What do I do?” and the other one to shag the electrician.) The storyline was dark, dense and dynamically directed. The acting, as ever I have to say, was superb.

Definitely the best episode so far.

The relationship between Hunt and Drake is developing nicely and I like the fact the writer’s are not merely confining it to a simple will-they-won’t-they sexual stand off. Certainly the work based spats and the confrontational dialogue all hint at underlying sexual tension – and Hunt was certainly put to the test last night when, trapped in a sealed room, DI Drake stripped down to her red basque as the internal temperature soared. Standard police issue I assure you (the basque that is, not Hunt’s reaction). But in terms of physical expression Hunt’s feelings towards Drake appear to have an undeniably paternal edge. This is also backed up by Drake’s responses – teasing, simpering, pouting but ultimately deferential and seeking comfort. The naughty girl playing on her father’s affections. Knowledge that her parents are about to be killed by a car bomb – hence she grew up without a mother and a father – could also be feeding into Drake’s emotional responses towards Hunt of course but, whatever the reason, Hunt is unwittingly assuming a parental role in their stead.

The parent issue is, of course, one we’ve seen in the show’s previous incarnation – Life On Mars. There Sam Tyler returned to the 1970’s, a few weeks before his father mysteriously disappeared never to be seen again. Naturally the loss of a parent would impinge upon a child’s psyche hugely and maybe this provides the answer to why Tyler and Drake end up in their respective time periods. Who knows? But it does lend the psychology of the show a pleasing symmetry and consistency.

What is different about the two shows however is the ethos that drives the respective heroes. Unlike Sam Tyler DI Drake is very much “sexed up”. She’s flirty, knows how to use her looks and her physicality and is more than happy to do so – she’s already bedded a “Thatcherite wanker” in a previous episode – and seems unable to stop herself playing the breathy, slightly giggly Marilyn Monroe character around the boys in the office. Tyler on the other hand spent the whole two series’ of Life On Mars not getting into WPC Cartright’s knickers when it was clearly plain that he dearly wanted to. The poor boy lived like a monk. Drake on the other hand is living like a party girl and is up for absolutely everything.

And why the hell not? Drake after all represents the freedom and liberation of the modern woman which, while not being all that it should be in 2008, is still a lot better than it was in the 1980s. She’s intelligent, impulsive, intuitive, professional and sexual all at the same time. The same as her male colleagues in fact – so equality as near as damn it – though given the escapades of DS Ray Carling and DC Chris Skelton we could possibly scrub intelligence from the male version of the list. Though to be fair, Carling and Skelton are in the show essentially to provide light relief.

The sexism of the boys aside it was interesting to see Drake’s 2008 behaviour juxtaposed with the women’s libbers of the 1980s. In comparison to Drake they were almost in denial of their own sexuality yet at the same time prepared to use it as a clumsy weapon to get what they wanted from men – one of them used sex to get someone to spy for them. Of course it ended badly – the guy wanted more and became aggressive; he attempted rape and was killed in the ensuing struggle. The question is though: is Drake’s behaviour actually any more sophisticated or worthy of celebration?

The easy answer is yes. She’s not using sex as a bartering device but as pleasure for herself in its own right. But the issue is nevertheless complicated. The lines are blurred. Is Drake fighting the cause for all women or is she merely colluding with the male dominated world she now finds herself immersed in to get what she wants – to survive, to get back home to her daughter? Is she merely fighting for herself rather than for any cause at all? Ultimately though all of this is meant to be inside Drake’s head and merely reflects her own internal conflicts. But as we all know, microcosms can often be useful mirrors to the bigger and badder macrocosms that contain them...

The easy answer therefore is that there is no easy answer. And that’s fine by me.

I look forward to seeing the next stage of Drake’s journey unfold next week.

Run Forest Run

Innumerable shocks in the BBC's Torchwood last night.

Shock One: Owen is dead, then undead, then brings Death himself into the world who turned out to be a weird cloudy skeletal thing. Personally I was hoping for Grim from the Grim Adventures Of Billy & Mandy, but never mind...

Shock Two: Toshiko finally tells Owen that she loves him. But only after he's dead. What can I say? The woman likes a good stiff. Ironically though, being dead, Owen has no blood to move around his body. He can't get it up. He's about as much use as... as... well, Ianto actually.

Shock Three: Owen regurgitates gallons of beer like something out of The Exorcist or Bottom: Guest House Paradiso. Comedy effect of the night bar one...

But the biggest shock of all was realizing this:

Captain Jack Harkness runs like Forest bleeding Gump!

Geez, I always suspected that his mother was Sally Fields.

Photo Opportunity

This from Yahoo news this morning:

"Former Big Brother contestant Charley Uchea was threatened at gunpoint last night."

"Charley was attacked by four men who tried to carjack her Mercedes when she left nightclub Funky Buddha."

"A witness revealed that one man jumped on the bonnet of Charley's car while the others attacked her and her friend Sisi. The attackers then told the pair they were armed and would kill them if they didn't hand over the keys to the £35,000 car."

"Police escorted the 22 year old away in a police van and her car was taken to West End Central police station for further examination."

There you have it. Further proof that intelligence levels in this country are sinking to an all time low.

A man. A gun. And Charley "I'm a big BB mega star I am" Uchea.

The perfect opportunity and no one pulls the trigger.

Doh!

Can You Feel It?

No, I'm not talking about a game of hunt the sausage with Michael Jackson, I'm talking about the earthquake that struck the UK at 1.0 am last night.

Apparently it measured around 5.2 on the Richter Scale and was centred somewhere in Market Rasen in Lincolnshire.

The effects were felt all the way deep down in my neck of the woods in Warwickshire. Thankfully the only casualty in my house was a Lego Luke Skywalker figure who took a tumble from the top shelf and was later found by me, wedged (no pun intended Star Wars fans) behind some boxes on the floor. He was still gripping tight to his light saber, bless 'im.

That's the force for you.

Like I said: can you feel it?

Lily The Pink

Thanks to the televisual smorgasbord that is Catch-Up TV, Karen and I happened to watch Lily Allen & Friends yesterday. We had a spare half hour to fill and just thought what the hell (we live right on the edge, we do).

I was pleasantly surprised which was a shock given that my first point of reference for this type of programme was the God-awful Charlotte Church Show. But whereas the latter was genuinely sloppy, haphazard and anarchic in a totally uncool and crap way, LA & Friends was contrived to be anarchic and shoddy in a very polished, carefully timed and sharply edited way... the result was a show that was far tighter than Charlotte Church’s g-string could ever hope to be.

Now there’s a turn up for the books. The Beeb down and cool with the kids while Channel 4 dances in the background like an embarrassing, piss stained uncle at a family wedding.

But this is by the by. LA & Friends works only because Lily Allen is engaging, socially adept, un-phased by fame and happy to just be herself. I always got the impression that the Charlotte Church “perceived persona” was constantly in the way of the real Charlotte Church to the point where it rugby tackled her to the ground every time she got a clear shot at a touchdown. Charlotte was awkward, slow to respond to cues from her guests and seemed unable to engage with anyone. The result was a flat, uncomfortable show with a huge identity crisis. Charlotte just didn’t know what she wanted to be and her show only amplified her confusion – Singer? Interviewer? Comedienne? Porn star? Welsh stereotype? She didn’t know and neither did we.

Lily Allen on the other hand is refreshingly just Lily Allen. And her show does exactly what it says on the tin.

My boy, Ben, fancies Lily something chronic and Karen and I both approve. As Karen says, Lily is nice... but not too nice; she’s a bit naughty too. Ideal girlfriend material... though thankfully her admission that she was caught giving head to a boy at school when she was 14 seemed to completely pass our 6 year old by as he busily played with his Lego Bionicles on the floor...

Phew.

The only thing I didn’t like was the premise behind the “& Friends”. This wasn’t a Bruce Forsythe-esque reference to Lily’s showbiz pals but to the audience members themselves. They were all people who’d signed up to Lily’s web page on the BBC site and become her “friend” in the same way that everyone under 15 these days has 547 friends they’ve never actually met / shared an exchange with on their Facebook account. Really the show should be called Lily Allen & Stalkers.

Basically these Lily fans earned their place in the show’s audience pit by submitting embarrassing (probably apocryphal) anecdotes about themselves. You know the type of thing: “please tell us something really zany / rude about yourself for a chance to appear on the show...”

Hence Lily was able to spotlight one lady who’d given her BF a BJ to settle a £500 debt and a man who’d broken his thumb in a rushed masturbatory session that was interrupted by his GF coming home from work too early.

Hardly people you’d like to have as friends – let along want to shake hands with... I mean, can you imagine? Urgh.

There is something ineffably unhealthy about people who are so desperate to get on TV that they’ll happily admit to things on camera that would normally get them lampooned out of their local boozer back home in Nowhereville.

I wouldn’t want them anywhere near my Facebook page... (or my face for that matter).

My advice to Lily is simple: drop the “friends” – you don’t need them.

It’s better to be Lily No-Mates than Lily Nob-Mates.

Backlog And Block

Words, words everywhere and not a word to write.

Or something like that.

I can't even come up with anything remotely clever or "literary" today.

It's been a frustrating week. I haven't been able to do as much writing as I would have liked. The blog has suffered. My novel has suffered. I feel stretched in far too many different directions. I suspect the main reason is I have an essay to write for University and it's hanging over me like the sword of Damocles. In itself it's not too onerous a task to accomplish. 4000 words is pretty meagre by my wordy standards. A couple of days and it'll be done.

However, we've got to come up with our own essay titles.

Sounds a wonderful opportunity doesn't it?

But I'll be blowed if I can come up with a title that doesn't sound limp, lame or just plain lobotomized. I know what I want to write about but I just can't bring it all together into a neat, academically satisfying little package.

Not a global disaster by any means but I'm one of those sadsacks who cannot relax until a set task is completed. I hate having something hanging over me. Absolutely loathe it. Karen on the other hand is happy to leave things to the very last minute. How do people do this? I almost envy her the ability.

Anyway. I feel like I just can't relax and write anything properly or with any kind of enjoyment until the essay is completed... and I'm stumbling at the first hurdle: the title. It doesn't bode well.

As for the picture of Keeley Hawes...

Well. Eye candy. A spoonful of sugar and all that.

Completely unjustified and all the sweeter for it. Enjoy.

Birthdays, OAPS And Asbestos

The high life yesterday – well, as close to it as one can get on local authority wages. I lavished Karen with loads of pressies on account of it being her birthday (I shall be a gentleman and not tell how old) and took her for a wonderful meal at The Saxon Mill, a lovely pub / restaurant just outside Warwick. Tom accompanied us too though he declined the sumptuous menu and instead stuck with his own supply of bottled provisions. Good lad – already looking after his daddy’s wallet.

The low life today – back at work earning local authority wages to pay for the meal and the presents above. No sumptuous meal this lunchtime but instead an asbestos survey being carried out by a third party contractor. Our H&S bods ticking yet another H&S box. I doubt very much that they’ll find anything but it’s got my skin crawling just thinking about it. Not sure why. Does asbestos make you itch?

And the afternoon can only get better. I have about 5 “old dears” coming to see me for some PA system training. They’re members of a local “friends” group who regularly help out the gallery where I work with various fundraising events and organized talks. Sort of an octogenarian WI. Calendar Girls without Helen Mirren, Julie Walters or appetizing jugs of any sort.

For their meetings and talks they like to utilize our PA System – a relatively simple piece of kit that they merely need to switch on. Unfortunately, whether due to their venerable ages or their collective horn-rimmery, they manage to mess it up every single time and then complain that the PA system doesn’t work, blah blah blah, tea doesn’t taste like it used to, blah blah, aren’t policemen getting younger these days and you spring chickens never show us oldies any respect at all ever.

So. I am giving them a free training session today on how to flick a single switch from the OFF to the ON position.

Laugh if you must but it’s your council tax that’s paying for it.

Ne’er Be Well

I had to accompany the council’s Health & Safety Officer on a Health & Safety Inspection of the building yesterday.

It’s one of the many joys of my job.

2 whole hours of looking for trip hazards, checking for correct fire safety signage, electrical service conformity to various regulatory bodies, recommended lighting levels and ergonomic workstation risk assessments... oh bliss.

As you can imagine, I could barely contain myself.

Why is it that all H&S officers are not so much devoid of a sense of humour but lumbered with one so socially inept that they refuse to laugh at anybody else’s jokes while making determined efforts to constantly crack their own?

And why is it that I feel obliged to play along with it?

Anyway, I had to give up faking my laughter about half way round. The cold / virus / bug thing that has plagued me for the last 5 weeks has now plummeted down to my chest and is forcing me to cough and hack up my lungs like an asthmatic coal miner. There was so much sputum flying around the H&S guy ended up looking like Dan Aykroyd from Ghostbusters.

However, inspection-wise we did ok. The guy had to find something to pick us up on – naturally – but it was all minor stuff; easily sorted. Generally though we passed muster.

Good-oh.

I on the hand, handkerchief pressed to my mouth like a consumptive, was condemned as a H&S hazard. If I don’t get better soon I just might find myself Risk Assessed out of a job.

Hmm. Every cloud has a silver lining.

Snooker Loopy Nuts

I’m loving Ashes To Ashes.

I’m loving the music – Visage, OMD, Vangelis – though I’m a little perturbed by how many of these quintessential eighties tracks I still play regularly on my MP3 player. Stuck in a time warp? Who me? (Have I gone back in time? Am I in a coma? Am I insane? Etc, etc...)

I’m loving Gene Hunt’s interrogation techniques – pin your chosen scrote down across a snooker table, spread his legs, line up your cue and slam the pink into the top corner pocket.

Pot black indeed.

I’m loving the clothes and the make-up – white jackets, red and black colour combos, hair swept back on one side, Siouxsie Sioux eyeliner.

But most of all I’m loving Keeley Hawes as DI Drake.

The woman seems to be constantly drunk. Not that she’s a hard ligging boozer or anything; she’s just totally intoxicated by her circumstances...

Unlike Sam Tyler who experienced his time in the 1970’s as a bad trip – all paranoia, angst and the fear – Drake is living her time in the 1980’s as a lucid dream. Her ethos seems to be, as this is all happening inside my head I can do whatever the hell I like.

The result is interesting. It gives her character a tragic-positive spin as she flirts not just with those around her but also with the entire eighties construct that her mind has created whilst retaining an awareness of how badly some of the events she is now reliving actually turn out.

It gives the show a far lighter touch while at the same time allowing it to probe deeply into the blacknesses that lurk on the edges of Drake’s psyche – the death of her cold, calculating, career minded mother for one thing. Drake’s childhood was obviously very dark and I think a few more ghosts are going to come out of the woodwork before the series ends to challenge her glib responses to her predicament.

Yes, in relation to Life On Mars, Ashes To Ashes, is undoubtedly formulaic but to my mind it’s a formula that works. Ashes To Ashes is essentially a mirror to Life On Mars – its missing, long lost twin – with Gene Hunt acting as the bridge between the two. DI Drake is the yang to Sam Tyler’s Yin. The light to his dark. The female aspect to his male.

Quite where Gene Hunt fits into this faux Eastern philosophy I don’t know.

I’m just hoping that DI Drake has the good sense not to challenge him to a game of bar billiards after work...

A Streetlamp Sputters

It’s probably naught but delusion and arrogance on my part but I am convinced that the writers of Torchwood are paying attention to me.

Can it only be last week that I called for a nice, sensitive soul mate for Toshiko – somebody who would revitalize and titillate her feng shui, respond to her dazzling intellect and persuade her to wear lower cut tops and mini skirts?

Ok. So Adam ‘the memory fiend’ was hardly nice or sensitive (though convincing Ianto that he was a serial rapist and murderer possibly makes him a comedian) but he did deliver on the lower cut tops and the shorter skirts. For this alone he has my undying thanks.

The Radio Times blurb for this episode promised that Toshiko would be transformed into a “sexually voracious” vamp.

Oh good-oh!

But what did we get? A tiny bit of spooning on the bed and a bit of moist lipped pouting. Oh and Toshiko’s oft hidden bosom thrust provocatively into Owen’s face. That’s hardly what I call “sexually voracious”.

But I suppose this is the BBC. So what did I expect?

Hence I was a bit disappointed on that score. Sigh... two paces forward and one pace back, etc... but a plunging neckline is still better than a smack in the kisser with a dead alien blowfish.

As for the story. At last! Some decent sci-fi! I was gobsmacked. The script was good, the acting top notch and the plot was actually really well handled and emotive. And they packed an awful lot into one hour.

Most of all though, I felt actual sympathy for all the characters. This is a Torchwood first. A character driven storyline rather than one reliant on BBC standard special effects and second rate Americanisms! Wow! Torchwood in top-notch British drama shock!

Karen and I watched the entire episode in silence and when it was over just turned to each other and said, “That was good.”

Stuff the Baftas, that’s an accolade worth having.

Not Nice To Be Needed

I'm off sick from work again today due to the fact the infection has spread to my other eye: I woke up with my face glued literally to my pillow this morning. Thankfully we're separated now but it wasn't at all pleasant at the time and put me right off my cornflakes.

Another trip to the doctor before lunch resulted in a horrible orange luminous dye being dropped into my eyes so the doctor could check for damage to the cornea. Thankfully there is none. Phew. He's also given me the name of some different sorts of eye drops which I may purchase as and when I see fit as my current ones seems to be causing my eyes considerable pain and aggravation...

But not nearly as much as my place of work.

I've just had a very polite but effectively nagging phone call from one of my work colleagues asking me when I'm liable to return to duties as tomorrow would be a big help because we're expecting a really big delivery of something or other and it would be useful if you were around to help carry it up the stairs to the offices... although there's really no rush as we can easily reschedule the delivery for when you do return...

Sheesh. They're all heart. Waiting for little old me.

Sigh.

I've told them I'll be in tomorrow.

Let's just hope I don't fall up the stairs, break a bone or two and sue their heartless asses for every penny they've got, eh?

Bin Thief

I realize that this event in no way compares to happenings elsewhere over the weekend – oil rig bomb threats and fires in Camden, etc – but it has riled me nonetheless.

Last Thursday the local council delivered to all its district householders green bins for the recycling of garden waste. Karen and I were pleased because (a) we like to think we’re pretty green minded anyway and (b) we’ve got a shedload of chopped brambles and cuttings that need disposing of.

Late Thursday night – within hours of the bin being delivered – it was stolen by a zealous gardener of unknown identity... though I believe in this case this particular Monty Don favoured certain varieties of hop as opposed to hyacinths and hollyhocks.

The next morning, on finding I’d been the victim of a bin-napping, I was rather gobsmacked and more than a little annoyed. Everybody in the entire town is getting a bin. Everybody! So why go to all that trouble to nick one?

To make it worse I naturally rang the council, explained what had happened and requested a replacement bin if at all possible. I was told it was indeed possible but they could only replace the bin provided I gave them a police crime incident number first.

Yes.

I had to ring the police, ask them to halt all their ongoing murder enquiries, report that my new bin was stolen, get a crime number from the disbelieving police officer and then ring the council straight back with it.

Aside: ringing the police took two attempts as the first time I rang I was told they were all at lunch and could I please ring back after 2pm?

Oh how I love the country England is turning into.

I hope the life of whoever has stolen our bin provides them with enough crap for them to make good use of it.

I am now off to the doctors. I woke up with an eye infection today – gummy eye and blurred vision.

I am not in a good mood.

A Nice Drop Of Bolly

Ashes To Ashes didn’t disappoint. Not at all.

If anything it hit the ground running with its shoulder pads glistening in the eighties sunshine. Not unlike Keeley Hawes’ character, DI Drake, in fact. She was sussed, analytical, self aware and responded with breathtaking intelligence to her predicament.

She was also as foxy as hell. As one of Gene Hunt’s sidekicks, Ray Carling, so eloquently put it: she’s got an amazing pair of puppies.

To be fair this comment was provoked somewhat by the fact she’d made her grand entrance into 1981 dressed as a high class hooker. A sure-fire way to grab everyone’s attention. I must admit I found myself wondering if this guise was a cheeky play on Keeley’s name – Keeley Hawes.

Geddit?

Sorry. Couldn’t resist.

Anyway, I admit I had reservations regarding Ashes To Ashes. Life On Mars was such an amazing show that I couldn’t help but feel that any spin-off would be at best second rate and a cheap, easy-write tie-in to boot. So it was really great to discern that Ashes To Ashes has enough strength and power of its own to stand on its own two feet and give Life On Mars a bloody good run for its money. There’s a different feel and look to the show – not just because of the eighties mis-en-scene – but also embedded in the writing itself. The style is lighter and more humorous though without any loss of depth. The dialogue is sharp and slick. The action has substituted a little of the stodgy 70’s grit with an injection of eighties gloss and glitter. And the music... ah the music is wonderful. This was my era. It feels like coming home.

Just hearing The Passions’ I’m In Love With A German Film Star sent shivers down my spine. Dedicated readers of this blog will know how much I adore this track...

Philip Glenister as Gene Hunt is brilliant. Brooding, uncool yet cool, flippant, sexist, bullish and the most quotable cop on TV since, well, since John Thaw in The Sweeney. But there’s a softer side to him now too. He’s more aware of himself. Aware of the constraints that his police force now operate under. There’s a caring side to balance out the tit-grabbing misogynist – the scene where he puts a blanket over the sleeping Drake was a nice touch.

The references to Sam Tyler from Life On Mars are intriguing too and up the mystique. Apparently after 7 years with Hunt’s team he died... but no body was ever found. This leaves us to speculate pleasurably on his whereabouts – has he died, passed over, moved on to somewhere else? Who knows? It’s just nice to wonder.

Mostly though Ashes To Ashes works so well and so boldly because of Keeley Hawes’ canny portrayal of DI Drake. She’s not as confused or as lost as Sam. She’s sussed. She’s quick and intelligent. Razor sharp in fact. She knows exactly where she is and has some idea of what she needs to do to get herself out of it. Her continual wry analysis of her predicament, far from lumbering us with a tedious, unnecessary narrative, actually lends the show a witty, incisive underpinning. It also adds a fabulous fire and panache to her interactions with the dour Gene Hunt (who is self aware and wry in a different way).

In fact the relationship between Drake and Hunt is the real star of the show. Mutual attraction and revulsion is equal measure. Sparks and spit flying with every word and look. Marvellous. Full of potential and great to watch. I’m not sure who is going to hit who first.

Bliss.

I’ve a feeling that the further adventure of Gene Hunt and “Bollinger Knickers” are going to become essential viewing over the next few weeks. I’m breaking out the shoulder pads already...

Meat Feast

I wasn’t going to write about Torchwood today, saving myself instead for the Gene Hunt-esque glories of Ashes To Ashes tonight but last night’s episode just sparked off far too many thoughts for me to leave it alone.

Firstly, the plot revolved around a huge alien that some nasty men were carving up alive as a source of cheap meat. No matter how much they sliced off, the thing just kept regenerating and growing bigger and bigger.

Now that’s what I call a real cash cow.

Anyway the alien looked like a cross between a huge meatloaf with eyes and a giant sock puppet from Playschool circa 1975. I half expected it to have coat button eyes. Even more curious, Captain Jack seemed to empathise with it in a closed-eyes, hands held out, hippy kind of way.

I’m not sure what the writer’s were trying to suggest with Jack’s latent ability to identify with a humungous piece of meat but hey...

Also the entire Torchwood team ended up in the back of a meat van (curiously un-refrigerated) at one point. Again, I found myself wondering if this was at all significant or symbolic...

And Gwen.

Gwen, Gwen, Gwen. Bless her freckly gap-toothed cutie-pie face. She did a lot of impassioned reasoning with her boyfriend, Rhys, last night. Lots of fists clenched tightly and slapped rhythmically against her admittedly impressive bosom.

It reminded me of someone and it took me until the end of the episode before I finally twigged who it was.

Bonnie Tyler.

I’m not joking. Acquire a clip of Gwen with her little fists hammering against her own chest furniture and stick “It’s A Heartache” behind it and I swear to God you will not be able to discern the difference between the pair of them. Gwen and Bonnie that is.

And finally... Ianto is doing his best to turn into Patrick Macnee and Tosh is chasing Owen. No no no to the latter. Owen is patently wrong for Tosh. She needs a sensitive soul who can revitalize and titillate her feng shui, respond to her dazzling intellect and persuade her to wear lower cut tops and mini skirts.

Oh and possibly thigh-length boots (stiletto heels optional).

Owen is too rough and, dare I say it, too tiresomely chauvinistic. And he has a mouth like Morph from Take Hart. Hardly suitable boyfriend material for a delicate Asian wallflower.

Other than that did I enjoy it, I hear you ask...

Curiously yes. Oddly emotive and decently weighty.

One big annoyance though: Gwen’s boyfriend, Rhys. What is she doing with him? The guy is a buffoon. A plonker of the first order. He sees an alien himself but then refuses to believe Gwen when she reveals that she sees them on a daily basis. Gah! The man is a huge, lumbering, brain-stem free, meat-head.

The nasty men should have been carving him up instead...

Another slice, anyone?

Ketchup

This is going to be a very messy post I’m afraid.

I seem to have been all over the place of late, constantly trying to catch up on my life and not at all succeeding. I owe far too many people emails. I have little projects around the house which I’m no nearer to completing than I was over the Christmas break. My novel, although not at all falling by the wayside, is languishing slightly under the cold shoulder of relative neglect... I’m still plugging away at it but my progress has been slow over the last few weeks. I just haven’t been able to spend enough time getting back into it after the New Year hiatus. Not that it’s doing too badly: 102,100 words and counting... just counting extremely slowly.

I can’t deny it; my energy and inspiration levels have dropped significantly since the New Year.

I’m sure it’s just a seasonal thing but I do find under achievement very frustrating... even though the old plate is actually pretty full at the moment. Karen’s mum is still in hospital though Karen hasn’t visited her for a week or two due to illness – she and Tom and myself have all been afflicted with the post-Christmas lurgy that’s been doing the rounds. Plus Tom is having periodic bouts of teething and is currently recovering from the mother of all nappy rashes. None of which is conducive to sticking a baby into a car seat for 4 hours to drive up and down the country to visit someone who doesn’t even appreciate it.

Sorry. I was going to give the anger thing a rest.

University continues well though, even there, I can tell that I’m slowly reaching the end of my tether. Another 12 months and it’ll all be over and I’ll be indescribably glad. The constant outlay of money and energy is wearing me thin. Doing a part-time degree has been great in many respects – I certainly wouldn’t have been able to do it otherwise – but 10 years slogging back and forth is way, way too much. I’m happy to commit to long-hauls but even I have a limit.

The web site business also continues apace. A constant background hum of extra work and toil sloshed onto my plate. It’s time consuming, tiring and frequently tedious but it does bring in much needed extra money. And God knows I need it – I’ve got Karen’s birthday fast approaching this month plus Valentine’s Day on top. My budget is as shot as a suicide bomber in Dimona. Sorry. Bad taste. But topical. And really I’m finding that difficult at the moment.

And TV at the moment – usually my hardy standby in terms of blog-worthy material – is ineffably flat. Sure there’s Torchwood and there’s Lark Rise To Cranford. And Ashes To Ashes starts this week... but it’s not impinging on me like it used to. I have no real enthusiasm for new stuff at the moment and it’s frightening. About the only thing that’s excited Karen and me with regards the telly is working out how to use the Catch Up TV feature on our Virgin box. But this just means we’re watching “old” stuff out of sync with the rest of the country. Lost in our own private TV schedule.

All in all I feel like some kind of weird psychological hibernation process is occurring in my brain. Like I’m not fully engaging with the world around me. Like I’m a record being played at the wrong speed. Mind you as long as it’s not Whitesnake I really shouldn’t complain too much.

Mainly though I’m just annoyed with myself. Annoyed because on the whole I have very little to complain about so why am I so full of moans? Other people are having a much rougher time. I’m just feeling a bit blurgh. And that hardly makes for a decent blog post.

At War With The World

I’m not sure who fired the first shot but the battle lines have undoubtedly been drawn this morning. My enemy seems to be everywhere. Not in full view like a Napoleonic regiment but instead secreted behind every window and street corner... a host of snipers hidden at every vantage point as I go about my day to day business.

There’s nothing fatal about their attacks but they’re debilitating. Their ammunition is irritation and annoyance. They’re fighting a war of attrition to wear me down.

And it’s working.

Every job I undertake is interrupted with the pressing needs of three others. Keys required for various work tasks seem to just walk away by themselves or vanish into thin air. My computer is on a go slow – I’m not joking; my paperclip tray has more processing power than my PC at the moment. My telephone is refusing to work... I swear to God it is connecting to numbers that I haven’t even dialled.

And my pens.

Even my pens have turned against me.

I got into work this morning to find their tops have all mysteriously been chewed over the weekend.

I, personally, do not chew pens. I do not chew pencils, crayons, biros, paint brushes or anything in fact except food. I don’t even chew chewing gum.

So how the hell has that happened? Or perhaps rather, why?

If the world wants to fight dirty, so be it.

As of now the gloves are off.

A Load Of Tosh

Actually, despite the title, this is going to be a favourable review of last night’s episode of Torchwood...

At last we were presented with a story that had depth, emotional content and decent social commentary. It also made far better use of Toshiko than her usual sidelined role of pretty-but-not-pretty-enough-Asian-geek-girl-in-the-background.

I have to confess that Toshiko has grown on me. Out of the all Torchwoodies she’s my favourite by far. Gwen I’m still ambivalent about: nice hair, nice eyes, but annoying trailer park attitude. Toshiko is quietly intelligent and the most morally upright member of the team.

And yes, she’s another brunette but that has no bearing on my opinion at all. Honestly.

Anyway yesterday’s episode revolved around a shell-shocked soldier removed from 1918 and cryogenically frozen by Torchwood in order for him to be reinserted back into his own time and so close up an immense rift in time that was forecast to destroy the world in 2008.

But let’s not get bogged down with the science.

This poor guy had been awoken / thawed out once a year since 1918 (and then refrozen) to give him a breath of fresh air, a walk in the park and to make sure that “everything still worked”.

I have to say that Toshiko was very thorough in checking that all his parts were still in working order. Having been his guardian on his previous “awake days” she’d fallen head over heels in love with him...

Geez, but Tosh needs to get out more! 4 dates in 4 years and she’s smitten?!? I’m not saying she’s easy but...

Sorry, ignore my ingrained and in-growing cynicism. It was actually a very touching relationship between the two of them, aided somewhat by Toshiko’s inherent shyness and social ineptitude and the young soldier, Tommy’s, fragile and wonder-filled state at being removed from the conflict of WWI and being allowed glimpses of the world that slowly formed in its aftermath.

And the fact he called Tosh a “daft lass”.

Hey, you may scoff but it got Tosh into bed and young Tommy showed what he was made of by going over the top with his bayonet fixed. Or something like that.

The clash between 1918 and the present also allowed the writer’s to critique the modern world – nothing too astounding or earth shattering here and nothing that hasn’t been done before but it was all expressed rather nicely and personably. As Tommy says: they fought the war to end all wars and then 3 weeks later (from his perspective) there was another one. What was the point of it all?

Cue sad and weary bout of naval gazing.

Of course it had to end. Badly for Tommy and Tosh but well for the rest of us. Tommy had to go back to 1918 when the time rift threatened to pull reality and the whole dang future down into the pan... unfortunately, according to the records from 1918 it was plain that Tommy’s condition, like so many struck down with shell-shock at the time, was hardly met with kindness and understanding by the army top brass. A few weeks after his discharge from hospital he was sent back to the front, suffered a relapse and was summarily executed for cowardice.

Thank you for saving the world and any last requests?

Bang bang.

Hey but at least he’d got a chance to smoke a last cigarette post coitus with Tosh.

That’s not too bad a way to go and in terms of the “big push”... at least the earth moved for them both.

The Grundies

It could be the pall of fog that has descended over the Midlands. It could be the cold that has swelled up in my respiratory passages like a water filled balloon. It could even just be the time of year...

But I feel like pants this morning.

And not nice, saucily exotic pants either but dull, off-white, verging on grey pants with a bobbly gusset.

In the great Pantheon of the Pant Gods, I have been transfigured by the Pant God of Death and Depression.

My elasticised waist is ropey and loose. I’ve gone horribly baggy around the back. The fabric around the front is wearing unpleasantly thin. And the less said about the skid-marks on the left inside leg the better.

I need a makeover but boxers and G-strings just aren’t my style.

I’d go commando but I have strong pacifist leanings.

Sports briefs on someone as naturally sedentary as myself just wouldn’t wash.

And as for fig leaves... well, they bring me out in a rash.

Geez. Is there really no other alternative but ladies underwear?

Aren’t I depressed enough without having to shop at Ann Summers for myself...?