The World's Favourite Banker

I didn't set out to watch Gary Barlow: On Her Majesty's Service, truly I didn't. I was just waiting for The Apprentice final to begin and found myself pitched in at the half way point.

About five minutes after that I wanted to retch up my spleen.

Oh I know the whole premise of the show was a huge Royal arse-kissing exercise with Gary Barlow puckering up his nice-boy-next-door lips and wiping off the residue with a napkin but I was gobsmacked at just how far the ex-Take That frontman was prepared to go in service to Her Majesty.

And can I just say right here, at the top of this mountain of invective, that I genuinely have no beef with The Royals. I am not anti-Royalist by any means though at the same time there is a noticeable absence of bunting from around my domicile this Bank Holiday weekend. I am a jockey who quite spectacularly rides the fence named "Couldn't Care Less Either Way".

I can only suppose from the title of the show that we were meant to see Gary as some kind of James Bond character, travelling the globe on a "mission impossible" to sample as much musical diversity as humanly possible armed only with a state-of-the-art laptop and a boom mic operator. In the last half hour that I saw Gary skipped his way across Africa, Jamaica, Australia and The Solomon Islands.

James Bond he wasn't. Suave and sophisticated he most certainly wasn't.

He was a stiff Englishman in a pair of shorts. And as patronizing as all hell.

But in a nice way. I need to stress the niceness of it actually. He was nice. He went out of his way to be nice. To be above and beyond nice. To stretch nicety to the point where a normal human being's mind would bow and bend and finally snap itself into the irredeemable realm of psychopathology.

He told a group of African musicians who had fashioned their own instruments from rubbish that their music was nice. He told an Aborgine classical guitar player that his music was really nice. Really, really nice. Hey, he was really pushing the boat on that one. The Aborigine guy had an English interpreter, prompting Gary to ask of the guy spoke English. Yes, Gary. He speaks the Queen's English better than you or I, the interpreter was there to convert his 1950's BBC tones into Mancunian slang the better to swing the meaning past your cloth-eared brain. After recording the quite superb guitar playing, Gary turned knowingly to the camera and said that he reckoned Mr Aborigine knew more English than he was cracking on... Gary nodded sagely and lowered his voice an octave to show that a great pearl of wisdom was about to drop out of his beared maw, "Just like the French."

Christ, if that is James Bond abroad then the British Secret Service is truly fucked. Musically we've been buggered for years.

And the end result? The masterpiece cobbled together by all this globetrotting?

They played it to the Queen with not only Gary present but also Andrew Lloyd Webber. I'm guessing his face was there to provide effective distraction from the music. The Queen sat tense and stiff like she was passing a gall stone. And that was before they'd even started playing the CD.

The song was bland. The song was forgettable.

It was... nice.

Gary had tried to capture the music of the world (or to be exact the Commonwealth) in the hope of coming up with something original and groundbreaking.

Instead all he produced was the background music to a bank advert or British Airways.

As the final notes faded out, I expected the voice of Sir Michael John Gambon to intone "HSBC - The World's Favourite Bank", just before the visuals cut to a stylized atlas highlighting all the cities of the world where you can get really appalling service from your bank.

The song said nothing about the Queen or the Jubilee or Britain or anything. The only thing that was Royal about it was one sample of Prince Harry slapping a tamborine about halfway through the song, and to be honest, I don't think Fairport Convention are going to be in a rush to sign him up.

What an enormous waste of money, energy, time and life. For you, for me and for The Queen.

Next time, Your Maj, might I suggest Engelbert Humperdinck?

Five Ring Circus

I’m not a fan of the Olympics.

Or any kind of televised sports thing really. I don’t particularly enjoy Wimbledon. Horse racing gets my goat. Motor racing just sounds like a bunch of kids shouting “eeeooow” into a biscuit tin. Football I absolutely loathe. And golf is just stupid: a stupid sport to play, a stupid sport to go and watch and an even more stupid sport to attempt to televise.

I don’t do sport. I really don’t.

I even hated it as a kid. I hated playing it at school. Football, rounders and, worst of all, cricket. I’d be one of the last to be picked for any team. I was always in the last 4 which is great if you’re a contestant on The Apprentice but not so great when you have all the cool kids lined up looking at you, trying to work out whether you’re more or less useless than the Buswell twins or Alan Winyard who would inevitably be the three other guys left waiting with me. To my dubious credit I’d be picked before these guys. I could catch a ball and, in football, had a dogged but ineffectual determination which made me ideal defender fodder. I was like a gnat worrying a bull a lot of the time. But at least I did something. I could be patronized with the best of them too – I made man of the match once for scoring a fluky goal. But even that success didn’t convert me.

I hated watching sport as a kid too. Sport on the telly meant no cartoons or James Bond film. It meant painfully long Saturday afternoons in the 70’s with Dicky Davies and World of Sport. It meant my father watching football, motocross, rugby and then the interminable hour of the football results through teatime. I consider it progress that my boys will never have to suffer the hell of “Plymouth Argyll 1, Queen’s Park Rangers 2” uttered in a TV voice drier than Barbara Woodhouse’s ashes.

So I will not be getting on board for Olympic fever. Up until now I haven’t even bothered myself to write about it. It’s felt like the recession. It’s there, we all know it’s there, why waste our breath talking about it? But this torch thing. It’s everywhere. It’s coming to my home town. It’s coming past the building where I work although I’m not allowed to talk about that here. Every day there are updates on the TV about where the torch is right now and which paraplegic bus conductor is currently carrying it another mile on its journey.

Stupidly I thought there was just one torch and, in the true nature of a relay, it would get given to the next runner, and the next. But no. Everyone gets a new torch. Seems a phenomenal waste of money to me but then what a perfect metaphor for the whole event. I believe some of the torch bearers are even selling their torches on eBay. I’m tempted. I really am. You’d get a helluva lot of ice cream in one of those cones.

I won’t be watching the Olympics this summer. Aside from the opening ceremony, that is. That might be worth a laugh. I’m hoping Boris Johnson will leap out of a double-decker bus, naked apart from a pair of Austin Powers glasses and some novelty sock suspenders. After that I’m switching off. I’ll be hitting my DVD boxed sets or, if push comes to shove, Dave. I’m deliberately not coming to the party or joining in.

I suspect it will just be me, the Buswell twins and Alan Winyard but you know what? For once I don’t care. I’m deliberately not picking myself for the Olympic team. I’m happy to be left out. Happy to be less useful than those of you who can throw a ball straight.

Sport always kicked me in the shins and made me feel less worthy. It took away my dignity and my self-confidence. It made everything a competition that only the biggest and the fastest could win.

So I am boycotting the Olympics; boycotting it in honour of all of us who were too knock-kneed and too pigeon-toed to be any good at sport. I’m doing it for the Buswells. I’m doing it for Alan Winyard.

And most of all I am doing it for the British Olympic team.

Go Team GB! Go!

I know you won’t let me down.

Don’t Keep Pushing The Button

Ask people if they believe in fairies and they just laugh.

Ask them if they believe in Father Christmas and they show you their credit card bills with a sour look on their faces.

And yet worldwide belief in various urban myths still persists.

I have seen it with my own eyes this very afternoon.

I think you all know the one I’m referring to. The one that says repeatedly pushing the button on a Pelican Crossing will make the green man appear quicker because some kind of magic device exists inside it that counts how many times the button is pressed and then exponentially curtails the time the traffic has to enjoy its right of way on the road.

I saw a girl giving the pelican crossing the ol’ frenzied single-finger-jab when I nipped home at lunchtime today. Not once. Not twice. But for literally 40+ times this paragon of patience pressed the button. Click-click-click-click-click. Like a nervous tick. Like a machine gun firing on empty. Like Alan Cummings pressing that bloody biro on and off at the end of that crappy James Bond film with Pierced Bozo in it. Goldmember. Japeye. Golden Dawn. Or whatever it was called.

Normally I keep myself to myself. Normally I don’t get involved. But today I had to curtail an overwhelming urge to point out to her that pressing the button with such repeated ferocity would have no positive effect whatsoever.

It’s like pressing CTRL-ALT-Delete on a computer. You can press it as many times as you like but the CPU logs one request only and then eventually acts on it.

Actually, I don’t know if that’s true or not but it sounds good.

You press the button and the automated traffic control thingie then factors in a single pedestrian crossing instance in that particular traffic cycle. The traffic cycle remains as long as it usually is. It won’t be hurried. It won’t be harassed. It won’t be bullied. It can’t be persuaded to stop all traffic instantly and allow you to strut across the road like the king of the walk. Neither can it be pressured into extending the length of the pedestrian crossing instance. You gets your go and that’s it.

The priority at the end of the day is to keep the traffic flowing.

Pedestrians are second-class citizens. The green man is not in love with you. He works for the car people and the car people alone.

Or am I wrong? Am I being far too pragmatic about this? Have I missed a trick in my Green Cross Code atheism?

Is there indeed a little leprechaun inside the pelican crossing who’ll stop the traffic for you if he likes the look of your face / arse / Uggs? Is that why I’m always left waiting for ages for the green man to appear?

If that’s the case I may have to write to the Easter Bunny to complain...

Liar Liar

First and foremost I’d like to point out that this post is not just a lame excuse to publish a saucy picture of the fulsomely lobed (cerebrally, naturally) Victoria Coren. OK? I would never stoop to such transparent tactics.

Am I lying? Well, just look into my eyes and tell me.

Am I? Am I?

You see, in my continued quest to ramp up my monthly earnings (and thus keep the wolves from my door) I have been reviewing all sorts of options to make a little bit on the side. To earn a little bit more. To acquire a little extra tin.

I’ve followed the normal roads of enquiry: a second job, the “work from home” ads in the Classifieds, selling stuff I don’t want on eBay, selling stuff I do want on eBay, selling stuff I need on eBay (do I really need 2 lungs for example?), the white slave trade and prostitution... but I either don’t have the energy, the time, the legs or the clean bill of health from a trustworthy GP to make these options viable.

So I’ve been looking into the B list. The B list is made up of dodgy, cat in hell’s chance, money making ideas. TV competitions. Pub quizzes. The Lottery. Betting on the horses. And, finally, playing poker.

And it reminded me that some people – some quite high profile people like the blondesome brainiac that is Victoria Coren – make a decentish living playing poker. I used to think the poker playing world was made up of swarthy, cut-throat types who wear sweaty white suits and those weird green visor thingies to try and hide the look of abject constipation in their eyes but Victoria Coren (courtesy of Google Images) and, indeed, the BBC’s Hustle assure me that actually the poker playing fraternity is made up of honest-to-God salt of the earth types who might actually surprise you with their choice of University degree.

Therefore this could plainly be a viable career move. And I reckon I could pull it off. I mean, I can keep my face straight whilst screaming inside with the best of them (I’ve been a local government employee for nearly 14 years).

The only problem is I don’t know how to play poker. I have never learnt. Whenever poker games appear in James Bond movies I shuffle uncomfortably because I just don’t understand all that 3 pairs, royal flush, aces high bollocks. I’m just guessing that the rules are nothing like Snap.

But I think I would be rather good at poker nonetheless. Because when it comes to card games at least (not so good with sneaky Friday nights at the pub) I am a damn good liar. I can remember playing Liar Liar* as a young twenty-something and outfoxing everyone. (Liar Liar is the game where you have to get rid of all your cards by announcing you have, for example, 3 twos – you then put down your 3 twos face down. The trick, of course, is to put down 3 cards (or however many) even if you don’t have enough of the same numerical amount to make a grouping. If people call you – by saying Liar Liar – and you are proven to have lied you have to pick up ALL the cards that have been previously put down.) I was a natural and people would frequently miss when I had lied and mistakenly accuse me of lying when I had in fact told the truth – thus earning the forfeit themselves. God, what a card-sharp, I was.

Those were the days.

Pity we weren’t playing for money. Or playing strip Liar Liar with Victoria Coren... those photos would go down a bundle on eBay.

So anyway... I can lie like a barrister when I have a deck of cards in my hand. I just need to be taught the rules of the game.

Any poker aficionados out there willing to take on an apprentice? I’ll split my winnings 70/30? Come on, that’s got to be a good deal! Money for practically nothing!

Victoria, if you’re reading this, I’ll make it 60/40 but you might have to lose a few items of clothing... (and you know I’m not lying).

Call me?

*Also known as Cheat.

Credit Where Credit’s Due

I came to the Millennium trilogy unfashionably late. People at work had raved about it. My wife had raved about it. I found their raving off-putting. I am naturally rave averse.

But the wife sneaked under my rabbit proof fence of assumed taste and invested in the DVDs of all 3 movies – the original Swedish ones starring the magnificent Noomi Rapace as Lisbeth Salander. I was hooked. And further gratified when Karen bought me the books for my birthday last year.

And so it was that I came to add myself belatedly to the Stieg Larsson fan club. I can now see that my resistance was childish and ultimately self defeating. Sometimes when people rave about things it is for a very good reason: they are worth raving about.

Holding the Swedish films in such high esteem, then, it was with nervous apprehension that Karen and I went to see the new English speaking remake of The Girl With The Dragon Tattoo starring Daniel Craig and Rooney Mara last Friday. Would it live up the original? The cast was excellent but that’s not always a guarantee of a great film. Would they botch the whole thing and have Larsson turning in his eco-grave?

Larsson can rest easy. It was a superb adaption – in many ways superior than the original. More of the story is covered. Admittedly parts are compressed or various elements brought together into a single composite, but on the whole it was all there. The settings were excellent – weirdly this version seems to capture my idea of Sweden so much more than the original. Sometimes it takes a foreigner's eyes to see how things really are, I guess.

There were naturally a few bug bears: the Millennium magazine offices and team are a lot more plush and populated than those of the books. Sometimes newspaper headline appeared in English (the ones we needed to understand) and others in Swedish. I would rather there was consistency here. But these are small complaints against the backdrop of an excellent film.

It is an intelligent and sensitive adaption. It pays much homage to the original and yet remains truer to the book than the first film. In a lot of ways it reminded me of the True Grit remake in this respect. The cast are excellent. I can’t really fault anyone. Does Rooney Mara match up to Noomi Rapace? It’s a close run thing. Rooney was stunning and carries the film seemingly without effort. For me Noomi will always edge it – “edge” being the operative word; Rooney wasn’t quite edgy enough – but Karen thought that Rooney’s rendition of Salander was much more closer to Larsson’s original literary creation. So there you go: each to his or her own. Either way – whichever film you choose to see – Larsson’s metaphor and symbol for the abused woman getting her own back on male dominated authority is magnificently represented and portrayed.

Daniel Craig gives good service as Blomkvist. Laid back, intelligent, approachable and yet also a little cold. That old Swedish charm. His relationship with Salander is somehow more fully realized in this version than in the Swedish. Robin Wright is excellent as Erica Berger and, for me, encapsulated Larsson’s character perfectly. Just as I’d imagined her in fact. Joely Richardson didn’t quite work for me as Harriet Vanger but appears only twice in the film: I can let it go. Everybody else steps up the plate and delivers faultless performances.

My only complaint – and it’s possibly a petty one – is that the opening credits are wholly, monstrously inappropriate. Music by Trent Reznor, slick CGI animation that is overblown and overly sexualized in a way that does the film and Larsson’s story a huge disservice. It was like a rock video or the opening to a James Bond film. I actually thought we’d ended up at the wrong screen it was that bad. Imagine Downton Abbey with an anthem by Lady Ga-Ga. Or Wallander with The B52’s providing the incidental music. It was that incongruous. Reznor you’re an arse. Did you even read the book? Or did you just look at the title and think “girl with a dragon tattoo? Yeah! Let’s rawk!”?

Go see this film. It’s set the bar high for the rest of the year. Just make sure you buy your popcorn while the opening credits are rolling through...



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All Because The Lady Loves...

My darling wife, you will have noticed the droplets of moisture dappling the table around your beautifully wrapped box of chocolates this morning. You will no doubt be imagining my high dive from gargantuan sea cliffs into the foaming ocean below and my desperate doggy-paddle against the ferocious waves to reach the pristine lines of the white yacht whereupon you were languorously awaiting the arrival of your assorted soft centres from Thornton’s. These droplets are actually evidence of the sneezing fit that overtook me shortly after my arrival due to the man-cold that has plagued me for the last week or so. I hope they will not diminish the pleasure you will get from consuming these wonderful chocolates.

You will also have noticed the specs of blood upon the envelope of your Valentine’s Day card. These are not, as you might think, the residue of a desperate fight to the death with suicidal ninjas who to a man wielded Hattori Hanzo blades that had been folded 1400 times and sharpened with the beaks of sea turtles in a bid to prevent me from delivering my Valentine’s Day gifts to you. They are the remains of a nose bleed that befell me after I tried to clear my sinuses for the umpteenth time with a 3-ply sheet of the finest Kleenex.

And that mud on the carpet that you can’t fail to have spied is not, alas, proof of my foolhardy sprint through a freshly lane minefield, my bloody crawl through barbed wire and my swim through crocodile infested sewer pipes as I attempted to reach the shops in order to buy you that DVD that you’ve always wanted. It is mud from the grass verge down the road where, head spinning and nose streaming, I temporarily lost my balance and stumbled in the rain and got myself plastered in Leamington clay.

And those red roses, a dozen of them, were not snatched from an enchanted forest guarded by belligerent dragons that spat acid and breathed fire, but were paid for upfront at a local florist guarded by a little old lady with bifocals and a perm who wore fingerless mittens against the February cold and operated her PIN machine with great aplomb whilst ignoring my constant sniffing.

My darling wife, I may not be the man in black, James Bond or Jason Bourne, but I am more than willing to battle the vagaries of man-flu just to prove my undying love for you.

Surely there can be no higher sacrifice?

Happy Valentine’s Day, my sweet!

P.S. Please save the coffee centres for me.

Quantum Physics

Karen and I reintroduced ourselves to cinema life last night by calling in our trusty babysitter, T, and heading off to see the new Bond movie "Quantum Of Solace".

"Casino Royale" had impressed us hugely – Craig’s taciturn but intelligent thug at last restoring the Bond franchise to something approximating its glory years when Connery was at the helm / trigger. Craig didn’t so much as hold the screen as pin it down in a head-lock, bloody its nose and then pour an expensive but rejuventating cocktail down its throat.

Viewers choked in ecstacy. Had Bond ever been this good?

But that was then. This is now. The question last night was: could Craig do it again?

Cut to the nodding dog from the Churchill adverts. Oh yes.

Craig has brought a good old fashioned physicality to the role that Bond had been missing for years. Since Connery in fact. Timothy Dalton did his best to give Bond a raw edge but he was too stiff, too stilted – the scripts didn’t allow for any depth or humanity in Bond’s psychological make-up. Dalton’s bond buckled under the pressure.

Not so with Craig. There’s a living, breathing human being behind the suit, behind the gun sights. One that is damaged, finding it difficult to process his emotions. His taciturnity is due to emotional trauma rather than robotic detachment. It speaks volumes as opposed to obscuring any sense of the man.

But it’s not overdone. Bond isn’t a soap and never should be. Bond’s inner feeling are very deftly, very lightly touched upon but never exploited for a quick bit of meaningless shmaltz. We see a flash of emotion but then it is masked – an action that in itself hints at a profound inner vulnerability – and then Bond (over) compensates with some breath-taking, "horribly efficient" violence. Bond hides behind his suit, behind his job. Behind his duty. His depths have complicated shadows and I’d much rather see those as Bond’s 'schtick' than Moore’s wetly debonair tailor’s dummy quips and eyebrow jerks.

I like the fact that there are fewer gadgets in this incarnation of Bond. The opening car chase is a case in point. No bullet proof glass. No missile launchers hidden behind the headlights. No oil jet hidden beneath the exhaust.

Just hard-crunching steering wheel action, lethal slivers of glass peppering the lens and a quick grab for the machine gun lying on the passenger seat. Bang bang. You’re dead. Eff you.

There’s a continuity to the plot that works too. It has the effect of widening the scope of the Bond world, fleshing it out. Gives it a much needed integrity. Nothing is happening in isolation. Some of the characters – both heroes and villains – reprise their roles from "Casino Royale". This both hints at and creates a sense of history, a sense of place. There’s a bigger story unfolding in the Bond world that isn’t going to be snappily concluded in the destruction of the bad guy’s base.

Because behind this bad guy is a bigger bad guy. Or in this case a whole group of them and there isn’t a white pussy cat to be stroked between them. Bond’s new arena of espionage and spy chasing owes much to the Bourne films, I feel. This world is muddy grey not black and white. There’s a tacit acknowledgment of double dealings by the UK government, paying off bad guys where necessary, funding coups, allies screwing each other over out of self interest that would have been unthinkable in early Bond movies. But these murky waters allow Bond to embody an amoral purity. He doesn’t do deals. He doesn’t care about the money. He hasn’t got a retirement plan. His methods are direct, irreverible and (cinematically) just.

He’s a rogue agent. But he’s our rogue agent and that makes everything alright. He’s both the underdog and the superior overlord.

Nobody can touch him.

But the impact can be felt from miles away.

Welcome back Mr Bond.

Blofeld Is My Next Door Neighbour

It’s not often that my hometown makes the national news (winning Britain In Bloom for the umpteenth time running is never front page material) but when it does it does so with style.

You’ll all no doubt have heard the news of James Bond’s fabled Aston Martin taking an unnecessary nosedive into some picturesque Italian lake on route to the film set of “A Quantum Of Solace”...

Well, it’s with a quantum of pride that I reveal that the driver hailed from good old Leamington Spa... the small Midland’s spa town that brought forth such luminaries into the world as Aleister Crowley, Terry Frost and yours truly.

And now we can add Fraser Dunn to that list, the hapless driver who lost control on a steep mountainous Italian bend in wet weather and took out Bond’s trademark wheels big time.

Fraser escaped unharmed (naturally) and merely brushed off his tux as the car was craned out of the drink by Italian contractors. Reports that the lake was filled with remote-controlled sharks with lasers attached to their foreheads are so far unfounded.

Mr Bond himself was unavailable for comment being up to his hips in posh, busty totty but Blofeld was heard to scream a tirade of curses before pounding his pussy to death in angered frustration.

Er...

Or have I got that the wrong way round?

Casino Royale

N.B. Spoiler warning!

Karen and I saw the new Bond movie yesterday and were absolutely blown away by it. Daniel Craig is the best bond in years and in my opinion even gives Sean Connery a run for his money. Anybody who saw Craig’s performance in Layer Cake wouldn’t have had any doubts as to his ability to make the Bond role totally his own… frankly I’ve been amazed at the dissenting and doubting voices which, sensibly, have been very much in the minority.

Craig’s Bond is blond, brutal and cold and for the first time since Connery an uncomfortably dangerous animal. Unusually for the modern Bond we see him kill with his own hands, up close and personal, strangling one enemy to death and drowning another in a sink basin. There are no deaths by ridiculous gadgetry in this film. When Bond fights his style is economic and purely functional – and far more believable than the idiotically suave Moore or the choreographed automaton of Brosnan. There’s a coldness about Craig which suits the role perfectly – the coldness of emotional armour not of disinterest and this distinction is important. The latter would displace him too much from the audience’s emotional radar. As it is we connect with Bond and root for him but are pushed away from him in the same way that he keeps the other characters in the film at arm’s length. And of course we react in the same way. The more we are kept at bay by Bond’s emotional armour the more compelled we are to stay close to him and urge him on. Craig’s Bond has something that’s been sadly lacking in most Bond’s since Connery: charisma and true magnetism.

The action sequences are impressive and gritty without resorting to the usual Bond-esque extravaganza of trashing absolutely everything in camera shot and the humour is richly dark and adds to the blackness rather than undercuts it – the scene where Bond is tortured by villain Le Chiffre is a case in point. You will shift uncomfortably in your seat as you watch it.

There’s plenty of eye-candy for both sexes – Craig’s blond good looks complimented by the brunette fulsomeness of both Caterina Murino as Solange and Eva Green as Vesper Lynd. Even Dame Judi Dench as M manages to smoulder – not bad for a woman old enough to be drawing a pension!

Although the plot sometimes lacks truly unexpected twists the direction is good enough to make every second of the film satisfying nonetheless. Even though we know that ultimately Vesper Lynd is going to die her death scene is still shockingly disturbing and horrific – we watch her drown with an intensity that is somehow very intimate and affecting. We know that Bond’s revenge is going to be suitably unforgiving and magnificent and this sets us up rather nicely for the next instalment…

And I for one hope that it won’t be too long before it reaches our cinema screens.

Welcome back Mr Bond.